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Thursday, Mar 20, 2014
Ted Gioia's piece "Music Criticism Has Degenerated Into Lifestyle Reporting" spread like wildfire, and Jody Rosen's response was equally compelling. While the debate rages on, these two critical titans are highlighting a changing of the critical guard that is happening slowly and begrudgingly.

If you somehow didn’t know Ted Gioia’s name before his article on the Daily Beast, “Music Criticism Has Degenerated Into Lifestyle Reporting”, started spreading around like wildfire, then you most assuredly do now.


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Thursday, Nov 21, 2013
Many genres collided in the pop realm in 2013, and the result (mostly) sounded great.

If you really think about it, pop music is the greatest genre of music. It includes and incorporates every form of music imaginable. Pop can be rock, R&B, country, electronic, bubblegum, adult-contemporary, and more. Sometimes it can even be all of these things in the same song.


Pop often gets a bad name, however. One of the genre’s most-talked-about artists recently is the ever-increasingly desperate-for-attention Miley Cyrus. In the midst of releasing weak dance/rap numbers filled with drug references, she actually released a halfway decent song. Unfortunately, people will mostly remember “Wrecking Ball” for its meaninglessly vulgar music video instead of its emotional intensity. Similarly, her MTV VMA cohort Robin Thicke released one of the best selling albums of the year, despite claims that it plagiarized Marvin Gaye.


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Thursday, Sep 19, 2013
Music is first and foremost a very real and easily identifiable source of extreme pleasure. It’s also a vehicle, something I use to help me get around in life.

Question: What’s it all about?
Answer: I don’t know.
But I do know a few things.
I know some of the things that make me tick.


While my weapons of choice remain pen and paper, I would still say that music has always been the central element of my existence. Or the elemental center. Writing is a compulsion, a hobby, a skill, a craft, an obsession, a mystery, and at times a burden. Music simply is. For just about anyone, all you need is an ear (or two); then it can work its magic. But, as many people come to realize, if you approach it with your mind and your heart, it’s capable of making you aware of other worlds, it can help you achieve the satisfaction material possessions are intended to inspire, it will help you feel the feelings drugs are designed to approximate. Et cetera.


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Tuesday, Jun 25, 2013
After a week of listening to, reading about, and thinking about Kanye West's Yeezus, we take stock of where we are.

On Yeezus, Kanye West sets out to be an equal-opportunity offender. Over the first week of official listening and reacting to it, the Internet seems to be awakening to this fact, as reviews describe the lyrics as everything from carelessly thrown-together to profoundly self-aware, stopping along the way to note the racism, misogyny, and determined cruelty toward pretty much every group, community, and culture. Advocacy groups for Parkinson’s began the official outcry against the album on June 20th, two days after the album’s official release, though the broader Internet had been decrying the record’s misogyny since its initial leak.


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Thursday, Nov 29, 2012
In the past few days, Uncut, Mojo, and Paste have released their Album of the Year lists, and AllMusic is dropping theirs throughout the week. Some quick analysis shows that it's pretty obvious what the #1 record of the year is going to be for a lot of publications...

With early returns from Mojo, Uncut, and Paste already pouring in, we’re beginning to develop a clear picture of what this year’s Album of the Year race is starting to shape up as, and it’s pretty darn interesting.


Presently, with a #2 showing at Mojo, #5 with Uncut, and a penthouse position with Paste (on top of glowing reviews from all across the spectrum), it’s safe to say that Frank Ocean’s channel ORANGE is 2012’s universally accepted favorite. Additionally, there is a good 90% chance it will top Pitchfork‘s tally, and numerous other publications will have it easily in their Top 10, most likely keeping it in their Top 3. Yet Ocean’s victory comes at a price: while channel ORANGE is quite extraordinary and often very gutting, what a lot of critical institutions will “hear” is the backstory, with Ocean’s heartfelt admission of his sexuality being accepted in the hip-hop community taking more ink than the music that inspired his revelation, these two events in tandem marking a watershed moment for a notoriously homophobic genre that will be celebrated for years to come. This being said, keep an eye on write-ups that appear about channel ORANGE, and see if the conversation is more about the album itself or what Ocean’s closet-destroying moment signifies in a cultural context. Critics very much want to be on the right side of history, but is channel ORANGE an achievement for its bold sexual politics or because it’s just a great album?


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