DUE PREPARATIONS FOR THE PLAGUE
by Janette Turner Hospital
W. W. Norton and Company
July 2003, 320 pages, $24.95 (US)
Australian Publisher: HarperCollins
May 2003, 390 pages, $29.95 (AU)
by Nikki Tranter
PopMatters Books and Music Critic
:. e-mail this article
:. print this article
:. comment on this article

Prepare Yourself

Book reviewers dream about the chance to review quality fiction -- books that make all those pre-release clichés, like "compelling page-turner", "sure-fire bestseller" and (my personal favorite) "unputdownable" necessary. Australian-born author, Janette Turner Hospital's latest offering, Due Preparations for the Plague, is one such book that delivers on each and every promise. It's a rippling current through a sordid world encased by fear, politics and familial bonds. The plot movies so quickly, the reader rarely has a minute to catch even the slightest breath.

Great fiction, though it may be, what gives the book a definite edge lies in its timeliness. The plot is extraordinarily relevant in the wake of the September 11th terrorist attack on the United States, while the world is smack in the middle of the US/UK-led war with Iraq and struggling with the onset of the "deadly-SARS-virus" as it starts its ill-fated route across the globe.

Author Turner Hospital grabs all those events we struggle to understand -- terrorism, unlawful or unethical political dealings, religious hypocrisy, and the threat of biochemical warfare -- weaving them sneakily through the story of a man and a woman searching for the truth about the fate of loved ones who perished in a doomed flight from Paris to New York. This is fiction that could be reality, and Turner Hospital creates intricate scenarios that are so believable as to be downright terrifying. At the center of all this is Lowell, whose mother was one of the many who died aboard flight 64, and the mysterious Samantha who, herself, was a passenger. Finding they have more in common than perhaps they'd like to, Lowell and Samantha are hurtled into a dangerous New World in which she thrives desperate for answers, and one causing him, paranoid and afraid, to almost lose his grip.

While the story of Lowell and Samantha is the book's defining thread, they are but a tiny part of a mix of lives tainted by terrorism and by the unfathomable mindset of the men controlling their fates. Turner Hospital uses Lowell and Samantha and their risky search to explore a number of post-9/11 themes, not least of which the idea of acceptable risk and the use of human being as damage collateral for men who will do whatever they need to in order to achieve personal and political goals.

This theme, though, lies on the surface of the book. Deeper set is the idea of "not knowing". The book examines the psychological destruction inherent in personal loss, especially loss clouded in ambiguity. What is fate? What is time? Can we ever really know what is in store for us in an age when we can flip on the tube and see the World Trade Center crumbling to ground? With Due Preparations, Turner Hospital suggests that any kind of definite understanding or unwavering belief in information received is simply impossible. Because we have no idea where our destinies will take us, we have no way to genuinely prepare. Though sales of canned goods and gas masks surely rise whenever certain threats arise, exactly to what degree can band-aid solutions be considered actual preparedness? Turner-Hospital suggests "to no degree at all," as her book highlights the kinds of man-made terrors all but impossible to detect until all hope is lost, and all efforts to halt oncoming disaster futile.

But is knowledge and understanding of terrorism risks better? Are the terrors of the current world so entirely mind-boggling that the security of blinded-by-life nine-to-five living is actually a blessing? After all, should we open our eyes as wide as we can to the multitude of hidden and not-so-hidden threats in our current terror-driven world, we'd surely never step outside without gas masks at the ready. This is something Lowell and Samantha well know in their paranoia-driven lives, having seen first hand the devastation of the undetectable risk.

It is not inflamed fear, though, that Turner Hospital seems to wish to exploit. Sure, her well-researched (into everything from Parisian jazz to deadly chemicals and gases to Nebuchadnezzar) tale is hellishly frightening giving scary insight into how easily the effects of terrorism can literally be rained down upon us, but she manages instead through sharp characterization and a definite belief in the resilience of man over machine to make hope, faith and forgiveness the very real stars of the book. Not an easy task when dealing with such repellant subject matter.

Due Preparations for the Plague is this year's definitive political thriller. Turner Hospital remains impassioned and smart the entire way through, keeping the pace and the effort at stampede pace at all times. The author cements herself as an uncompromising literary force with Due Preparations for the Plague. Readers will stay up long into the night, rapidly turning pages while trying not to shield their eyes from the book's harrowing revelations. It is tough going, but it's also enlightening, touching and stunning. It couldn't have come a better time.

10 June 2003

TODAY ON POPMATTERS
Columns | recent
Queer, Isn't It?: The People at the Airport Took it Well
Hapa Nation: A ‘Loving’ Memorial
Events | recent | archive
:. Geoff Muldaur — 27.April.08: Cedar Rapids, IA
Film | recent | archive
:. The Fall
Books | recent | archive
:. Being Armani: A Biography by Renata Molho
:. The Finder by Colin Harrison

RECENT BOOKS
MORE BOOKS
:. recent articles :. full archive
:. Altman on Altman by David Thompson
:. American Taxation, American Slavery by Robin Einhorn
:. The Anti-Oedipus Papers by Felix Guattari
:. Apex Hides the Hurt by Colson Whitehead
:. The Beatles by Bob Spitz
:. BOFFO!: How I Learned to Love the Blockbuster and Fear the Bomb by Peter Bart
:. Book of Longing by Leonard Cohen
:. The Book of Trouble by Ann Marlowe
:. Come Hell or High Water: Hurricane Katrina and the Color of Disaster by Michael Eric Dyson
:. Conspiracy of Fools by Kurt Eichenwald
:. The Economics of Attention: Style and Substance in the Age of Information by Richard Lanham
:. Empire of Dirt: The Aesthetics and Rituals of British Indie Music by Wendy Fonarow
:. Everyman by Philip Roth
:. Extremely Loud and Incredibly Close: A Novel by Jonathan Safran Foer
:. Family and Other Accidents by Shari Goldhagen
:. The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, and the New Journalism by Marc Weingarten
:. Going Postal: Rage, Murder, and Rebellion by Mark Ames
:. The Good Life by Jay McInerney
:. The Great Deluge: Hurricane Katrina, New Orleans, and the Mississippi Gulf Coast by Douglas Brinkley
:. Hong Kong Connections by Meaghan Morris, Siu Leung Li, Stephen Chan Ching-kiu
:. The Husband by Dean Koontz
:. I Hate Myself And Want To Die: The 52 Most Depressing Songs You've Ever Heard by Tom Reynolds
:. In the Miso Soup by Ryu Murakami
:. JPod by Douglas Coupland
:. Kamikaze Diaries by Emiko Ohnuki-Tierney
:. King Dork by Frank Portman
:. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 by Tim Brooks
:. Making Easy Listening: Material Culture and Postwar American Recording by Tim J. Anderson
:. March by Geraldine Brooks
:. 1973 Nervous Breakdown: Watergate, Warhol and the Birth of Post-Sixties America by Andreas Killen
:. Once in a Lifetime: The Incredible Story of the New York Cosmos by Gavin Newsham
:. The One Percent Doctrine by Ron Suskind
:. The People's Republic of Desire by Annie Wang
:. Play Between Worlds: Exploring Online Game Culture by T.L. Taylor
:. Roots Too: White Ethnic Revival in Post-Civil Rights America by Matthew Frye Jacobson
:. Seaworthy by T.R. Pearson
:. Shalimar the Clown by Salman Rushdie
:. The Sociopath Next Door by Martha Stout, PhD
:. Sprawl: A Compact History by Robert Bruegmann
:. Tamerlane: Sword of Islam, Conqueror of the World by Justin Marozzi
:. White Money/Black Power by Noliwe M. Rooks
:. Yann Andrea Steiner by Marguerite Duras
:. You're Not You by Michelle Wildgen

 
advertising | about | contributors | submissions
© 1999-2008 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks of PopMatters Media, Inc. and PopMatters Magazine.