Sunday, March 25 2007
I read the press kit and then listen to the CD and feel as if I'm missing something.
Thursday, March 22 2007
Britain's Goldrush newest release unveils inspiring orchestrations and a whole lot of talent.
If not for lack of quality, then simple lack of interest in the style.
Carey’s pop rock comes off as being telegraphed a la Gavin DeGraw and Jason Mraz.
Although the press release wants you to believe that Blake Miller falls in line with Devendra Banhart and Grizzly Bear, you’d be hard pressed not to find someone like Ralph Stanley deep in the mix.
At times Phil Angotti can be a great power pop artist, but for the opening number on his new album he channels Bob Dylan for “East Side Soul #27”.
Wednesday, March 21 2007
Grand Champeen does a nice job of maintaining excitement without ever letting themselves go over the top, resulting in some basic but strong rock 'n' roll.
The artwork has more to say than the album contained within.
Like many singer-songwriters, she has misgivings about love and partnerships.
Complicated Shirt are a blending of post-rock and indie rock.
Bob Egan has played with Wilco and Blue Rodeo, which to most people are the distant cousins of the same musical landscapes.
Tuesday, March 20 2007
This wistful, indie chamber pop trio from Miami have been getting a good deal of early buzz.
Alt-country weirdoes Blanche seem to have lost access to their time machine.
The predictable, SXSW-fueled enthusiasm for this band'll probably write itself: expect "fierce", "brutal", "blasting".
Essayist Alan Trachtenberg explores act, art of seeing in Lincoln's Smile.
New York-based Breadfoot picks at his banjo and six-strong Dobro like a country boy.
Zoodrive makes rock music, and Not Fully Medicated is an EP full of rock songs.
Monday, March 19 2007
Light-hearted indie rock that is both versatile and utterly enjoyable.
Goes Cube, a local NYC hard rock act beloved of some of the more influential NYC indie websites, is giving the ground-up thing a go.
Minneapolis group Clair De Lune has all the angst and intensity of “emo/screamo” bands, but there is no screaming.