Wednesday, August 1 2007
Nedelle's simple singer-songwriter style invites us to put her in the company of other singer-songwriters who have sung simply.
This isn’t a collection of songs so much as one interesting journey, with Hannah Fury rarely giving clues as to what will come next.
Vintersorg guitarist Mattias Marklund raises some serious horns with his side project
Clara Moreno’s style is smooth jazz pure and simple with a healthy touch of bossa nova thrown in for good measure.
One of the most consistent blues guitarists around churns out another album of dirty blues rock.
Tuesday, July 31 2007
Bowerbirds are getting some mileage out of being John Darnielle's "favorite new band in forever", but however they get the attention, they deserve it.
This cellist might have a pun in her stage name, but there's nothing funny about music this good.
Sure, Veil Veil Vanish sounds like the Cure, but at least they do a good job at it.
The Lift's rather routine feel doesn’t have much bite or verve to it.
Young group tries too hard to be Muse, making better inroads as Trans-Siberian Orchestra, Jr.
Monday, July 30 2007
Ask Moka Only, and he'll tell you that this is the album he "wanted" to make.
Protest Hill skillfully achieves a nuanced blend of moods, tonal colors and styles.
Coming from a label which produces mostly death metal acts, 27 catches the listener off guard with their ambient, ethereal tone.
These two CDs of relatively unknown musicians were compiled by MPress Records’ founder Rachael Sage.
Given their name, I Walk The Line could be a Johnny Cash tribute band; but they have much more in common with someone like Mike Ness.
Sunday, July 29 2007
The result is a hard-hitting blend of the best electro tracks currently on the scene, so good that you may agree with Hawtin and recognize that this is no lazy DJ's mix CD.
Brandon Schott’s first release in a couple of years could almost put one to sleep, but not in the boring sense.
The Nightingales traffic in the sort of angular, discordant indie rock produced by The Fall, though without the intensity or anti-charisma of Mark E. Smith.
This former member of Gumption recorded these ten singles over roughly six years.
This is a solid collection of modern jazz with a British accent.