Sunday, November 19 2006
Zombie Nation's new disc almost finds a place between indie-centric heavy metal disco and more commercial minded electro.
This is a debut? Somebody sign these guys already!
Rarely does an album with as little sound as Weird Feelings by the Weird Weeds require so much effort from listeners. Actually, few albums have
If you like disposable Top 40 R&B pop, Natalie's Everything New will satisfy your sweet tooth.
Friday, November 17 2006
Collection of home recordings and rare tracks is intermittently beautiful, but not a cohesive entry point for non-fans of Songs of Green Pheasant
Thursday, November 16 2006
Calling out T. Rex, Slade and especially Led Zeppelin, this NYC trio splices monster hooks and thunderous drums to catchy glam-rocking choruses.
Boamaster feels like an enticing pre-sexual tease, centred on cocoons, secrecy, and a dark, faintly threatening, aura of childishness.
French producer I:Cube (Nicolas Chaix) offers this set recorded live at the Planetarium de La Villette in Paris during the StarBall festival last year.
Short programme, late Romantic post-Liszt piano music, freshly composed and freshly played con amore.
In the rap world, a brush with death can be the necessary fodder to turn heads, as the chart-dazzled 50 Cent and Cam’Ron have discovered
Wednesday, November 15 2006
The fourth album from Canadian alt-pop singer-songwriter Lily Frost is an addictive delight.
Another insufficiently bargain-priced, too short selection from Billie Holiday's happiest years.
The You is rough around the edges and stylistically all over the place, but Josh Verbanets' debut points to a bright future.
This 27-year-old Brazilian guitarist has chops to spare and some very talented friends; if it wasn’t only 35 minutes long, one could well describe On
Trentemoller, big man of 2005 house, gives us a taste of his forthcoming long-player in the form of a single and some remixes. “Always Something Better”
Tuesday, November 14 2006
Singer-songwriter Amy Annelle's songs are creepy on the surface, but the good stuff lies below.
While this collection is definitely cool, its primary purpose is to acquaint newbies with the legend of Miles Davis.
The concept is really intriguing, but the reality is undenaibly disappointing.
Dead Poetic is not quite a cookie-cutter rock band, mainly because there’s no blood-curdling wail in the opening minutes. Dead Poetic relies on strong
Berlin and minimalism is almost a cliché at this point but the truth is, Cassy pulls it off with flair on this satisfying mix.