Sunday, October 8 2006
The Hour of the Wolf’s EP isn’t an hour long, rather a third of that duration. Nonetheless, they do have some power over
Friday, October 6 2006
Norwegian singer-songwriter makes good with New York City.
Bored indie rockers never take flight on debut.
Neither itchy, uncomfortable, nor R.E.M., this EP is a solid if middle of the road mix of '80s influences.
Another solid, if not groundbreaking, dose of jazzy/soulful house from Ben Sowton and Co.
Thursday, October 5 2006
Death metal isn’t really my cup of tea, but if it’s done properly, it can even cause some minor, occasional, sporadic head-banging on
Leave it to a Texan to bring back dirty, industrial-edged, boot-stompin' techno.
Ex-Pavement drummer seeks ecstasy in whiskey, weed, sunshine, God, and fuzzy guitars... but never loses his sense of humor about it.
To be fair, a remix disc isn't perhaps the best introduction to an electronic musician's work.
Good things on the horizon from rap's refugee camp.
Wednesday, October 4 2006
It’s a hit and miss album though, with “Pussy Titty” and “Pussy Heaven” futile attempts at comedy.
Motion Man excels by expanding his boundaries without throwing them out entirely.
Fans of post-Beatles pop from Big Star to Spoon should check out this very good sophomore album from Minnesota's the Vestals.
What should sound brutal sounds far too safe for its own good.
It's nice to see bachata being given space to show off its strengths away from the shadow of its attention-grabbing neighbour, merengue.
Tuesday, October 3 2006
Eddie Cohn has been compared to Pearl Jam and Radiohead, but a fairer comparison might be a cross between an inventive or experimental Goo Goo
Lights went out in Georgia, Chicago died, and that toke went over the line: the '70s revisited.
Monday, October 2 2006
ASV is the tandem of Alice and Scott Vestal, two musicians known to anyone associated with the Appalachian region, the fiddle and the link between
Less avant-garde than her work with Loren Mazzacane Connors, but transparently lovely, Finally marks the return of an eccentric and engaging songwriter.
Former grindcore great goes hillbilly. Why not?