Capsule Reviews > Music

Wednesday, March 21 2007

The Postmarks: The Postmarks

This wistful, indie chamber pop trio from Miami have been getting a good deal of early buzz.


Tuesday, March 20 2007

Blanche: What This Town Needs

Alt-country weirdoes Blanche seem to have lost access to their time machine.


Die! Die! Die!: Die! Die! Die!

The predictable, SXSW-fueled enthusiasm for this band'll probably write itself: expect "fierce", "brutal", "blasting".


Breadfoot feat. Anne Phoebe: Tea with Leo

New York-based Breadfoot picks at his banjo and six-strong Dobro like a country boy.


Zoodrive: Not Fully Medicated

Zoodrive makes rock music, and Not Fully Medicated is an EP full of rock songs.


Monday, March 19 2007

Illinois: What the Hell Do I Know?

Light-hearted indie rock that is both versatile and utterly enjoyable.


Goes Cube: Beckon the Dagger God

Goes Cube, a local NYC hard rock act beloved of some of the more influential NYC indie websites, is giving the ground-up thing a go.


Clair De Lune: Assisted Living

Minneapolis group Clair De Lune has all the angst and intensity of “emo/screamo” bands, but there is no screaming.


Marco Figueira: Brazilliance

Brazilliance is a soft, squashy samba-jazz album. The electric guitars are soft and squashy and the bass is soft and squashy and the sax and


Sarah White and the Pearls: White Light

Anyway, this is a serviceable little alt-country disc, though I’d hardly describe it as "a back porch classic in the making" as the publicist does.


Sunday, March 18 2007

Holy Molar: Cavity Search

Holy Molar shares three members and a spazz-punk-metal aesthetic with the Locust, and its new 10-minute, five-song EP will not shock anyone familiar with the other band.


Until June: Until June

Listening to Until June, it is easy to get swept up in this fine group's powerfully emotional melodies.


Sparrow House: Falls

Drawing inspiration from artists like Iron & Wine and Elliott Smith, Van Fleet displays a gift for songcraft, coupling mellow folk textures with more intricate sonic elements


Crooked Still: Shaken by a Low Sound

Mandolin? No. Guitar? Sparingly on two tracks. Cello? You bet your arse.


Smash Palace: Best Of 99-06

This compilation from power pop band Smash Palace is littered with above average arrangements, bouncy beats, and infectious hooks.


Thursday, March 15 2007

New Young Pony Club: New Young Pony Club

New rave really isn't as striking as its prefix suggests. Not so much a revolution as a refinement, the movement as of yet is at most merely the more moneyed and sassy little sister to dance-punk.


Dale Ann Bradley: Catch Tomorrow

This is a near perfect album of traditional bluegrass that delivers heart-rending, joyous, and kick-ass tunes in equal measure.


A Day to Remember: For Those Who Have Heart

It seems Californian nü-punks A Day to Remember have stumbled upon something new with For Those Who Have Heart. No, really.


Acrobat: The Unbelievable Truth

Falling somewhere between the delicate, emotional songwriting of Travis and the sonic bombast of Elbow, Acrobat’s carefully crafted sound is nearly stadium ready.


Only Crime: Virulence

These punks are trying to age well, and they have their moments on the new record, but for the most part these guys sound a little wiped out.


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Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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