Capsule Reviews > Music

Tuesday, February 27 2007

Lloyd Price: Specialty Profiles

Lloyd Price’s earliest recorded material was for the Specialty label. Back in 1952 while Price was still a teenager, he had a big hit record


Monday, February 26 2007

Autumn Shade: Ezra Moon

An extraordinary mix of folk, rock and classical influences, the songs are minimally couched and passionately sung against a backdrop of piano and violin.


Z: Mikabe

It's the music of fits and starts: a grunt, a strum, a scream, a honk, a hoot, an eruption into noise, a retreat into guitar-whine.


Dora Flood: We Live Now

The latest album from heady, groovy, psychedelic-tinged rockers Dora Flood has them again in a head space few bands can match and most should appreciate.


Terry Ohms: Terry Ohms Plays Wes McDonald

Ohms skillfully bashes out songs on his guitar that bring to mind a punk Townes Van Zandt.


Nassau: Machines to Paradise

Nassau is a Canadian band that could make a name for itself a la Arcade Fire, Stars or Broken Social Scene.


Sunday, February 25 2007

Kim Barlow: Champ

Singer-songwriter Kim Barlow’s latest album continues her strong collection with a gorgeous body of songs.


Kendra Shank: A Spirit Free

Kendra Shank doesn’t sing Abbey Lincoln’s songs as much as Shank inhabits them.


Azrael: Act III: Self + Act IV: Goat

Yes, kids, these dudes are cult, or kvlt if you prefer, right down to the typically grim (AKA "poorly lit") album cover and unreadable band logo.


My Brightest Diamond: Disappear

My Brightest Diamond's iTunes-only Disappear EP functions as a holdover between her two albums.


Good Shoes: The Photos on My Wall EP

Good Shoes' Britpop has the smacky, slapping rhythm of 1970s punk.


Thursday, February 22 2007

San Saba County: Its Not the Fall That Hurts

Where Austin-based San Saba County's 2004 debut had its roots firmly planted in the alt-country soil of the Lone Star State, their follow-up proves to be a lot like the Texas desert.


Contriva: Separate Chambers

All lightly strummed guitar, clear, airy organ notes, and an ambiance that manages to be sparse without ever feeling empty, the new effort from Berlin


Various Artists: Afrikya Volume 1

This album was co-compiled by a chef and a DJ. The chef’s name is Marcus Samuelsson, and Afrikya Volume 1 is a companion to his


M. Ward and Ladyhawk: Magic Trick / Soap

Oddly enough, Southern Comfort and The Fader have partnered to issue a series of limited 7-inches. The initial release feature’s M. Ward on the


Unexpect: In a Flesh Aquarium

The more and more ambitious that today’s progressive rock gets, the more bands tend to forget two key characteristics that made such ‘70s prog


Wednesday, February 21 2007

Tia Fuller: Healing Space

Now here's something to get excited about: a young flutist and saxophonist with a knack for enchanting compositions and a passion to inspire listeners.


The Exploding Hearts: Shattered

A necessary, bittersweet compilation from the gone-too-soon power pop/punk kings of Portland.


The Heights: Bad News

On this five-song EP, British band the Heights inject a blunt, beefed-up, American sensibility to the indie rock animal created by the Libertines and Arctic Monkeys. Too bad the band are a year or two behind the curve.


Sam Cooke and the Soul Stirrers: Specialty Profiles

These 14 tracks Sam Cooke recorded as lead singer with the Soul Stirrers preceded the great tenor’s forays into the pop arena, but the bulk


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Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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