Sunday, February 25 2007
Singer-songwriter Kim Barlow’s latest album continues her strong collection with a gorgeous body of songs.
Kendra Shank doesn’t sing Abbey Lincoln’s songs as much as Shank inhabits them.
Yes, kids, these dudes are cult, or kvlt if you prefer, right down to the typically grim (AKA "poorly lit") album cover and unreadable band logo.
My Brightest Diamond's iTunes-only Disappear EP functions as a holdover between her two albums.
Good Shoes' Britpop has the smacky, slapping rhythm of 1970s punk.
Thursday, February 22 2007
Where Austin-based San Saba County's 2004 debut had its roots firmly planted in the alt-country soil of the Lone Star State, their follow-up proves to be a lot like the Texas desert.
All lightly strummed guitar, clear, airy organ notes, and an ambiance that manages to be sparse without ever feeling empty, the new effort from Berlin
This album was co-compiled by a chef and a DJ. The chef’s name is Marcus Samuelsson, and Afrikya Volume 1 is a companion to his
Oddly enough, Southern Comfort and The Fader have partnered to issue a series of limited 7-inches. The initial release feature’s M. Ward on the
The more and more ambitious that today’s progressive rock gets, the more bands tend to forget two key characteristics that made such ‘70s prog
Wednesday, February 21 2007
Now here's something to get excited about: a young flutist and saxophonist with a knack for enchanting compositions and a passion to inspire listeners.
A necessary, bittersweet compilation from the gone-too-soon power pop/punk kings of Portland.
On this five-song EP, British band the Heights inject a blunt, beefed-up, American sensibility to the indie rock animal created by the Libertines and Arctic Monkeys. Too bad the band are a year or two behind the curve.
These 14 tracks Sam Cooke recorded as lead singer with the Soul Stirrers preceded the great tenor’s forays into the pop arena, but the bulk
Electronic beats begin from down under and circle the globe, gaining speed with Melbourne maestro Faux Pas's first full length album.
Tuesday, February 20 2007
Started in Munich, Germany 13 years ago by Michael Reinboth, Compost Records quickly developed into what superstar DJ Gilles Peterson described as "the most consistent and forward thinking record label of continental Europe".
Fern Knight play a vibrant British-influenced folk that sounds like all their clocks stopped dead some time between 1972, when Scottish singer Shelagh McDonald became an
San Francisco-based Om Records has released a lot of quality downtempo electronica and chillout house music over the years, especially on its “Mushroom Jazz” and “
As far as live albums go, it’s fairly rare for a release to reach the status of a How the West Was Won or
Helsinki’s Stupido is an independent pop label with a roster of bands who perform in English and Finnish. On this sampler we get to