Monday, November 27 2006
The Close used to sound like a band anxious to be discovered, but on Sun, Burn, they sound a little like one that hasn't been.
Jason Darling grew up around Woodstock. Yes, the older Woodstock, not the “mud people” NIN-memorable version. But don’t let that fool you, there’s
O’Donnell was a significant part of the Cure until his unceremonious ouster by Robert Smith in 2005; he created synthesizer textures, as well as contributed
This is the story of a drummer, his sticks, and a tight band.
Minneapolis band makes beautiful music, if you can stay awake for it.
Sunday, November 26 2006
It is not an exact copy of another act, but Ellison's musical composite is an incredible simulation of many.
Debut DJ album from Logistics proves to be valuable and varied.
Wednesday, November 22 2006
Promising start from charming (if young) Toronto indie-rock Brock-worshippers.
Warp Records continue to dip their toes into decidedly un-electronic waters, with their latest signing, Born Ruffians. Hailing from Toronto, this trio unleash short, crisp
Desolation never tasted so sweet.
Electro-pop with a combination of Depeche Mode aesthetics and Oasis sensibilities.
On their final album, the duo of Parker & Lily recorded a ballad called “The Low Lows”, all shivery keyboards, barely breathed, slumberous vocals and
Tuesday, November 21 2006
MXPX rocks hard, and sometimes hardly rocks.
Chicago’s Third Wheel was founded by two life-long friends, Jeremy Babcock and Shawn Schlag, who’ve been performing under that moniker for over a
Inca Ore and Lemon Bear get together and put on a clinic in difficult listening.
Monday, November 20 2006
Chef Raekwon gets the live treatment.
In which our heroes learn that one doesn't have to be screaming all the time to make great grindcore.
Sunday, November 19 2006
Zombie Nation's new disc almost finds a place between indie-centric heavy metal disco and more commercial minded electro.
This is a debut? Somebody sign these guys already!
Rarely does an album with as little sound as Weird Feelings by the Weird Weeds require so much effort from listeners. Actually, few albums have