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Your Face on the Face of It

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Your Face on the Face of It


In exchange for its services, Facebook will harvest our social production in a variety of ways and monetize it in ways that we can’t or wouldn’t—selling our preferences and those of our friends to advertisers, repurposing our photographs and aggregating our opinions and tracing changes in the various demographics we represent through the matters about which we gratuitously express enthusiasm.

To reframe that, the Web’s infinite niches make for richer possibilities for identity construction—it creates, as it were, a bubble in personal identity. We thereby need a platform where our social production—in this case, of our own identity—can be consumed, where the value of those identities can be realized. We probably never stop to consider what we are doing as a kind of production; instead it seems to us that we are just being social. In that gap, capitalism senses an opportunity.


The work we perform to produce our social being is necessary, inescapable work, albeit work that we have always performed willingly and enthusiastically, since its benefits accrued directly to us. It’s immediately rewarding, so no one needs to pay us to do it. But that doesn’t mean there isn’t surplus value to be extracted from that labor, especially once we are provoked into undertaking it more and more routinely as tastes and trends change and ever wider stretches on the long-tail frontier are opened for colonization.


Tech firms may have finally figured out away to expropriate the value of that labor. Facebook, one of Anderson’s pioneers of “Free”, is a company that provides a platform for displaying our ever-shifting identities. The data warehousing and communications services it provides appear free to us, but as Anderson’s book repeatedly shows, freeness is a matter of perspective.


In exchange for its services, Facebook will harvest our social production in a variety of ways and monetize it in ways that we can’t or wouldn’t—selling our preferences and those of our friends to advertisers, repurposing our photographs and aggregating our opinions and tracing changes in the various demographics we represent through the matters about which we gratuitously express enthusiasm. When it comes to services like Facebook, Anderson points out, “whether you know it or not, you’re paying with your labor for something free.”


We won’t put a price tag on ourselves or our friends or our pleasures, but Facebook will happily do that behind our backs, in economic exchanges that don’t include us. Rather, we have become the stuff being exchanged, both in what we are and what we do online. If you use Gmail, for example, an advertiser will pay Google for the information the company has gleaned from your emails to your friends—emails that obviously no one paid you to write. The business model is predicated on the indifference of the content providers to the economic exchanges built up around their practices.


As unmediated offline social encounters are streamlined out of existence, we increasingly find ourselves in a position where we feel required to produce ourselves socially in an online milieu. After all, you are virtually invisible if you have no online presence; you have nothing to add to the conversation if you haven’t been keeping up with online memes on YouTube; you are inaccessible if you are not Tweeting and following others’ Tweets.


The compulsion to live online and make our online tracks as visible as possible allows such companies as Google, Facebook, and Amazon to thrive by monetizing the content we generate in the process. The network effects that work so well for those companies actually work against us, since we get utility out of social networks only insofar as we contribute, and our contributions are limited only by our ingenuity, which prompts us to make more and more—for nothing.


What has any of this to do with the jobless recovery? It may be that the “free economy” is where those jobs missing in the jobless recovery are actually turning up. If fewer of us are unemployed in the conventional sense, but more of us are producing more than ever online for free, the nature of production—of what counts as work to businesses—may also be undergoing a fundamental change.


In an article for Fast Company, economist Tyler Cowen argues that ” more and more, ‘production’—that word my fellow economists have worked over for generations—has become interior to the human mind rather than set on a factory floor… You use Twitter, Facebook, MySpace, and other Web services to construct a complex meld of stories, images, and feelings in your mind. No single bit seems weighty on its own, but the resulting blend is rich in joy, emotion, and suspense.”


Cowen suggests this allows us to internalize everything we once needed the brick-and-mortar world for, allowing us a sweet escape into solipsism, alone before our computer screen. We can “create our own economy” without having to reference to the terrible one that exists for Americans collectively.


Pleasure, however, seems to require social validation; the pleasure derives from the recognition we secure. We construct the “complex meld” of stories, images, and feelings online precisely because the potential for an audience makes that blend in turn meaningful to ourselves. It makes sense, then, to tweak Cowen’s point of view slightly and consider the space of all those Web services not as a reclusive imaginative playpen, but as merely the new location of the factory.


Then a different picture of our economic future emerges. It’s possible that we are all happily slaving away there in the Web sweatshop without even realizing we’ve been chained to our monitors. The satisfaction we derive from all this, as Cowen notes, can’t be measured in money or in profits. How do you measure the depth of your own soul? Instead, it appears to be free to us, even though it is the result of our own labor.


So if, as Anderson suggests, the future of business generally consists of iterations of Facebook’s Free model, then will it revolve around large firms finding ways to exploit the social production we are willing to perform without compensation, what Nicholas Carr has called “digital sharecropping”? Carr explains the ruthless logic of this system:


One of the fundamental economic characteristics of Web 2.0 is the distribution of production into the hands of the many and the concentration of the economic rewards into the hands of the few. It’s a sharecropping system, but the sharecroppers are generally happy because their interest lies in self-expression or socializing, not in making money, and, besides, the economic value of each of their individual contributions is trivial. It’s only by aggregating those contributions on a massive scale—on a web scale—that the business becomes lucrative. To put it a different way, the sharecroppers operate happily in an attention economy while their overseers operate happily in a cash economy.


Or as Anderson puts it, with unintentional cynicism, “There’s a lot of Free out there, and lot of money to be made off it.”


Champions of the economy’s new “free” sector are essentially cheering this divide between the attention economy and the cash economy. Anderson’s book offers companies ways in which to widen the crater and allow more of the traditional economy, the one in which we used to have paying jobs, to fall into it. Thus Anderson is eager to declare “the end of paid content.” Forward-looking companies, he suggests “want content to be free.” That is, they want us to provide it to them for free. Content, no matter how esoteric, juvenile or amateurish, doesn’t simply appear from nowhere.


Anderson tries to sell this as being beneficial for old-guard content providers, like journalists. Because professionals can train and/or edit the work of the coming legions of amateur writers, “leveraging the Free—paying people to get other people to write for non-monetary rewards—may not be the enemy of professional journalists. Instead, it may be their salvation.” Anderson seems to be arguing that journalists need to align themselves with the new tech firms and try to get paid for abetting their efforts in soliciting high-quality volunteer content.


Old media forms are endangered right now because they don’t exploit volunteers; their content providers are aware of little but the money at stake in what they are doing. But the surfeit of free information competing for our attention makes it hard for media companies to get much money for any particular piece of information, which can easily be pirated and redistributed anyway.


Media of the future, if Anderson’s predictions about what is viable are taken to their logical extreme, would consist entirely of freely donated material that has been repurposed—a view which prompted Malcolm Gladwell to ask incredulously from his New Yorker perch, “Does he mean that the New York Times should be staffed by volunteers, like Meals on Wheels?”


Anderson suggests that talented people will be able to make up lost revenue by monetizing the difference between general and particular audiences. The material for general audiences becomes the loss leader for the tailored material that specific audiences will be enticed into paying for. Anderson uses himself as the example: He is willing to give away Free in order to book lucrative speaking gigs. This is obviously akin to bands giving away mp3s to get people to see them in concert and buy their T-shirts and whatnot. Anderson is content to speculate that some will do a better job of translating reputational currency into cash. But what about the rest of us?


Of course, the benefits of online participation are real and substantial. It’s good to be part of ongoing conversations with friends or even interesting strangers; it’s fun to watch YouTube videos and download scads of music without needing anything other than an internet connection. But no matter how much we might love attention, we can’t use it to meet our basic needs. I can’t send my landlord some attention in the mail in lieu of a rent check. Ultimately, we all have to participate in the cash economy, something that nearly one in six people in the US is having a hard time accomplishing to their satisfaction, according to the most recent unemployment figures. 


If the transformations the economy has undergone in recent years have led to our competitive advantage resting in various forms of information processing, and if firms have figured out how to extract that processing from our preening online hobby activities and self-fashionings, then what need do those firms have for hired employees? At his blog, Mike Konczal presented this chart from the Minneapolis Fed, suggesting how the demand for labor has shifted in recent decades:



Source:

Source: “21st Century Structural Unemployment” from Rortybomb


Office work, administrative work and business services are precisely the sorts of things that can be moved online, where the labor force is augmented by free-sourced alternatives. As Cowen explained in his Fast Company article, “The reallocation of consumer time into the ‘free sector’ on the Web will liberate the efforts of many producers and intermediaries, just as the automobile’s advent shifted workers out of making buggies for the horse.” That is to say, employees will be liberated from their gainful employment.


“In fact,” he continues, “it’s an economic miracle that Twitter can get by with no more than 50 employees. It’s not quite a perpetual-motion machine, but if other parts of the economy were equally efficient, we’d all be swimming in free or near-free stuff.” Absent the wages we once received, that “stuff” is what we will be expected to subsist on. Let them eat Facebook profiles.


In order to reclaim the fruits of our labor and stop working on the digital plantation, we may be forced to become self-consciously mercenary about what heretofore we have been content to share out of a spirit of convivial sociality. We will need to start viewing our social behavior as our intellectual property, our various selves as proprietary content to which we retain the broadcasting rights and which we have no intention of licensing for reuse without our express written consent. Ironically, the free economy may end up destroying the spirit of uninhibited sharing altogether.


 

Robert Horning has developed a substantial body of work in PopMatters' music reviews, concerts, film, and TV sections. His writing has also appeared in Time Out New York and Skyscraper. In his PopMatters column, "Marginal Utility", Rob bridges the abstract and concrete aspects of consumerism. His writing is as grounded and approachable as an everyday trip to the grocery store. Rob has a BA and MA in English Literature; his interests in social theory, economics, and sociology generates his solid background knowledge for "Marginal Utility" and informs his music reviews. For more Rob Horning, be sure to read the Marginal Utility blog.


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