Zombies are a lot of things to a lot of people. At once mystical and tragic, there is just something about them that transcends the horror film and video game genres.
I have a ritual I like to do every time I come down with a bad cold or flu. I curl up on the couch with a blanket, fluids, and a couple kitties, and watch the original George A. Romero trilogy of classic zombie films. In chronological order, they are Night of the Living Dead, Dawn of the Dead, and Day of the Dead.
I can’t explain why I’m so drawn to them, and especially when I feel ill. They just make me happy. There’s a certain kind of calm I get from those films, from the acceptance that the shit hit the fan and you’ve just got to deal with worldwide catastrophe. The time to hesitate is through, and your purpose is clear. For any chance of survival, you’ve got to go into action and constantly be on guard. They are a relief, in a world where people are still arguing that global warming either isn’t happening or isn’t urgent, where people would rather gossip about Obama than attempt to help him.
Zombies are a lot of things to a lot of people. At once mystical and tragic, there is just something about them that transcends the horror film and video game genres. Their legend lends itself as easily to social commentary as comedy. They embody our worst fears and darkest humor, part apocalypse and part slapstick. I hope this mixtape taps into those juxtapositions, to present somnambulists in as much a purely entertaining way as terrifying and intriguing. As Zombieland and Shaun of the Dead showed, the apocalypse can come with a few laughs.
Compelled to words by music since 2004, Ranta's words have appeared in such esteemed publications as Exclaim!, Tiny Mix Tapes, CBC Music, and PopMatters. He also regularly votes for the Polaris Music Prize, Village Voice Pazz & Jop, Juno Awards, and in all local, provincial, and federal elections. Based in East Vancouver, he's been known to a rave and/or rant, cat whisper, play basketball, pessimistically root for the Canucks, and read far too many comment sections. He graduated with distinction from SFU in 2012, with a bachelor's degree in music.