Recent Columns
‘Eye Chart’ Is About Much More Than Just Identifying Objects Near and Far

The "Object Lessons" series continues with this brief but rich exploration into why we see, when we see, how clearly we see, and what we understand about the things we see.

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Never Settle, Never Rest on Your Laurels: Activist Catherine Hernandez on Her Book, ‘Scarborough’

Theatre practitioner Catherine Hernandez reveals the complexity of representation and responsibility in writing fiction.

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Walter White, Heisenberg, and Time Out of Mind: The Legacy of ‘Breaking Bad’

An examination of how AMC's Breaking Bad played with the conventions of time, character, and attitude.

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The New Jazz of the 21st Century: A Case Study in Kate Gentile and ‘Mannequins’

Drummer and composer Kate Gentile's debut recording is making a New Jazz splash. PopMatters interviews her to get behind this new direction in improvised music.

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‘Soul Survivor’: On Al Green, Coming to Terms With His Powers

This book is a compelling and exhaustively detailed account of a man at peace with his life, a man who may... be pleased with a final exit that sees him keeling over dead in mid-sermon.

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The Next Hot Music Scene Can Be Found at Twin Peaks’ Bang Bang Bar

One of the most heartening and compelling aspects of David Lynch's approach to this new season of Twin Peaks is his widened musical palette.

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‘Television Antiheroines’: Wherein Women Stake Their Claim to Darkness and Desperation

An examination of the changing political/ sexual/ power roles of women in international television crime and prison drama, from The Sopranos through Orange is the New Black.

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Mints Rule by Fear But Bonbons Do Not

Forget fresh breath, bonbons breed bon mots.

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How ‘The Quiet American’ Continues to Colonize Vietnam

Neither bombs nor bumbling Americans broke the will of the Vietnamese. Something far more insidious and far-reaching, however, may have.

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Does the Recent Scholarship on ‘Mein Kampf’ Risk Giving It More Legitimacy Than It Deserves?

Fringe bohemians and academic dropouts can produce great beauty and brilliance, in addition to great horrors. So what’s the point?

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More Recent Features
//Mixed media
//Blogs

TIFF 2017: 'The Shape of Water'

// Notes from the Road

"The Shape of Water comes off as uninformed political correctness, which is more detrimental to its cause than it is progressive.

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