Wednesday, November 29 2006
It was one of the most talked about tomes upon its release. Unfortunately, our literary liaison for all things film thinks that Augusten Burrough's mesmerizing memoir was definitely defanged in the cinematic translation.
Tuesday, November 28 2006
I'm getting giddy imagining Chuck Klosterman and Cam'ron having a two-minute bull session on the Who's return to relevance, or, better yet, figuring out a logical way to deal with Lil' Kim.
Monday, November 27 2006
In which our resident ethical expert contends: Ethics may complicate, but absolute ethics complicate absolutely.
Sunday, November 26 2006
For every cinematic stocking full of shiny bright goodies, there are large filmic lumps of dirty old coal.
Tuesday, November 21 2006
This one is for the Afro-punks and black rockers and everyone else who doesn't see their hearts and minds reflected in what passes for mainstream black music nowadays.
Monday, November 20 2006
Take it from someone who knows, really knows; bridesmaiding is not glamorous work, but a hard slog at buffering the bride and groom in the social occasion war zone -- you are putting your body on the line.
Sunday, November 19 2006
In this final installment of Arabesque, Ursula Lindsey tries (and fails) to say goodbye to Cairo.
Thursday, November 16 2006
Our choice for icons is about more than just high camp and melodrama; it's about who we are in a fundamental way.
Wednesday, November 15 2006
He's the most polarizing figure in recent pop culture history, and our mainstream movie maven is here to tell us why that's a good thing - for comedy and for society.
In the second installment of an ongoing discussion of Bach and Bergman, Jenkins examines the communicative power of Bach's sarabande in Through a Glass Darkly.
Tuesday, November 14 2006
Web 2.0 technology and its current, epitomized representative, Second Life, is the beginning of the end of your first life.
Monday, November 13 2006
Thanks to an ever diversifying market, our consumer choices are supposed to reveal precisely what we prefer. But is all this choice overwhelming our personal preferences and sweeping us up into futile overconsumption?
Sunday, November 12 2006
There's a quiet revolution happening in self-improvement: rather than addressing our lives from the inside-out, we're now addressing them from the outside-in.
Thursday, November 9 2006
Trick photography? Optical experimentation? The purposeful playing with the cinematic language? Russian filmmaker Dziga Vertov was doing it all, decades before a certain sci-fi film challenged the notion of perception vs. reality.
Wednesday, November 8 2006
The enigmatic Danes in Mercyful Fate took such a straight-faced, deadly serious approach to its satanic themes that we were unsure whether it was all a big piss-take, or if they really meant it.
Tuesday, November 7 2006
In this second of a two-part examination on the roles that fan appreciation, critical consideration, and subject matter play on categorizing horror film, our resident macabre master argues that unlike other cinematic genres, the basic tenets of the terror experience can change from year-to-year, generation-to-generation.
Monday, November 6 2006
Bringing the heat and creating refrains that still haunt brokenhearted romancers to this day, the Gap Band's potent mixture of party and pain was stunning.
Sunday, November 5 2006
That scene in Superman III, with the boy yelling words of encouragement to the struggling protagonist? That's how I feel when I think of Lauryn Hill.
Thursday, November 2 2006
Manifested in child-centered humor, the Beatles offered candy for the kids, tapped into the regressive escapist instincts of the arrested adolescents of the hippy subculture, and offered "seemingly" unthreatening fare for adults.
Wednesday, November 1 2006
The prolific trumpeter talks shirking musical definitions, finding challenging middle ground between 'fake jazz' and 'real musicianship', touring with They Might Be Giants, and turning down Jay-Z.