Sunday, November 12 2006
There's a quiet revolution happening in self-improvement: rather than addressing our lives from the inside-out, we're now addressing them from the outside-in.
Thursday, November 9 2006
Trick photography? Optical experimentation? The purposeful playing with the cinematic language? Russian filmmaker Dziga Vertov was doing it all, decades before a certain sci-fi film challenged the notion of perception vs. reality.
Wednesday, November 8 2006
The enigmatic Danes in Mercyful Fate took such a straight-faced, deadly serious approach to its satanic themes that we were unsure whether it was all a big piss-take, or if they really meant it.
Tuesday, November 7 2006
In this second of a two-part examination on the roles that fan appreciation, critical consideration, and subject matter play on categorizing horror film, our resident macabre master argues that unlike other cinematic genres, the basic tenets of the terror experience can change from year-to-year, generation-to-generation.
Monday, November 6 2006
Bringing the heat and creating refrains that still haunt brokenhearted romancers to this day, the Gap Band's potent mixture of party and pain was stunning.
Sunday, November 5 2006
That scene in Superman III, with the boy yelling words of encouragement to the struggling protagonist? That's how I feel when I think of Lauryn Hill.
Thursday, November 2 2006
Manifested in child-centered humor, the Beatles offered candy for the kids, tapped into the regressive escapist instincts of the arrested adolescents of the hippy subculture, and offered "seemingly" unthreatening fare for adults.
Wednesday, November 1 2006
The prolific trumpeter talks shirking musical definitions, finding challenging middle ground between 'fake jazz' and 'real musicianship', touring with They Might Be Giants, and turning down Jay-Z.
Tuesday, October 31 2006
In Brazil's third-largest city, thanks to the curse of Carnival, there is only one sound to be found.
Monday, October 30 2006
From folklore to fright icon, a certain naughty neckbiter remains one of literature -- and film's -- most fascinating fear factors.
Sunday, October 29 2006
Kinder, gentler, and thoroughly creepy, today’s children’s television is no match for the classics.
Friday, October 27 2006
Due to AIDS and homophobic violence, many LGBT souls who fought so hard for the things we take for granted today never expected to reach old age... but they have.
Thursday, October 26 2006
Fans who show up sporting a wedge of plastic cheese on their heads, or wearing nothing but a barrel and suspenders, or dousing themselves in purple paint are really just the modern-day, class-defying equivalents of flatulent giants, cross-dressing jesters, and juggling scullery maids of the Renaissance.
Wednesday, October 25 2006
Taiwan's legendary The Clippers are smart, edgy, and very adaptable. But when charting beyond their own sea, their sound is not always as well received as maybe it should be.
Tuesday, October 24 2006
As food becomes more and more sophisticated, today's home cook is faced with a daunting dining task. Too bad Laban and Larry aren't around to bring simplicity back to supper.
Monday, October 23 2006
Notes on the (hair) color code, from one of those (you know), blondes.
Thursday, October 19 2006
At the same time that gay TV is shaping the culture, the culture is also shaping gay TV, containing it and restricting it from going "too far".
Wednesday, October 18 2006
Hummel used to dread, simply dread, Australian-made films. But a number of recently discovered intelligent, evocative films have her singing her creative countrymen's praises. Here are some movies you shouldn't miss.
Monday, October 16 2006
If there's anything to be learned from a review of the year so far, it's that 2006 will either go down as a terrible movie year or a tremendously back-loaded one.
Friday, October 13 2006
In Bergman's films, Bach's music functions to give access to a rarified atmosphere of revelation and emotional depth; it reveals something previously inaccessible within a character.