Monday, March 26 2012
As The Hunger Games phenomenon fills movie theaters, we are reminded of the age-old idea that the book will forever be better than the movie. Or will it?
Thursday, March 1 2012
The late Christopher Hitchens helped define the character and popular perception of Atheism for this generation. But for the self-styled contrarian, where did principle end and personality begin?
Tuesday, February 28 2012
Dead Stars Tell No Tales: Whitney Houston’s Death Casts New Light Onto Memoirs by Two ‘70s Pop Stars
Just as the winners of the war tend to write the history books, only survivors write memoirs. Nile Rodgers' Le Freak and Gil Scott-Heron's The Last Holiday.
Monday, February 27 2012
Ernest Hemingway compared Paris to a moveable feast because no matter what time it is, Paris is always the magnificent city of lights. Woody Allen expands upon Hemingway's testimony in the magical Midnight in Paris.
Monday, February 20 2012
Pulitzer Prize winning author Jennifer Egan discusses her unique combination of influences, the role of genre and satire in her work, and the importance of distance in her creative process.
Sunday, February 19 2012
These two books show how knotty the connections between culture, race and music have become, even though the only thing the worlds they explore share in common is that in both cases, the audiences are almost all white.
Thursday, February 16 2012
Denise Sullivan represents the insider intellectual stamina of rock 'n' roll journalism without the pomp and pretense. She is the past and future of the form, rolled into one uncanny style.
Monday, February 13 2012
Tim Hall possesses the uncanny gift to compress startling insight into short phrases with such care and concision that he could likely turn a Twitter feed into a system of philosophy.
Sunday, February 12 2012
This travelogue takes us four locales: Havana, Chicago, Sydney and Caracas. Each locale translates into distinctive interactions with hip-hop and its pillars of deejaying, emceeing, b-boying, and graffiti.
Sunday, February 5 2012
In 1982, with the charts ruled by “Physical”, “Don’t You Want Me” and “Eye of the Tiger”, along came a low-tech record about killers, small-time thieves and other forgotten souls -- and it's still one of the best albums in American music.
Wednesday, February 1 2012
I'll Be There in the Morning offers an affectionate but hardly rose-colored view of Townes Van Zandt and his influence on other songwriters.
Thursday, January 26 2012
War is a science, science is an art and art, as Library After Air Raid attests, is everything.
Sunday, January 22 2012
Caroline Moorehead's A Train In Winter, like Daniel Mendelsohn's The Lost, leaves nothing to the imagination, a decision that makes reading it simultaneously engrossing and deeply disturbing.
Wednesday, January 18 2012
The 50th anniversary of Anthony Burgess's A Clockwork Orange, along with the recent discovery of a vast archive of the author's unpublished work, should shine fresh light on one of the 20th century's most prolific, daring and underrated writers.
Sunday, January 15 2012
The tough, vernacular, and outsider writer Todd Moore became an icon of Outlaw Poetry; he disdained academia, embraced gangsters like John Dillinger, and made American poetry pulse with dark blood.
Thursday, January 12 2012
Rather than searching for ways around death and disappointment, the queer art of failure involves the acceptance of the finite, the embrace of the absurd, the silly, and the hopelessly goofy.
Tuesday, January 10 2012
The Twilight Saga: Breaking Dawn - Part I is a gratifying escape from reality. Those who are familiar with the books will be pleased with Director Bill Condon's attention to detail.
Sunday, January 8 2012
The upcoming documentary, Wish Me Away, centered on country singer Chely Wright chronicles the pains of coming out in Nashville and raises questions about why more country musicians haven’t come out.
Monday, January 2 2012
For a full day, it seemed like I got pummeled by unflinching art. And I feel like I'm better for it.
Thursday, December 15 2011
As "Bill" explores the meaninglessness of celebrity, "Shatner" embraces the shallow and the superficial like an Andy Warhol soup can come to life.