Wednesday, October 19 2011
Creative geniuses don’t succeed despite their flaws, they succeed because they are flawed.
Monday, October 17 2011
While some celebrate art through its destruction, we can ponder the impetus to buy, sell, own and store art away.
Tuesday, October 11 2011
The Taqwacore movement seizes space in the punk narrative and social fabric, which allows Muslim voices to take root and explore their own version of rebellion.
Thursday, September 29 2011
Buy this infuriating and brilliant book. But get it in softcover. You'll be throwing it against your wall.
Thursday, September 15 2011
A poetic series of ruminations between a journalist and his subject, a folk-hero rebel rocker, who celebrate years of friendship by exploring the rocky, jolting, and quasi-spiritual experiences that shaped both of their lives.
Monday, September 12 2011
While Atanes's film comes across as somber and unintentionally funny, and the Capaldi film is bizarre and outright amusing. Both do a brilliant job of capturing the surreal, dark mood that The Metamorphosis is cocooned in.
Sunday, September 11 2011
Mick Jagger is the devil; the avatar for the swaggering, fatally self-assured hedonist who will piss anywhere with a cocky smirk written all over his face that only confirms there is nothing you can do to stop him.
Thursday, September 8 2011
Transgender representation in modern film, television, and literature blurs the lines of gender, class, race and sexuality, which is precisely why trans narratives are still considered dangerous.
Wednesday, September 7 2011
While Spike represents a moral alternative to Buffy’s heroism, the Arthurian Green Knight's tricks -- including a gruesome beheading -- end as mere a parlor game. Spike is the superior trickster.
Thursday, August 11 2011
While the practical experiments of laboratories bent on superhuman creations failed as surely as did the subversive aims to spark revolt on the Mongol plains or in the Tibetan monasteries, the lesson of this unbelievable plot lingers in this thoughtful, instructive, and sad testament of grand hopes and puny fates.
Sunday, August 7 2011
A been-there-lived-it-attitude and street-level redemption, all propelled by a songwriter's/storyteller's lyrical and narrative knack.
Thursday, August 4 2011
Jason Zinoman argues that the fantastic, Gothic monsters of the first half of the 20th century were replaced by a New Horror -- the monster right in front of your face.
Sunday, July 24 2011
The value of fandom is often underestimated. Rather than the stereotyped burnt-out housewives or socially inept teenagers that obsessively and indiscriminately consume popular culture, fans are active agents.
Friday, July 22 2011
Governments tend to take on their worst form, to devolve to their most horrific manifestation, when they kill artists. Artists look out into the horrors of the world, and inevitably, the horrors sometimes reach back.
Sunday, July 17 2011
The way some of us disparage Southern rap, you'd think rappers like Gucci Mane and Waka Flocka Flame had recorded a record dissing Kool G. Rap and Big Daddy Kane.
Monday, July 4 2011
Haruki Murakami's Norwegian Wood has been referred to as the "Japanese Catcher in the Rye", but J. D. Salinger said that his book was not actable and he would never sell the rights to Hollywood. Maybe Murakami should have listened to Salinger.
Thursday, June 30 2011
Most of these films have been studied to death, then autopsied, buried, exhumed, and autopsied again, but Malcolm Turvey unearths some fresh perspectives and in the process, provides a nice corrective to long-misguided notions.
Tuesday, June 28 2011
A contemporary analysis of the main IRA force in its 40 years "from insurrection to parliament", from a participant not in a seminar but a cell, as an operative and not as a professor, a volunteer and a leader of the IRA -- not a reporter.
Wednesday, June 22 2011
This is Bob Dylan as shifting text, not just layered like pages, back or front, or over-laid like a palimpsest, but cross-wise and motile as a termite.
Monday, June 20 2011
The spoonful of sugar that The Wire employs in relating its harsh theme is all wrapped up in that medicine's themes of fatalism. The humor employed in Oliver Twist highlights the opposite: the needlessness of the system that allows orphans to starve to death.