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Monday, July 7 2014

With ‘Captain America: The Winter Soldier’ the MCU Decisively Breaks with Comics

Marvel owns characters and its profits come from comics sales, film tickets, lunch boxes, etc. As such, character identification fluctuates easily between media.


Monday, June 16 2014

The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.


Monday, June 9 2014

The Rise Fall and Rise of Marvel Comics on Film Part 2: The Road Out of Development Hell

The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?


Monday, June 2 2014

The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.


Tuesday, May 6 2014

The Gritty and the Real: Unpacking the Realism Trope in Superhero Films

The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.


Friday, April 18 2014

What Do We Do When Our Online Comics Collections Explode?

Complications or confusion aside, the hacking of comiXology demonstrates a disconcerting vulnerability in digital comics.


Wednesday, February 26 2014

Digital Comics and the Return of Disposability

A lot of comics may be seen as cheap, but so what? That also makes them fun.


Monday, January 6 2014

Walking Through the Space of Childhood: Geneviève Castrée’s ‘Susceptible’

Comics is an ideal medium for showing memory, time and mind, as having "physical dimensions".


Monday, December 2 2013

Marvel Studios’ Major TV Launch Will Benefit from Staying Close to Its Comics Roots

While Marvel's Agents of S.H.I.E.L.D. may stem directly from The Avengers film franchise, like those movies, the show also has comics in its DNA.


Monday, November 11 2013

Geek Girl Con 2013 Synthesized Pop Culture, Science, Technology, and Critical Inquiry

I can't think of another gathering of academics, practitioners, and fans that places comics alongside not just other pop media, but also science, math, and technology.


Monday, September 30 2013

Do You Have What It Takes to Commit to Serials?

Once one has committed to a narrative, it can be hard to let go, even if creative teams have changed, or ideas are running out.


Monday, August 19 2013

A Man of Steel That Sinks Like Lead

Turning Superman into the übermensch, standing above humanity, espousing a new moral dictum in which 'might makes right', is a contradiction of the film's own logic, and a gross violation of the principles he has traditionally fought to protect.


Thursday, August 15 2013

Eat, Drink, Draw: Lucy Knisley’s Comic Book ‘Relish’ as a Cookbook

Drawing her recipes for Relish, Lucy Knisley almost literally shows cooking to be more art than science.


Monday, July 29 2013

Forget the Brooding ‘Man of Steel’, Here Are Five Ways to Have Fun with a Lighter, Brighter Superman

Man of Steel was more concerned with surly brooding than Superman's more endearing traits. I think we (and Superman) should lighten up.


Sunday, July 14 2013

How Does It End? Narrative Closure in the Marvel Universes

In Marvel's comics, narrative closure is always deferred, every ending a new beginning. Iron Man 3, with its now world weary characters and aging actors, draws attention to how live action is different from comics.


Tuesday, May 28 2013

Superman and the War Against Anachronism

The impulse is to "update" Superman, to make him "relevant". But what could be more deadening than making an enduring cultural icon "relevant" to passing trends?


Monday, March 25 2013

Polymorphously Inclined: Comics as Influence, Comics Influenced

'Poaching' and 'copying' goes on in the making, reading, and interpreting of all forms of art and expression. The manner in which comics seem to invite connections to other media is what makes them vital artifacts of pop culture.


Thursday, March 14 2013

You Can’t Escape Your Future or Your Past

In storytelling, the past dictates the future. Plots are laid out like traps that our heroes inevitably fall into. And we, watching Bruce Willis in Looper, or reading of Dream in The Sandman, are thus fated, as well.


Monday, March 4 2013

What Happens When ‘Downton’s Head Valet, John Bates, Loosens His Vest?

Forget Bates the valet and his perfect Windsor knots. Agent Gates wields a gun, kicks ass, and otherwise protects Devonton Abbey from unsavory spies.


Sunday, February 24 2013

Why Is It Like That Here? Comics As a Medium for Exploring Our Varying Senses of Place

Comics give writers and artists a unique kind of freedom to make and remake places for their stories.


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