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Columns > Comics

Friday, October 17 2014

The Persistence of Mockery: Garfield and Surrealism

Goofing around with Garfield on The Garfield Randomiser and Garfield Minus Garfield evokes the poetic Surrealism that arose from Dadism.


Wednesday, October 1 2014

On Not Showing the Action: Stillness in ‘Trees’

The normalcy of reading movement into comics art is what makes Warren Ellis' and Jason Howard's new series, Trees, a curiosity.


Tuesday, September 23 2014

Comics, Cosmopolitanism, and Canadiana

The growing popularity and diversity of Canadian comics and graphic literature raises questions around how a culture and place presents itself to the world.


Wednesday, August 27 2014

Who Wants to Read Comics on a Computer?

However modest in scope, comiXology's new downloads signals the beginning of the end for strict DRM in digital comics -- and it will change how we view comics.


Tuesday, August 12 2014

In the Shadow of the Shadow of the Bat

It's common knowledge that the 'best' superhero is the one in cape and cowl. And that's true. It's just not the one you think.


Monday, August 4 2014

Origin of the Species: ‘Planet of the Apes’ from Page to Screen

Humankind once laughed at The Planet of the Apes -- until it became a critically acclaimed artistic endeavor and had an Academy Award category created for it. Now who amongst us is laughing?


Monday, July 28 2014

‘Shutter’, ‘Saga’ and ‘The Private Eye’ Showcase the Best of What Comics Can Do

The best creators will find ways to make the best use of whatever medium they are working in.


Monday, July 7 2014

With ‘Captain America: The Winter Soldier’ the MCU Decisively Breaks with Comics

Marvel owns characters and its profits come from comics sales, film tickets, lunch boxes, etc. As such, character identification fluctuates easily between media.


Monday, June 16 2014

The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.


Monday, June 9 2014

The Rise Fall and Rise of Marvel Comics on Film Part 2: The Road Out of Development Hell

The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?


Monday, June 2 2014

The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.


Tuesday, May 6 2014

The Gritty and the Real: Unpacking the Realism Trope in Superhero Films

The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.


Friday, April 18 2014

What Do We Do When Our Online Comics Collections Explode?

Complications or confusion aside, the hacking of comiXology demonstrates a disconcerting vulnerability in digital comics.


Wednesday, February 26 2014

Digital Comics and the Return of Disposability

A lot of comics may be seen as cheap, but so what? That also makes them fun.


Monday, January 6 2014

Walking Through the Space of Childhood: Geneviève Castrée’s ‘Susceptible’

Comics is an ideal medium for showing memory, time and mind, as having "physical dimensions".


Monday, December 2 2013

Marvel Studios’ Major TV Launch Will Benefit from Staying Close to Its Comics Roots

While Marvel's Agents of S.H.I.E.L.D. may stem directly from The Avengers film franchise, like those movies, the show also has comics in its DNA.


Monday, November 11 2013

Geek Girl Con 2013 Synthesized Pop Culture, Science, Technology, and Critical Inquiry

I can't think of another gathering of academics, practitioners, and fans that places comics alongside not just other pop media, but also science, math, and technology.


Monday, September 30 2013

Do You Have What It Takes to Commit to Serials?

Once one has committed to a narrative, it can be hard to let go, even if creative teams have changed, or ideas are running out.


Monday, August 19 2013

A Man of Steel That Sinks Like Lead

Turning Superman into the übermensch, standing above humanity, espousing a new moral dictum in which 'might makes right', is a contradiction of the film's own logic, and a gross violation of the principles he has traditionally fought to protect.


Thursday, August 15 2013

Eat, Drink, Draw: Lucy Knisley’s Comic Book ‘Relish’ as a Cookbook

Drawing her recipes for Relish, Lucy Knisley almost literally shows cooking to be more art than science.


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