Tuesday, March 9 2010
In comics not everyone can write nor draw (nor ink, color nor letter). So, there will always be 'great' works that cannot be attributed to a single talented contributor.
Are toy photography "dios" a new art form, a different breed of fan fiction, or nothing loftier than playtime for the stunted?
Wednesday, February 17 2010
I am choosy about what I eat, but continue to chow down on an unfettered pop culture diet as the last great excess that won’t kill me.
Tuesday, February 2 2010
My name is (insert name here) and I am a visual learner -- and other reasons why comics is a relevant subject for the college curriculum.
Wednesday, January 27 2010
Either by coincidence or because I just happened to watch these all on a cold day when I needed a little warmth, the magic of the human condition emerged as a trend in these new DVD releases.
Thursday, December 17 2009
The myths of unspoiled frontiers and the freedom of the open road, lives played out on the margins of society, attachment and detachment, wrestling matches with the ghosts of Samuel Beckett and Louis L’Amour…
Wednesday, December 9 2009
Scott McCloud's text does not make any concessions to doubters. It gives people permission to start from the presumption that comics are 'real' art, as well as 'real' literature.
Thursday, November 19 2009
Supergirl's summer costume change -- which included concealing shorts under her skirt as she flew about, kicking butt -- reveals a lot about our changing superheroes.
Monday, October 12 2009
Reading a comic requires multiple forms of literacy and levels of interpretation. Every movement from word to image and back again so as to create a coherent, narrative whole engages the reader’s brain in distinct ways.
Thursday, September 17 2009
Not all comic book adaptations are created equal, especially not when comparing our own imaginings with what actually happens when books are moved from print to screen.
Wednesday, August 26 2009
The fate of 'The Rise of Cobra' (both the toys and the movie) might depend on something completely out of Hasbro’s control: nostalgia.
Tuesday, August 11 2009
With little pressure to conform to storytelling or visual norms, comics are rife with artists like Jason Shiga, who bends and splices genres, and whose aesthetic sense is readily identifiable as his own.
Wednesday, July 8 2009
We needn’t substitute our daily fears with the supernatural to understand what it means to adopt different identities for different purposes and to feel both tied to and apart from others, but in Barbara’s case, it helps.
Monday, July 6 2009
Tomine has a gift for capturing body language and facial expressions -- his characters often say more in a silent panel than most say with an entire word balloon.
Monday, June 1 2009
That “comics” persists in connoting “pulp” and “graphic novels” implies something “literary” is purely a matter of convention, and is not because those are the inherent meanings or implications of the terms.
Wednesday, May 13 2009
Airports and airplanes are extreme manifestations of a placeless McWorld, and Jihad is a backward-looking form of resistance to that placelessness, but we need not be limited by those choices.
Thursday, April 30 2009
Like Edwin S. Porter realizing that a series of shots was how you structured a film, games have to abandon the presumption that they need to obey a linear narrative or controlled message and just let the player loose.
Wednesday, March 25 2009
The interaction between cartoonist, language, and reader is unusually subtle and complex in Jessica Abel's La Perdida
Tuesday, February 24 2009
In our sobering economy, Breakfast After Noon is more relevant than ever, as it addresses the psychic and emotional toll of unemployment.
Wednesday, January 28 2009
I am happy to report that after 25 years, the 'Transformers' franchise has finally gone postmodern… no thanks to 'Transformers Energon'.