Tuesday, October 5 2010
Mary Pickford was the biggest female star at the beginning of the '20s and Greta Garbo was the biggest at the finish, but in between there were none bigger than Norma and Constance Talmadge.
Friday, October 1 2010
PopMatters' Paul Maher speaks with cast and crew about what went into Terrence Malick's million-and-a-half feet of film (250 hours) that would become The Thin Red Line (re-released on DVD by Criterion, 28 September).
Wednesday, September 15 2010
Is there always something subversive about comedy? Only when it's funny.
Tuesday, September 14 2010
The best thing about Prime Suspect is the density of it all, how we get beneath Tennison's skin to experience her desperation, her despair, and her desires.
Thursday, September 2 2010
Underworld, The Last Command, and The Docks of New York are masterpieces of visual storytelling -- human dramas expressed with cinematographic innovation, impeccably realized set design, and an unparalleled grasp of the “bigger picture” of the motion picture.
Wednesday, September 1 2010
Tales of secrecy, discrimination, discovery, bonding, and isolation and loneliness are common, not surprising considering the social and political climate for the LGBT community in the '70s.
Monday, August 30 2010
The '60s were the most surreal decade on TV, and this show has scenes as bizarre as any sitcom, even without castaways or martians or robots or talking animals or reincarnated automobiles.
Thursday, August 19 2010
The essential point of this series of all the Rambo films, muddy as it has been made by the hateful final installment, is that Rambo represents the failure of the American people to come to terms with their misadventure in Vietnam.
Monday, August 9 2010
Leave It to Beaver's problem is not that it no longer fits modern social concerns, but that it does so too blatantly. God forbid a modern hipster should let loose a chuckle and thus irrefutably acknowledge dull suburban ambitions!
Wednesday, August 4 2010
Clinging to the dictum “The personal is political”, and shunning such pesky realities as promiscuity, illness and civil rights, the progenitors of this Cinema Pride DVD have opted to focus simply on storytelling and character development.
Sunday, August 1 2010
The youth whom I was concerned for regarding this program are not the network’s audience, as I thought, but its stars. Most seem aware that there is a direct relationship between outrageous behavior and screen time.
Thursday, July 22 2010
More valuable fossils have been unearthed from the strata of film history thanks to these Kino and Flicker Alley DVDs: a bunch of lost Keatons and one lost Roxie.
Sunday, July 11 2010
To cope with the heat wave, advisories suggest visiting 'cooling centers' or public pools. To achieve a truly chilled-out state of mind, however, why not open the door to your mind and let the iceman cometh inside?
Tuesday, July 6 2010
The RiffTrax line of DVDs reignites the enduring debate: Can something really be so bad that it's good?
Monday, June 28 2010
If Charlie Parker rose from the dead I have no doubt that he'd cheer on the hip hop orchestras and Bugge Wesseltoft's piano thumping electronica. He would definitely be a fan of Esperanza Spalding.
Thursday, June 24 2010
A world where nothing is right or reassuring, and little will ever be resolved happily, not in 30-minutes or 30 years – TV as depression, an endless picturesque grind. Rather like life.
Tuesday, June 8 2010
Shutter Island concerns the surrender of one’s own subjective memory and identity to another individual or institution. In order to make that choice -- to become a passive player in someone else’s version of reality -- must one be sane or insane?
Thursday, May 27 2010
Perry (Raymond Burr) remains a heroic cypher, cool and professional, sometimes jovial but with a cut and thrust when confronting witnesses.
Tuesday, May 25 2010
Somewhat awkward, clunky and charming on his TV show, Pete Seeger seemed to trust the viewers in the same way he recognised that TV's priorities don't represent the priorities of the people he meets in his travels.
Tuesday, May 18 2010
Endorsed by the esteemed Susan Sontag as among the best films about women, Fassbinder's unique approach to the feminine psyche remains as daring today as it was when released in 1972.