Thursday, August 30 2012
Before Sean Lock became a comedian, he worked as a labourer on building sites, an office worker for the Department of Health and Social Security, and a toilet cleaner and goat herder in France. No wonder he's got an opinion on everything.
Wednesday, August 8 2012
I Can Hardly Wait stretches the Three Stooges' "chaotic neutral" alignment into an uncomfortable fever dream of pointless violence with an undertone of sadistic cruelty. A failed Stoogesperiment in literary naturalism? or just a bad day?
Wednesday, August 1 2012
More than just a rock performance piece, American Pop is an engrossing drama with a pathos that burns through the animation cells in certain scenes even to this day.
Thursday, July 26 2012
Thirty years after the release of Blade Runner, with a remake of Total Recall on the horizon, the work of Philip K. Dick continues to find its way into our cinemas and minds. How did the visions of a paranoid loner become the most relevant science fiction of our time?
Monday, July 9 2012
Tony Hancock played an Every Man with the lovable charm and the infuriating selfishness of a know-nothing know-it-all. Like his character, most of us want what we don't have and the rest of the world, we believe, is responsible for our dissatisfaction.
Sunday, July 1 2012
Not every pre-Code film is a Scarface or Baby Face; some are only mediocre faces.
Sunday, June 24 2012
The film, Never Let Me Go, follows the book relatively well, although it eliminates some of the story, and isn't able to mirror the novel's careful and timed revelations about the mystery of Hailsham's students.
Sunday, May 13 2012
The weapons deals in The International and the back-door negotiations between corporate lobbies and Congress are two sides of the same coin; both use overwhelming systemic violence to further their ends.
Monday, May 7 2012
My folks are probably still kicking themselves for taking a seven-year-old to see Steve Martin’s profane and ridiculous first film, The Jerk, because that was the day I gave up on strong, upstanding heroes and decided that I wanted to be like Navin Johnson.
Thursday, May 3 2012
In light of David Simon's recent comments to The New York Times on its intent to 'stir actual shit', we revisit how important The Wire should be to both popular culture and American society.
Wednesday, April 25 2012
Fear and brutality inherent in the human condition and the drive to survive are themes that have never gone out of fashion. The stakes get even higher when those involved are children, and that's obviously a big seller.
Tuesday, April 24 2012
Love and hate. Success and failure. Life and death. Cigarettes. You could get addicted to Brian Dooley's The Smoking Room.
Sunday, March 25 2012
The Swell Season is one of the most intimate fly-on-the-wall peeks at the effects of stardom on two people at two very different points in their lives. It’s arguably the most accomplished music documentary of its kind since D.A. Pennebaker’s Don’t Look Back.
Thursday, March 8 2012
If fiction and reality could merge, the hero of the film In Time would benefit from listening to Real Time with Bill Maher, who said to the Occupy movement, "When you occupy anything for too long people do get pissed off."
Wednesday, March 7 2012
The manifestation of jealousy and desire is subtle. It develops over time, and if set off, the act of aggression may just as likely be one of attachment and ardor.
Thursday, February 23 2012
Did the record breaking Ricky Gervais Show podcast give insight into the real people behind it? Or were they just three more brilliant comic creations?
Tuesday, February 21 2012
Like Downton Abbey and Upstairs Downstairs, Brideshead Revisited can be considered a requiem for the days of Empire and the unyielding class structure that governed British life pre-World War II.
Wednesday, February 1 2012
Al Mundy (Robert Wagner) enjoys a reputation as a world-class thief, a glamorous burglar, a pickpocket's pickpocket. Too bad he landed in prison.
I'll Be There in the Morning offers an affectionate but hardly rose-colored view of Townes Van Zandt and his influence on other songwriters.
Thursday, January 26 2012
By the end of this film, the line dividing Tabloid from “the tabloids” thins to the point of imperceptibility.