Call for Essays About Any Aspect of Popular Culture, Present or Past

Columns > Film

Monday, October 20 2014

‘The Mack Sennett Collection, Volume One’ Attests to Risk-Taking in Creativity and Innovation

This collection of films is significant in illustrating the development of Mack Sennett's contributions to early film comedy and the lasting effects of Sennett and his troupe.


Wednesday, October 15 2014

The Magical Presence of Anna Karina: More Than Godard’s Muse

It’s not that Anna Karina couldn’t act, but that she didn’t have to. Her physical presence was the art, and her beauty, in and of itself, was a significant contribution to the culture.


Tuesday, October 14 2014

What More Is Mankind Than Nature’s Parasite? Reflections on ‘Herzog: The Collection’

For Werner Herzog, man’s tug-of-war with nature is not a present imbalance but a lost cause, the barbarous beauty of nature made mere barbarism by humankind.


Monday, October 13 2014

Neither Here Nor There: ‘The Institute’, the Game, and the Thread to Elsewhere

The trend in alternate reality gaming fits a traditional definition of hyperreality; the condition where fiction and the real become indistinguishably blended together.


Thursday, September 25 2014

Cut! Shoot! The Directorial Styles of Blake Edwards and Richard Lester

The Party, A Funny Thing Happened on the Way to the Forum and Juggernaut give us good clean fun about slavery and brothels.


Tuesday, September 16 2014

The Power of Body Language: Michelle Yeoh, Action Cinema’s First Lady

Watching Michelle Yeoh fight on screen is like watching Fred Astaire dance: simply beautiful.


Friday, September 12 2014

The Defiant New Postmodern Tamil Cinema

Fed up with the empty rhetoric of utopian ideology and highfalutin discourse, the new generation of filmmakers take their frustrations out on the grand narratives of Tamil cinema.


Thursday, August 28 2014

The Gunman on the Unemployment Line: Masculinity, Professionalism, and Ethical Bankruptcy

Surely even Dirty Harry needs a break from cinematic violence, some time off at Walden Pond. Though I doubt its tranquility would deter him from picking off the sparrows.


Monday, August 11 2014

Origin of the Species: ‘Planet of the Apes’ from Laughing Stock to Box Office Gold

After the best-selling novel La Planète des Singes and the hit film Planet of the Apes, the series found itself in hairy times. How did the saga regain its glory?


Thursday, August 7 2014

‘The Purge’: Lawful, But Not Helpful

By grounding the violence of his barely veiled speculative fiction in the here-and-now, James DeMonaco risks inciting an audience beyond the walls of the cinema.


Tuesday, August 5 2014

Films for Fans of Visionary Directors

In film, "visionary" has become a marketing adjective, like "iconic". Here, on the matter of visionary directors, we separate the claret from the beaujolais, if you will.


Monday, August 4 2014

Origin of the Species: ‘Planet of the Apes’ from Page to Screen

Humankind once laughed at The Planet of the Apes -- until it became a critically acclaimed artistic endeavor and had an Academy Award category created for it. Now who amongst us is laughing?


Tuesday, July 29 2014

Living and Dying for Silent Film

Home video companies such as Kino Lorber, the Criterion Collection, and Flicker Alley have been instrumental in meeting the changing methods of distributing silent film.


Tuesday, July 22 2014

The Caging of an American Revolutionary

American Revolutionary wants to offer the appearance of revolution while anesthetizing any deeper understanding of the forces involved.


Monday, July 21 2014

The Myth of the Global Brown Messiah in Kollywood Cinema

Recent films from the action-masala genre project India as a global sheriff, replacing a toothless West as an expression of muscular nationalism.


Thursday, July 10 2014

Should Film Music Stand Alone?

In evaluating what makes a great film score, writers, composers, and listeners must ask themselves if the function of cinematic music limits the form it has to take.


Monday, July 7 2014

With ‘Captain America: The Winter Soldier’ the MCU Decisively Breaks with Comics

Marvel owns characters and its profits come from comics sales, film tickets, lunch boxes, etc. As such, character identification fluctuates easily between media.


Monday, June 30 2014

“Capital’s” Critique of Global Capitalism Is Sage but Dispassionate

Capital offers a savage critique of capitalism and the banking industry, but it fails to imagine its ability to sustain its inhumane and self-destructive practices.


Tuesday, June 17 2014

In Defense Of ... Ann Hornaday, No Matter What Judd Apatow and Seth Rogen Say

The Washington Post film critic wasn't wrong in wondering aloud about the impact Hollywood can have on the typical young male.


Monday, June 16 2014

The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.


Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.