Wednesday, April 16 2014
The Wolf of Wall Street celebrates deception, whereas Hugo upholds the search for truth. Which worldview is Scorsese's?
Monday, April 14 2014
What Blue is the Warmest Color demands of its viewers is to stop looking and start sensing, start engaging with cinema with all five senses.
Friday, April 11 2014
In Bangkok, the convulsions of violence on the street merge with scenes of surreal ritual that is possible in the West only in dreams… or drug reveries… or films.
Thursday, April 10 2014
There just isn't enough time in the human lifespan to see all the films one 'should'. So why not just declare the death of the cinephile?
Friday, April 4 2014
Can a barely recognizable sequel save a franchise? Or is it doomed to mark its epitaph?
Tuesday, April 1 2014
What can it mean for Dario Argento, auteur extraordinaire, to forsake his unique melding of fearless style and fearless silliness and instead submit to Bram Stoker?
Monday, March 24 2014
The release of The Zero Theorem provides yet another opportunity to appreciate Terry Gilliam's untrammelled genius. Yet some would prefer his towering talents were cut down to size.
Friday, March 14 2014
These are films of literal and figurative interiors, where domestic spaces stand in stark contrast to idealisms sabotaged by the pettiness of politics and mistrust.
Friday, March 7 2014
For over 20 years, Alan Partridge has shared his life with the British public and fans have embraced him, warts and all. Now, his first feature film is coming to America. Back of the net!
Wednesday, March 5 2014
PopMatters speaks with Jóhann Jóhannsson about his latest venture into music for cinema, his moody and melancholy score for the police thriller, McCanick.
Tuesday, February 18 2014
The success of Canon Fodder's "50 Nights at the Movies -- at Home!" Requires a bigger and better sequel. Or at least, a longer one. Might want to make some popcorn before sitting down for this one.
Friday, February 14 2014
Ever think Hollywood is making the same films over and over? These many sets of twin films that constitute Hollywood’s Great Duopolies show no signs of stopping.
Wednesday, February 5 2014
Lost far too soon, Philip Seymour Hoffman was the single most affecting reason I ever decided to watch movies in the first place.
Thursday, January 23 2014
Caesar Must Die and The Act of Killing are experiments that mix fiction and reality in distinct ways in order to investigate the relationship between freedom and violence.
Monday, January 20 2014
In the sagas of film's biggest monsters, what qualifies as a Kaiju? And does the giant monster have to be a Japanese creation to be considered Kaiju?
Tuesday, January 14 2014
The life of Life of Brian tells us much about a period when disparate cultural values were battled over in a dramatic tug-of-war on the frontlines of society -- and for Monty Python, the threat of prison loomed.
Thursday, December 12 2013
Will a Kickstarter campaign make Betty Suarez the next Veronica Mars?
Wednesday, December 11 2013
This year saw no shortage of innovative, exciting film scores. Notes on Celluloid counts down the ten soundtracks that lingered the longest in our minds.
Thursday, December 5 2013
Clint Mansell’s score for Darren Aronofsky’s metaphysical science fiction film, The Fountain, is a masterpiece of both film music and contemporary art music.
Wednesday, December 4 2013
As civil liberties were absorbed by the religious state and exacting codes of conduct were implemented with brutal force in Iran, Kiarostami used his canvas to show hope to his countrymen.