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Columns > Film

Tuesday, July 29 2014

Living and Dying for Silent Film

Home video companies such as Kino Lorber, the Criterion Collection, and Flicker Alley have been instrumental in meeting the changing methods of distributing silent film.


Tuesday, July 22 2014

The Caging of an American Revolutionary

American Revolutionary wants to offer the appearance of revolution while anesthetizing any deeper understanding of the forces involved.


Monday, July 21 2014

The Myth of the Global Brown Messiah in Kollywood Cinema

Recent films from the action-masala genre project India as a global sheriff, replacing a toothless West as an expression of muscular nationalism.


Thursday, July 10 2014

Should Film Music Stand Alone?

In evaluating what makes a great film score, writers, composers, and listeners must ask themselves if the function of cinematic music limits the form it has to take.


Monday, July 7 2014

With ‘Captain America: The Winter Soldier’ the MCU Decisively Breaks with Comics

Marvel owns characters and its profits come from comics sales, film tickets, lunch boxes, etc. As such, character identification fluctuates easily between media.


Monday, June 30 2014

“Capital’s” Critique of Global Capitalism Is Sage but Dispassionate

Capital offers a savage critique of capitalism and the banking industry, but it fails to imagine its ability to sustain its inhumane and self-destructive practices.


Tuesday, June 17 2014

In Defense Of ... Ann Hornaday, No Matter What Judd Apatow and Seth Rogen Say

The Washington Post film critic wasn't wrong in wondering aloud about the impact Hollywood can have on the typical young male.


Monday, June 16 2014

The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.


Monday, June 9 2014

The Rise Fall and Rise of Marvel Comics on Film Part 2: The Road Out of Development Hell

The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?


Thursday, June 5 2014

‘Anchorman’s’ Ron Burgundy: The Man, The Myth, the Media

Anchorman 2 is bigger, bolder, brasher and more bizarre than its antecedent, but it also gives a pertinent critique of the medium it has chosen to satirise.


Monday, June 2 2014

The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.


Wednesday, May 28 2014

From Love to Decline: Giving Evelyn Waugh a Sixties Spin

The Loved One gives viewers that "sick kick", and Decline and Fall of a Bird Watcher perfectly captures Waugh's tone of cruel, facetious, and lunatic whimsies.


Wednesday, May 21 2014

Bollywood and the Ballot: India’s Shimmery Election

Bollywood stars are essential to the cultural identity of India, but their involvement in the 2014 election have some questioning the wisdom of the "Bollywood-ification" of politics.


Tuesday, May 13 2014

‘Her’ and Masculinity in the Post-Digital Age

The ghost in the machine may have receded into the digital aether, but Theodore’s preconceptions about women have not.


Friday, May 9 2014

That Which Crawls Out of Speakers and Inches Along Your Nerves: Notable Film Scores of Early 2014

From Biblical epics to run-of-the-mill rom-coms, Notes on Celluloid takes a look at (and listen to) some of the strongest film music of 2014 thus far.


Tuesday, May 6 2014

The Gritty and the Real: Unpacking the Realism Trope in Superhero Films

The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.


Wednesday, April 16 2014

Scorsese vs. Scorsese: Tales of Two Dreamers

The Wolf of Wall Street celebrates deception, whereas Hugo upholds the search for truth. Which worldview is Scorsese's?


Monday, April 14 2014

‘Blue is the Warmest Color’ Is Truly a Feast for All the Senses

What Blue is the Warmest Color demands of its viewers is to stop looking and start sensing, start engaging with cinema with all five senses.


Friday, April 11 2014

“Only God Forgives’” Weird Yet Coherent Oriental Psychedelic Noir

In Bangkok, the convulsions of violence on the street merge with scenes of surreal ritual that is possible in the West only in dreams… or drug reveries… or films.


Thursday, April 10 2014

Cinephilia Culture and the Fear of Missing Out

There just isn't enough time in the human lifespan to see all the films one 'should'. So why not just declare the death of the cinephile?


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