Monday, July 15 2013
If Disney's Song of the South is as innocuous as its adherents claim, they need to think long and hard about why it’s out of official circulation.
Sunday, July 14 2013
In Marvel's comics, narrative closure is always deferred, every ending a new beginning. Iron Man 3, with its now world weary characters and aging actors, draws attention to how live action is different from comics.
Thursday, July 11 2013
These 20 films are a journey through the social and political conditions of America and a broader history of human violence that crowns no winners and knows no end.
Monday, July 8 2013
Although one might condemn the girls of Spring Breakers for descending into the lustful materialism of St. Petes, it seems hypocritical coming from avid cinemagoers who also like to immerse themselves in the debauchery of horror films, musicals, melodramas, and the like.
Monday, July 1 2013
Oscar's favorite studios and films often face bankruptcy and financial ruin, while Worst Picture Razzie winners have (more than once) earned billions of dollars at the box office. Why this disparity between financial rewards and Academy Awards?
Thursday, June 13 2013
Attempts to update horror icons by recasting them as mere 'mistreated monsters' risk bringing them too far out of the paradoxical isolation that fuels their monstrosity.
Wednesday, May 29 2013
It’s human nature to Gatsby-ize others, whether it’s for the pleasures of unsatisfied curiosity, or slander, or just plain sport.
Tuesday, May 28 2013
The impulse is to "update" Superman, to make him "relevant". But what could be more deadening than making an enduring cultural icon "relevant" to passing trends?
Thursday, May 23 2013
From deep within the shadows of Hollywood's backlots crawl the creepiest rumors and legends: a hanged Munchkin, the Superman Curse and... Ted Danson in a top hat!
Wednesday, May 22 2013
Despite its rich tradition, the future of gospel music in various parts of the world has been an issue of contention and heartbreak in recent years.
Sunday, May 12 2013
Many people assert axiomatically that "the book is always better", while others have suggested that bad books make good movies and good books make bad movies. But do films adapted from books, good or bad, give books a longer shelf-life?
Thursday, May 9 2013
Rather than exercise judgment or critical perspective on crime and punishment, Spring Breakers and Pain & Gain share their characters’ self-indulgence, making narcissism seem like a palatable or practical means to achieve goals.
The popcorn. The posters. The previews. The audience camaraderie. What's not to love?
Wednesday, May 8 2013
Popular culture creates its own nostalgic image of a time period that is both fact and fiction. When combined with the shaky foundations of our own memories, who can really tell what happened? How will pop culture translate the tragic events of today?
Thursday, April 25 2013
Initially a disaster of an experimental horror film, The Evil Dead went on to become an acclaimed and influential movie that launched careers and spawned sequels and copycats, not to mention a string of cash in faux-sequels. Who were these pretenders to the Deadite throne?
Sunday, April 21 2013
Quentin Tarantino’s Django Unchained is at its strongest when it problematizes America's racist past.The destruction of Candyland not only vindicates Django’s revenge-fuelled quest, but also implies that slavery itself has been wiped off the face of the earth.
Monday, April 15 2013
Everyone knows it's impossible for any woman to enjoy guilt-free sex with jazz musicians and delivery boys.
Thursday, April 4 2013
In Ice-T's 2012 documentary, Something from Nothing, he asks why rap music doesn't garner the same amount of respect afforded to jazz and blues music.
Wednesday, April 3 2013
What do Dracula, The Pink Panther, Rocky Horror, The Exorcist, Thomas Edison and Danny Elfman have to do with Cirque Du Soleil? The Next Reel explores the 'Two Billion Nickelodeon'.
Sunday, March 31 2013
From the Kickstarter-fuelled resurrection of Veronica Mars to Amanda Palmer's 'art of asking', the influence of crowdsourcing is impossible to ignore. Can it provide a new perspective on the relationship between art and money?