Thursday, July 10 2014
In evaluating what makes a great film score, writers, composers, and listeners must ask themselves if the function of cinematic music limits the form it has to take.
Monday, July 7 2014
Marvel owns characters and its profits come from comics sales, film tickets, lunch boxes, etc. As such, character identification fluctuates easily between media.
Monday, June 30 2014
Capital offers a savage critique of capitalism and the banking industry, but it fails to imagine its ability to sustain its inhumane and self-destructive practices.
Tuesday, June 17 2014
The Washington Post film critic wasn't wrong in wondering aloud about the impact Hollywood can have on the typical young male.
Monday, June 16 2014
Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.
Monday, June 9 2014
The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?
Thursday, June 5 2014
Anchorman 2 is bigger, bolder, brasher and more bizarre than its antecedent, but it also gives a pertinent critique of the medium it has chosen to satirise.
Monday, June 2 2014
Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.
Wednesday, May 28 2014
The Loved One gives viewers that "sick kick", and Decline and Fall of a Bird Watcher perfectly captures Waugh's tone of cruel, facetious, and lunatic whimsies.
Wednesday, May 21 2014
Bollywood stars are essential to the cultural identity of India, but their involvement in the 2014 election have some questioning the wisdom of the "Bollywood-ification" of politics.
Tuesday, May 13 2014
The ghost in the machine may have receded into the digital aether, but Theodore’s preconceptions about women have not.
Friday, May 9 2014
From Biblical epics to run-of-the-mill rom-coms, Notes on Celluloid takes a look at (and listen to) some of the strongest film music of 2014 thus far.
Tuesday, May 6 2014
The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.
Wednesday, April 16 2014
The Wolf of Wall Street celebrates deception, whereas Hugo upholds the search for truth. Which worldview is Scorsese's?
Monday, April 14 2014
What Blue is the Warmest Color demands of its viewers is to stop looking and start sensing, start engaging with cinema with all five senses.
Friday, April 11 2014
In Bangkok, the convulsions of violence on the street merge with scenes of surreal ritual that is possible in the West only in dreams… or drug reveries… or films.
Thursday, April 10 2014
There just isn't enough time in the human lifespan to see all the films one 'should'. So why not just declare the death of the cinephile?
Friday, April 4 2014
Can a barely recognizable sequel save a franchise? Or is it doomed to mark its epitaph?
Tuesday, April 1 2014
What can it mean for Dario Argento, auteur extraordinaire, to forsake his unique melding of fearless style and fearless silliness and instead submit to Bram Stoker?
Monday, March 24 2014
The release of The Zero Theorem provides yet another opportunity to appreciate Terry Gilliam's untrammelled genius. Yet some would prefer his towering talents were cut down to size.