Thursday, December 12 2013
Will a Kickstarter campaign make Betty Suarez the next Veronica Mars?
Wednesday, December 11 2013
This year saw no shortage of innovative, exciting film scores. Notes on Celluloid counts down the ten soundtracks that lingered the longest in our minds.
Thursday, December 5 2013
Clint Mansell’s score for Darren Aronofsky’s metaphysical science fiction film, The Fountain, is a masterpiece of both film music and contemporary art music.
Wednesday, December 4 2013
As civil liberties were absorbed by the religious state and exacting codes of conduct were implemented with brutal force in Iran, Kiarostami used his canvas to show hope to his countrymen.
Tuesday, December 3 2013
Kelly Reichardt has established herself as a singular and essential voice in modern cinema by being a master of the miniature, a maestro of The Moment.
Wednesday, October 30 2013
Universal Studios didn't set out to be "The House that Horror Built", but Carl Laemmle and company created and recreated the ultimate icons of terror, and those icons were very good to Universal in return.
Friday, October 25 2013
Each film in The Best of Warner Brothers 20 Film Collection: Thrillers asks, in some or form or another, Where does your loyalty lie, with the guys or your girl?
Thursday, October 24 2013
The six films in The Vincent Price Collection are indeed, six of Price's best.
Monday, October 21 2013
PopMatters speaks with director Nicolas Winding Refn and composer Peter Peter about the long overdue release of Peter's score to Refn's 2010 Middle Ages brooder, Valhalla Rising, and its undulating dark ambient music.
Thursday, October 17 2013
Queer, Isn't It? presents the first of five films in its LGBT Hall of Fame.
Friday, October 11 2013
The pacifism of The Animals Film renders it an anti-cult cult film, not merely a plea to cease animal cruelty, but a critique of the violent objectification cum commercialization of life itself.
Tuesday, October 1 2013
Robots and Replicants... Between utilitarian tools and far too human replacements lies the Uncanny Valley. The Next Reel explores Cinema's love/ hate relationship with the automaton.
Friday, September 27 2013
The great Elmore Leonard wrote dozens of novels. Some, like Get Shorty, were adapted for film. So why do I associate him with smooth jazz? Well, John Lurie had a hand in that.
Monday, September 16 2013
Children and pregnant women should not take this ride without consulting a physician first. Professional athletes should take special care before looking directly at these battles, as side effects include testing positive for testosterone boosting.
Thursday, September 12 2013
In every successful series there are prequels and sequels that create the long-standing sagas that we love. But what becomes of those orphaned sequels begging for a home?
Thursday, September 5 2013
PopMatters speaks with Only God Forgives composer Cliff Martinez about working with Nicolas Winding Refn, writing music for bloody movies, and finding success in film music.
Sunday, August 25 2013
For the first time in cinema history, Hollywood has enabled social media users to contribute to the artistic properties of films, thereby earning them co-authorship… of sorts.
Monday, August 19 2013
Turning Superman into the übermensch, standing above humanity, espousing a new moral dictum in which 'might makes right', is a contradiction of the film's own logic, and a gross violation of the principles he has traditionally fought to protect.
Tuesday, August 13 2013
Who needs Netflix and its fees? Make a list of movies and take it to the nearest public library.
Thursday, August 8 2013
No matter how classically trained (John Williams) or pop-minded (Hans Zimmer) a composer might be, the skill set required for making great movie music is unlike any other form of composition.