Columns > Film

Thursday, April 25 2013

Books of the Dead: The Followers and Clones of ‘The Evil Dead’

Initially a disaster of an experimental horror film, The Evil Dead went on to become an acclaimed and influential movie that launched careers and spawned sequels and copycats, not to mention a string of cash in faux-sequels. Who were these pretenders to the Deadite throne?

Sunday, April 21 2013

Django May Be Unchained, But America Is Never Unshackled from Its Racist Past

Quentin Tarantino’s Django Unchained is at its strongest when it problematizes America's racist past.The destruction of Candyland not only vindicates Django’s revenge-fuelled quest, but also implies that slavery itself has been wiped off the face of the earth.

Monday, April 15 2013

Do Women Have Sex? ‘The Chapman Report’

Everyone knows it's impossible for any woman to enjoy guilt-free sex with jazz musicians and delivery boys.

Thursday, April 4 2013

In Defense of Hip-Hop Receiving the Respect It Deserves

In Ice-T's 2012 documentary, Something from Nothing, he asks why rap music doesn't garner the same amount of respect afforded to jazz and blues music.

Wednesday, April 3 2013

A Cirque Du Soleil Performance in Hollywood Evokes Memories of the Circus of Hollywood

What do Dracula, The Pink Panther, Rocky Horror, The Exorcist, Thomas Edison and Danny Elfman have to do with Cirque Du Soleil? The Next Reel explores the 'Two Billion Nickelodeon'.

Sunday, March 31 2013

Kafka on Kickstarter: Crowdsourcing, Capitalism and Art

From the Kickstarter-fuelled resurrection of Veronica Mars to Amanda Palmer's 'art of asking', the influence of crowdsourcing is impossible to ignore. Can it provide a new perspective on the relationship between art and money?

Monday, March 25 2013

Polymorphously Inclined: Comics as Influence, Comics Influenced

'Poaching' and 'copying' goes on in the making, reading, and interpreting of all forms of art and expression. The manner in which comics seem to invite connections to other media is what makes them vital artifacts of pop culture.

Thursday, March 21 2013

Meryl Streep, Sex Goddess

Meryl Streep is portraying a string of desirous mammas, these days. In Mamma Mia, It's Complicated and Hope Springs, each of the leading ladies are mothers with grown children and a sexual appetite. A healthy one.

Thursday, March 14 2013

You Can’t Escape Your Future or Your Past

In storytelling, the past dictates the future. Plots are laid out like traps that our heroes inevitably fall into. And we, watching Bruce Willis in Looper, or reading of Dream in The Sandman, are thus fated, as well.

Thursday, March 7 2013

Everyone Lost: Protest Art and the Iraq War

While people were killing and dying, what did it matter whether there were decent songs being sung, insightful films being produced, appropriate art being inspired? When did poetry ever stop a war?

Friday, March 1 2013

Italy’s Lost Bellissima Actress, Margie Newton, Re-Appears in The Next Reel

Just before rising Italian star Margie Newton was set to take on Hollywood, she vanished from the public eye. What happened? Where did she go? Is she coming back?

Monday, February 18 2013

In Defense of 2012’s Best Movie, ‘The Master’

With the Oscars set to be handed out this Sunday, it's time to take a look at what made the one film that got pushed to the back of the awards season bus so transcendent, so polarizing, and so great.

Thursday, February 14 2013

The Ethics of Control: ‘Paul Williams Still Alive’

Having experienced decades in the spotlight, Paul Williams, a reluctant subject, is a more powerful opponent than his director suspects.

Tuesday, February 12 2013

A Blackly Sardonic Telling of Abe Lincoln: ‘Crime Classics, The Assassination of Abraham Lincoln’

You think Steven Spielberg's Lincoln is compelling? Try upping the ante with Crime Classics: The Assassination of Abraham Lincoln.

Wednesday, February 6 2013

“The Road Goes Ever On and On” for New Zealand’s Cinematic Tourism

Red Carpet Tours bridges the worlds of filmmaking and fandom while ensuring that visitors to New Zealand find far more than Middle-earth landmarks.

Monday, February 4 2013

No Texas, No Chainsaw, No Massacre: The True Links in the Chain

With Texas Chainsaw 3D's release, the question of what the "True Story" (if any) really was, is catching the buzz, again.

Wednesday, January 30 2013

What James Bond Can’t Teach You About British Music History

If you want lessons in womanizing, dressing to the nines, or ordering martinis, James Bond is your man. If, however, you’re looking for a review of British music history over the last 50 years, the world’s favorite secret agent has no idea what he’s doing.

Monday, January 28 2013

What Is the Stereotypical ‘Real American?’

Picture such a creature in your mind and see how it compares to the one in mine: White. Well-fed. Armed. Christian. I’m seeing Boss Hogg in Bermuda shorts, Foghorn Leghorn in a business suit, Britney Spears in a monster truck.

Wednesday, January 23 2013

Violence Unchained

There’s a fine line between showing violence and fetishizing it. Have we crossed it?

Sunday, January 20 2013

No More Words Nowadays: ‘The Qatsi Trilogy’

The Qatsi films are artistic ways of raising perceptions in the Irwinian sense: to change the world, we first must know what the world has become by our doing.

//Mixed media

Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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