Monday, November 29 2010
It seems that Todd McFarlane designed Spawn’s cape to billow wildly just so that it would obscure Spawn’s feet, so that he wouldn’t have to draw them.
Thursday, November 18 2010
Miranda Richardson discusses this season's premiere feminism-themed film about the real-life strike at the UK Ford plant that challenged and changed British laws on equal pay. Just how far have we come since 1968 in the fight for gender equality in the workplace?
Sunday, November 14 2010
Men's movies show us a fantasy of the man we'd like to be (Tarzan or James Bond or Sam Spade), while women's movies are transmogrified dreams of women's real lives.
Thursday, November 4 2010
Take Your Daughter to Work Day: A Father Reflects on Years of Force-feeding Pop Culture to His Child
How will my daughter feel when her friends greet her in 2030 with an enthusiastic shout-out to Hannah Montana or SpongeBob SquarePants and she can only remember Bebop, Rocksteady, the Gentleman Ghost and Gyro Gearloose?
Wednesday, October 6 2010
With the current economic climate -- increasing rates of foreclosure, evictions, unemployment, poverty and misery -- this classic story dangerously impinges upon the present to reveal the specter of Tom Joad emerging from the darkness, once again.
Tuesday, October 5 2010
Mary Pickford was the biggest female star at the beginning of the '20s and Greta Garbo was the biggest at the finish, but in between there were none bigger than Norma and Constance Talmadge.
Friday, October 1 2010
PopMatters' Paul Maher speaks with cast and crew about what went into Terrence Malick's million-and-a-half feet of film (250 hours) that would become The Thin Red Line (re-released on DVD by Criterion, 28 September).
Thursday, September 2 2010
Underworld, The Last Command, and The Docks of New York are masterpieces of visual storytelling -- human dramas expressed with cinematographic innovation, impeccably realized set design, and an unparalleled grasp of the “bigger picture” of the motion picture.
Wednesday, September 1 2010
Tales of secrecy, discrimination, discovery, bonding, and isolation and loneliness are common, not surprising considering the social and political climate for the LGBT community in the '70s.
Tuesday, August 31 2010
When I saw Eclipse, a gaggle of teenage girls behind me giggled, gasped and squealed their way through most of the film. Each time their hysteria erupted, it happened during a romantic scene.
Sunday, August 29 2010
Why do comics readers care about the movies made from their favorite books?
Thursday, August 19 2010
The essential point of this series of all the Rambo films, muddy as it has been made by the hateful final installment, is that Rambo represents the failure of the American people to come to terms with their misadventure in Vietnam.
Wednesday, August 4 2010
Clinging to the dictum “The personal is political”, and shunning such pesky realities as promiscuity, illness and civil rights, the progenitors of this Cinema Pride DVD have opted to focus simply on storytelling and character development.
Thursday, July 29 2010
Barbequing with Legends: Robert Duvall and Sissy Spacek on Cinema, Cinephilia and Good-Looking Shoes
On the eve of the release of Get Low, PopMatters talks with film legends Sissy Spacek and Robert Duvall about food criticism (sort of), film critics (without mentioning any, ahem, names), and of course, cute shoes (and a few other things).
Thursday, July 22 2010
More valuable fossils have been unearthed from the strata of film history thanks to these Kino and Flicker Alley DVDs: a bunch of lost Keatons and one lost Roxie.
Wednesday, July 7 2010
While most moviegoers bemoan the glut of Hollywood sequels and remakes, City Slickers II: Coffee and Cake is just one of many unproduced sequels I wish we had the chance to see.
Tuesday, July 6 2010
The RiffTrax line of DVDs reignites the enduring debate: Can something really be so bad that it's good?
Wednesday, June 23 2010
Pop culture thrives on rivalries, but few are as epic as the one between werewolves and vampires -- a rivalry which predates Twilight by, oh, some 60 years.
Tuesday, June 8 2010
Shutter Island concerns the surrender of one’s own subjective memory and identity to another individual or institution. In order to make that choice -- to become a passive player in someone else’s version of reality -- must one be sane or insane?
Tuesday, May 18 2010
Endorsed by the esteemed Susan Sontag as among the best films about women, Fassbinder's unique approach to the feminine psyche remains as daring today as it was when released in 1972.