Call for Essays About Any Aspect of Popular Culture, Present or Past

Columns > Film

Thursday, January 22 2009

On the End of Every Fork

Our Daily Bread is a 21st century naked lunch in the true sense of what Burroughs meant, not a scattershot impressionistic sensory assault, but an eye-opener that can actually change the way one views the world.


Wednesday, January 21 2009

Ken Russell at the BBC

Everything here is in achingly beautiful and sharply restored black and white, everything is intelligent and witty, everything is deeply felt -- everything is Russell.


Thursday, January 15 2009

Slumdog Millionaire: All Eyes East

Slumdog Millionaire's Golden Globe win for Best Motion Picture/Drama is like a flare warning Hollywood about its future in cinema.


Wednesday, January 14 2009

Convergence Culture: the Many Faces of Hellboy

Different media means different Hellboys. Mike Mignola's versus Guillermo del Toro's.


Thursday, January 8 2009

Guerrilla Patton

Soderbergh's supersized retelling of the Che Guevara legend is an uncomfortable mix of war procedural and unabashed hero worship; ingenious but flawed.


Wednesday, January 7 2009

Twilight Takeover

The film is a successful adaptation of the book not only because Pattinson is so talented and dreamy, but also because Hardwicke knows a thing or two about filming adolescents.


Monday, January 5 2009

Something to Do with Death

By manipulating mankind’s fear of death, organized religion clearly emerges as the most ruthless and totalitarian authority institution in the history of the world.


Thursday, December 18 2008

Exquisite Agony

This holiday season, Mickey Rourke (in The Wrestler) and Will Smith (Seven Pounds) suffer for all us sinners.


Thursday, December 11 2008

Shameful Exposure

A fiery Kate Winslet saves morality tale in 'The Reader' while a similarly powerful Meryl Streep can't do the same for the overly certain 'Doubt'.


Sunday, December 7 2008

The Annihilating Feminine: Kate Winslet Gets Nasty in The Reader

In Winslet’s clever, low-key performance, all of the character’s ambiguousness remains intact, making Hanna her most complicated, mature creation to date.


Thursday, December 4 2008

Frost/Nixon: An Interview with a Vampire

Frank Langella seethes and pulsates with cunning as the deposed president in 'Frost/Nixon', a far cry from the grinning cowboy executive Josh Brolin presented in 'W'.


Wednesday, December 3 2008

Nary a Word: ‘The Last Laugh’ and ‘The General’

The sound era added nothing thematically or tonally that wasn't already perfected in silent films.


Tuesday, December 2 2008

Hughes Oughta Know

The British Library bought Ted Hughes' literary archive, further inspiring film and literary speculation into his life with Sylvia Plath.


Thursday, November 20 2008

Cut to the Whatever

Marc Forster's Quantum of Solace slices away nearly every element of the old Bond, and leaves nothing in its place.


Thursday, November 13 2008

Dying on the Mind: ‘A Christmas Tale’ and ‘House of the Sleeping Beauties’

In the moody House of the Sleeping Beauties, an aging widower fights despair with a succession of naked beauties, while in the sprawling A Christmas Tale, a family bickers around their mother’s terminal illness.


Sunday, November 9 2008

I’ve Loved You So Long: Interviews with Kristin Scott Thomas and Philippe Claudel

Kristin Scott Thomas delivers the performance of the year in Philippe Claudel’s I’ve Loved You So Long, and tells Mazur how she did it.


Thursday, November 6 2008

Keith Haring: Warhol, Jr.

The Universe of Keith Haring digs under the artist's pop veneer and goes all the way to the surface, finding some kind of meaning in simplicity.


Thursday, October 30 2008

Robot Roll Call: Mystery Science Theater 3000

The 20th anniversary DVD release of Mystery Science Theater 3000 is less a greatest-hits package than a reminder of simple joys, like mocking lousy movies.


Tuesday, October 28 2008

Blinded by Science

While Mary Shelley’s Frankenstein is a wonderful tale of a tortured man and his experiment, I’ll take Hollywood’s version of the block-headed monster any day.


Thursday, October 23 2008

Identities in Flux

Kaufman’s Synecdoche, New York is performance art as civilization-annihilating Godzilla, whereas Eastwood's Changeling is a film that wins the stranger than fiction category, hands-down.


Now on PopMatters
PM Picks
Announcements

© 1999-2014 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks
of PopMatters Media, Inc.

PopMatters is wholly independently owned and operated.