Wednesday, July 15 2009
This movie provokes a guilty-pleasure curiosity, followed by a yearning to somehow feel above the ridiculous performance you’re witnessing.
Wednesday, June 24 2009
In recent history, the myriad commercial and social reactions to so-called Blaxploitation films made feasible the rise of a robust, intelligent, and independent black cinema in the US.
Thursday, June 18 2009
Bergman’s need to honor, discover and examine his intrinsic connection to women is quite simple: all men are influenced by women.
Tuesday, May 26 2009
Explorations of the outer limits of the patient/ therapist relationship titillate viewers with the possibilities of what could happen.
Monday, May 25 2009
Lindqvist’s book and Alfredson’s film adaptation both convey a sweet, dark version of puppy love. We don’t need the American remake.
Thursday, April 30 2009
Like Edwin S. Porter realizing that a series of shots was how you structured a film, games have to abandon the presumption that they need to obey a linear narrative or controlled message and just let the player loose.
Monday, April 27 2009
I hate it when a film takes a brilliant literary work and turns it into what it thinks the literary work should be.
Wednesday, April 8 2009
The most irreverent, knowing, daring and hippest time travel story of all time has, inevitably and fittingly, become a time capsule.
Monday, April 6 2009
As any experienced concert-goer knows, a lively audience can mean the difference between a lackluster event and a memorable night. Sometimes, it’s more important than the band's actual performance.
Monday, March 30 2009
Whether served up on the page or on the screen, this is an intimate assessment of a twisted mother/son relationship with plenty of sardonic humor and scathing satire.
Thursday, March 5 2009
Steiner and Van Dyke have an eye for beauty even in misery, and their compositions make this part of the movie a pleasure to visit, even if we wouldn't want to live there.
Sunday, March 1 2009
Both Virginia Woolf's Mrs. Dalloway and Michael Cunningham's The Hours offer an illuminating look at the choices we make, the roles we play, and the hours that hinge our lives together.
Thursday, February 19 2009
My qualifications for discussing actresses and the Oscars? I’m gay and have watched the awards for more than 25 years now. If that doesn’t make me an Oscar expert, clearly nothing does.
Unlike stiff features like The Reader or even the wildly uneven Curious Case of Benjamin Button, this year's Oscar-nominated shorts program is pretty much a risk-free venture.
Tuesday, February 17 2009
On the one hand society at large relies on moral and theological arguments to ban suicide; on the other our world is plagued with destructive wars and suicidal conflicts.
Sunday, February 15 2009
Biggie Smalls' mythology hasn't afforded him a dreamy endgame à la Tupac or Elvis. Nobody imagines Biggie pulling the ultimate Machiavellian coup by making the world believe he's dead while he's secretly chillin' in Jamaica.
Thursday, February 12 2009
Could the lighthearted, seemingly innocuous genre of the romantic comedy actually be as psychologically damaging as onscreen violence and sex?
What James Gray bravely does in Two Lovers is return the idea of pain, and the threat of bad decisions, to the American film romance.
Sunday, February 8 2009
The majority of us aren't coal miners, we don't know coal miners, and we wouldn't last a week in a coal mine. Are coal mining songs, then, still relevant?
Thursday, February 5 2009
My conversations with Rudy Wurlitzer were not unlike a road journey itself with plenty of unplanned side trips along the way.