Sunday, March 1 2009
Both Virginia Woolf's Mrs. Dalloway and Michael Cunningham's The Hours offer an illuminating look at the choices we make, the roles we play, and the hours that hinge our lives together.
Thursday, February 19 2009
My qualifications for discussing actresses and the Oscars? I’m gay and have watched the awards for more than 25 years now. If that doesn’t make me an Oscar expert, clearly nothing does.
Unlike stiff features like The Reader or even the wildly uneven Curious Case of Benjamin Button, this year's Oscar-nominated shorts program is pretty much a risk-free venture.
Tuesday, February 17 2009
On the one hand society at large relies on moral and theological arguments to ban suicide; on the other our world is plagued with destructive wars and suicidal conflicts.
Sunday, February 15 2009
Biggie Smalls' mythology hasn't afforded him a dreamy endgame à la Tupac or Elvis. Nobody imagines Biggie pulling the ultimate Machiavellian coup by making the world believe he's dead while he's secretly chillin' in Jamaica.
Thursday, February 12 2009
Could the lighthearted, seemingly innocuous genre of the romantic comedy actually be as psychologically damaging as onscreen violence and sex?
What James Gray bravely does in Two Lovers is return the idea of pain, and the threat of bad decisions, to the American film romance.
Sunday, February 8 2009
The majority of us aren't coal miners, we don't know coal miners, and we wouldn't last a week in a coal mine. Are coal mining songs, then, still relevant?
Thursday, February 5 2009
My conversations with Rudy Wurlitzer were not unlike a road journey itself with plenty of unplanned side trips along the way.
Mill's towering righteousness is just too much for this weak little film, whose only interest is in affirming the white patriarchal prerogative.
Thursday, January 29 2009
The success or failure of The Pervert’s Guide to Cinema hinges greatly on what one thinks of Slavoj Zizek's free-range associations on desire, blood, human waste, castration, and social control in films.
Sunday, January 25 2009
At first fearing a British Amelie, Mike Leigh’s Happy-Go-Lucky surprisingly became Mazur’s favorite film of 2008.
Thursday, January 22 2009
Our Daily Bread is a 21st century naked lunch in the true sense of what Burroughs meant, not a scattershot impressionistic sensory assault, but an eye-opener that can actually change the way one views the world.
Wednesday, January 21 2009
Everything here is in achingly beautiful and sharply restored black and white, everything is intelligent and witty, everything is deeply felt -- everything is Russell.
Thursday, January 15 2009
Slumdog Millionaire's Golden Globe win for Best Motion Picture/Drama is like a flare warning Hollywood about its future in cinema.
Wednesday, January 14 2009
Different media means different Hellboys. Mike Mignola's versus Guillermo del Toro's.
Thursday, January 8 2009
Soderbergh's supersized retelling of the Che Guevara legend is an uncomfortable mix of war procedural and unabashed hero worship; ingenious but flawed.
Wednesday, January 7 2009
The film is a successful adaptation of the book not only because Pattinson is so talented and dreamy, but also because Hardwicke knows a thing or two about filming adolescents.
Monday, January 5 2009
By manipulating mankind’s fear of death, organized religion clearly emerges as the most ruthless and totalitarian authority institution in the history of the world.
Thursday, December 18 2008
This holiday season, Mickey Rourke (in The Wrestler) and Will Smith (Seven Pounds) suffer for all us sinners.