Sunday, November 9 2008
Kristin Scott Thomas delivers the performance of the year in Philippe Claudel’s I’ve Loved You So Long, and tells Mazur how she did it.
Thursday, November 6 2008
The Universe of Keith Haring digs under the artist's pop veneer and goes all the way to the surface, finding some kind of meaning in simplicity.
Thursday, October 30 2008
The 20th anniversary DVD release of Mystery Science Theater 3000 is less a greatest-hits package than a reminder of simple joys, like mocking lousy movies.
Tuesday, October 28 2008
While Mary Shelley’s Frankenstein is a wonderful tale of a tortured man and his experiment, I’ll take Hollywood’s version of the block-headed monster any day.
Thursday, October 23 2008
Kaufman’s Synecdoche, New York is performance art as civilization-annihilating Godzilla, whereas Eastwood's Changeling is a film that wins the stranger than fiction category, hands-down.
Thursday, October 16 2008
For all of Spike Lee's status as the eternal Young Turk, he's also a moviemaker who came of age just a few years after the brat pack of Spielberg, Scorsese, de Palma, et al.
Sunday, October 12 2008
What could have been a brave film turned out lukewarm, lost in its own self-importance, stripped of its feminist overtones and watered down for mass consumption.
Thursday, October 9 2008
Watching Mike Leigh’s sublimely fresh Happy-Go-Lucky, you could be forgiven for wondering what the rest of humanity is so depressed about, anyway.
Tuesday, October 7 2008
Takahiko Iimura read about the American underground film movement and began making experimental works based only on what he'd read. Soon he was a leading experimental filmmaker.
Monday, October 6 2008
During the rare moments when Charles Bukowski's vulnerable side are shown, they manage to break through the "dirty old man" parody of himself that he had become.
Thursday, October 2 2008
Fernando Meirelles’ adaptation of Jose Saramago’s Blindness fails because the source material doesn’t easily lend itself to cinema, and because the filmmaker is clearly out of his depth.
Thursday, September 25 2008
The world of The Duchess should have been one of fiery tumult, but little of that foment makes it into this film’s garden party landscape.
Wednesday, September 24 2008
Bert Williams in blackface started a conversation about representing blackness within a mainstream context that has continued through virtually every crossover moment in black American life.
Thursday, September 18 2008
Just when you start worrying about the state of American movies, and wondering whether the business is going to swandive into irrelevance, along comes something as vital and jolting as Frozen River.
Wednesday, September 17 2008
David Cronenberg and Clive Barker constantly pushed the boundaries of representations of sexual identities, yet their films feel not condemning, paranoid, or xenophobic -- but alluring and fascinating.
Thursday, September 11 2008
Diane English’s version of The Women barely nudges from its Martha Stewart interiors, exchanging insights for platitudes. It’s a cup of lukewarm tea, without even a biscuit on the side.
Thursday, September 4 2008
The problem with the (inexplicably popular) Tropic Thunder may be that Ben Stiller is just not a funny filmmaker. Not even remotely.
Thursday, August 28 2008
Whether it was through silence, grotesquerie, fury or intelligence (or, at times, lack of intelligence), Cartlidge was not afraid to upturn the dark corners of the women she portrayed.
Sunday, August 24 2008
The kids who grew up in the '90s had the haunted Kurt Cobain; my generation had the tormented Ian Curtis.
Thursday, August 21 2008
The artificial connection between homosexuality and communism created the popular myth of evil and undetectable gay subversives living inside 1950s American society.