Thursday, February 5 2009
My conversations with Rudy Wurlitzer were not unlike a road journey itself with plenty of unplanned side trips along the way.
Mill's towering righteousness is just too much for this weak little film, whose only interest is in affirming the white patriarchal prerogative.
Thursday, January 29 2009
The success or failure of The Pervert’s Guide to Cinema hinges greatly on what one thinks of Slavoj Zizek's free-range associations on desire, blood, human waste, castration, and social control in films.
Sunday, January 25 2009
At first fearing a British Amelie, Mike Leigh’s Happy-Go-Lucky surprisingly became Mazur’s favorite film of 2008.
Thursday, January 22 2009
Our Daily Bread is a 21st century naked lunch in the true sense of what Burroughs meant, not a scattershot impressionistic sensory assault, but an eye-opener that can actually change the way one views the world.
Wednesday, January 21 2009
Everything here is in achingly beautiful and sharply restored black and white, everything is intelligent and witty, everything is deeply felt -- everything is Russell.
Thursday, January 15 2009
Slumdog Millionaire's Golden Globe win for Best Motion Picture/Drama is like a flare warning Hollywood about its future in cinema.
Wednesday, January 14 2009
Different media means different Hellboys. Mike Mignola's versus Guillermo del Toro's.
Thursday, January 8 2009
Soderbergh's supersized retelling of the Che Guevara legend is an uncomfortable mix of war procedural and unabashed hero worship; ingenious but flawed.
Wednesday, January 7 2009
The film is a successful adaptation of the book not only because Pattinson is so talented and dreamy, but also because Hardwicke knows a thing or two about filming adolescents.
Monday, January 5 2009
By manipulating mankind’s fear of death, organized religion clearly emerges as the most ruthless and totalitarian authority institution in the history of the world.
Thursday, December 18 2008
This holiday season, Mickey Rourke (in The Wrestler) and Will Smith (Seven Pounds) suffer for all us sinners.
Thursday, December 11 2008
A fiery Kate Winslet saves morality tale in 'The Reader' while a similarly powerful Meryl Streep can't do the same for the overly certain 'Doubt'.
Sunday, December 7 2008
In Winslet’s clever, low-key performance, all of the character’s ambiguousness remains intact, making Hanna her most complicated, mature creation to date.
Thursday, December 4 2008
Frank Langella seethes and pulsates with cunning as the deposed president in 'Frost/Nixon', a far cry from the grinning cowboy executive Josh Brolin presented in 'W'.
Wednesday, December 3 2008
The sound era added nothing thematically or tonally that wasn't already perfected in silent films.
Tuesday, December 2 2008
The British Library bought Ted Hughes' literary archive, further inspiring film and literary speculation into his life with Sylvia Plath.
Thursday, November 20 2008
Marc Forster's Quantum of Solace slices away nearly every element of the old Bond, and leaves nothing in its place.
Thursday, November 13 2008
In the moody House of the Sleeping Beauties, an aging widower fights despair with a succession of naked beauties, while in the sprawling A Christmas Tale, a family bickers around their mother’s terminal illness.
Sunday, November 9 2008
Kristin Scott Thomas delivers the performance of the year in Philippe Claudel’s I’ve Loved You So Long, and tells Mazur how she did it.