Columns > Film

Monday, June 30 2014

“Capital’s” Critique of Global Capitalism Is Sage but Dispassionate

Capital offers a savage critique of capitalism and the banking industry, but it fails to imagine its ability to sustain its inhumane and self-destructive practices.


Tuesday, June 17 2014

In Defense of Ann Hornaday, No Matter What Judd Apatow and Seth Rogen Say

The Washington Post film critic wasn't wrong in wondering aloud about the impact Hollywood can have on the typical young male.


Monday, June 16 2014

The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.


Monday, June 9 2014

The Rise Fall and Rise of Marvel Comics on Film Part 2: The Road Out of Development Hell

The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?


Thursday, June 5 2014

‘Anchorman’s’ Ron Burgundy: The Man, The Myth, the Media

Anchorman 2 is bigger, bolder, brasher and more bizarre than its antecedent, but it also gives a pertinent critique of the medium it has chosen to satirise.


Monday, June 2 2014

The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.


Wednesday, May 28 2014

From Love to Decline: Giving Evelyn Waugh a Sixties Spin

The Loved One gives viewers that "sick kick", and Decline and Fall of a Bird Watcher perfectly captures Waugh's tone of cruel, facetious, and lunatic whimsies.


Wednesday, May 21 2014

Bollywood and the Ballot: India’s Shimmery Election

Bollywood stars are essential to the cultural identity of India, but their involvement in the 2014 election have some questioning the wisdom of the "Bollywood-ification" of politics.


Tuesday, May 13 2014

‘Her’ and Masculinity in the Post-Digital Age

The ghost in the machine may have receded into the digital aether, but Theodore’s preconceptions about women have not.


Friday, May 9 2014

That Which Crawls Out of Speakers and Inches Along Your Nerves: Notable Film Scores of Early 2014

From Biblical epics to run-of-the-mill rom-coms, Notes on Celluloid takes a look at (and listen to) some of the strongest film music of 2014 thus far.


Tuesday, May 6 2014

The Gritty and the Real: Unpacking the Realism Trope in Superhero Films

The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.


Wednesday, April 16 2014

Scorsese vs. Scorsese: Tales of Two Dreamers

The Wolf of Wall Street celebrates deception, whereas Hugo upholds the search for truth. Which worldview is Scorsese's?


Monday, April 14 2014

‘Blue is the Warmest Color’ Is Truly a Feast for All the Senses

What Blue is the Warmest Color demands of its viewers is to stop looking and start sensing, start engaging with cinema with all five senses.


Friday, April 11 2014

“Only God Forgives’” Weird Yet Coherent Oriental Psychedelic Noir

In Bangkok, the convulsions of violence on the street merge with scenes of surreal ritual that is possible in the West only in dreams… or drug reveries… or films.


Thursday, April 10 2014

Cinephilia Culture and the Fear of Missing Out

There just isn't enough time in the human lifespan to see all the films one 'should'. So why not just declare the death of the cinephile?


Friday, April 4 2014

Drastically Divergent: The Sequels That Strayed Far Too Far

Can a barely recognizable sequel save a franchise? Or is it doomed to mark its epitaph?


Tuesday, April 1 2014

The Virtues of Faithlessness: Dario Argento’s Dracula 3-D and the Crutch of Tradition

What can it mean for Dario Argento, auteur extraordinaire, to forsake his unique melding of fearless style and fearless silliness and instead submit to Bram Stoker?


Monday, March 24 2014

Dissident Imagination: The Relentless Persecution of Terry Gilliam

The release of The Zero Theorem provides yet another opportunity to appreciate Terry Gilliam's untrammelled genius. Yet some would prefer his towering talents were cut down to size.


Friday, March 14 2014

Between Civility and Civilization: The Late Films of Satyajit Ray

These are films of literal and figurative interiors, where domestic spaces stand in stark contrast to idealisms sabotaged by the pettiness of politics and mistrust.


Friday, March 7 2014

The Funniest Man Who (N)ever Lived: Alan Partridge

For over 20 years, Alan Partridge has shared his life with the British public and fans have embraced him, warts and all. Now, his first feature film is coming to America. Back of the net!


//Blogs

Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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