Columns > Film

Friday, May 8 2015

Jóhann Jóhannsson on Composing as Storytelling

PopMatters talks with Icelandic composer Jóhann Jóhannsson about his role in the Stephen Hawking biopic The Theory of Everything, for which he won a Golden Globe.


Thursday, May 7 2015

Calling Mr. Aldrich: The ‘50s-era Fisticuffs of ‘World for Ransom’ and ‘Ten Seconds to Hell’

Robert Aldrich favors the classical presentation of angry cynical characters given to violence and grotesquery, which means he's often "tasteless" and discomfitting.


Monday, May 4 2015

Deconstructing the Star Beast: How the ‘Alien’ Saga Went Wrong

Alien was a planned B-Movie that transcended its genre and spawned the rare sequel that is neither imitation nor complete deviation. Then the saga went to hell.


Monday, April 27 2015

The Ethics of Death-Defying Media

Furious 7's path to the screen is emblematic of the ways in which film and other media defy (and define) death as images develop lives of their own.


Tuesday, April 21 2015

Great Movies With Terrible Sequels: Laughable Sequels in Action

Not even the combined might of Superman, Batman, Predator and James Bond can save their respective series from sinking like an ocean liner into the Bay of Pigs!


Friday, April 17 2015

Still Life: The Portrait of Time in ‘Boyhood’

Boyhood sets itself the daunting task of reflecting the breadth of a human adolescence, but it instead reveals that it is in life's minutia that we find the most meaning.


Thursday, April 16 2015

Laughing Through the Great Depression With ‘Sullivan’s Travels’

The real charm of Sullivan’s Travels is the way it exposes Hollywood’s mediation of the Depression and the trauma it inflicted.


Monday, April 13 2015

Death in the Land of Smiles

A recent biopic about the last executioner in Thailand explores the extremes between killing and redemption.


Tuesday, March 24 2015

‘The Voices’ Gets to the Very Essence of the American Nightmare

Disturbing, funny, alluring and repulsive in a uniquely American way that no one likes to admit, The Voices should trouble you.


Monday, March 23 2015

Farther Than You Think: Mapping the Noir Terrain

Rope of Sand, Dark City, and Union Station each extend the shadowy reach of film noir.


Monday, March 16 2015

Horror Lurks Behind Every Door But Beware the Robin at the Window

As the red-breasted bird folds its wings from flight, it too portends things are less than all right... on Prom Night.


Thursday, March 12 2015

The ‘80s Jazz Fads Return!

Two unique jazz phenoms of the Reagan '80s -- tapping guitarist Stanley Jordan and falsetto scatting legend Bobby "Don't Worry, Be Happy" McFerrin -- are back.


Monday, March 9 2015

Ambiguously Yours: The Late Works of the Late Otto Preminger

Hurry Sundown, Skidoo, and Such Good Friends welcome you to a world of crowded frames and uncertain tones.


Friday, March 6 2015

Great Movies With Terrible Sequels: Sequels so Bad They’re Scary

Sometimes the most successful and acclaimed films are marked and marred by the absolutely worst sequels imaginable.


Friday, February 27 2015

The Hays Code Nightmare Has Come True. Ain’t That Grand?

The '30s era Hays Code limited significantly what artists could express and what audiences could see. Today's LGBT media has blasted through all that.


Friday, February 20 2015

That’s Entertainment? Sold Into Bondage for ‘Fifty Shades of Grey’

Network and cable programming both demonstrate overwhelming irresponsibility and contradiction concerning depictions of sexual violence and abuse.


Wednesday, February 18 2015

In Defense of the Chris Rock Renaissance

Chris Rock transcends generations of fans with a signature combination of intelligence and contemporary comedy.


Tuesday, February 17 2015

A Call for the Academy to Reconceptualize the Best Original Score Category

So long as the Academy clings to a myopic definition of what an "original" score is, too many deserving composers will be left out come Oscar night.


Thursday, February 12 2015

From ‘Cast Away’ to ‘Locke’: The Rise of the One-Man Movie

For every apparent innovation, one-man movies are as conventional as they come.


Tuesday, February 3 2015

Does the Title of the Bollywood Blockbuster, ‘PK’, Actually Stand for Performing Kulturkampf?

In the kulturkampf between India’s intelligentsia decrying the ‘cultural terrorism’ of extremists, a film like PK has me wondering, how long can secular liberals retain the moral high ground?


//Mixed media
//Blogs

Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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