Tuesday, December 17 2013
Every year a slew of great albums from the louder spheres are missed, misplaced, or overlooked on those end of year lists. Ragnarök's Gloomy Awards seeks to redress that imbalance.
Monday, December 16 2013
Afghan musicians have always been adept at finding ways to preserve and advance their music regardless of the political or economic climate.
Wednesday, December 11 2013
This year saw no shortage of innovative, exciting film scores. Notes on Celluloid counts down the ten soundtracks that lingered the longest in our minds.
Tuesday, December 10 2013
This was another banner year for Latin Jazz, a genre that is so rich and established that it hardly a subset of jazz as much as a glorious thing unto itself.
Thursday, December 5 2013
Clint Mansell’s score for Darren Aronofsky’s metaphysical science fiction film, The Fountain, is a masterpiece of both film music and contemporary art music.
Tuesday, November 26 2013
Some argue that Lou Reed, the man who never ran out of ways to say "fuck you", might not be the best influence for a child. I say he was the best role model a ten-year-old could have.
Thursday, November 21 2013
There’s a lot of noise at the average sporting event. Study this list to learn when to break out the earplugs.
Monday, November 18 2013
The year 2013 has featured some of the most exceptional and inventive orchestral jazz in years.
Wednesday, November 13 2013
Jethro Tull have always confounded critics, and despite albums sales, hit songs, influence and longevity, it is above all the brain of frontman Ian Anderson that ensures they will remain forever on the outside, looking in.
Tuesday, November 12 2013
Sure, it's uncool to like the New Found Glorys or Brand News, but that wave of screaming, poppy, punky acts was a fun ride.
Thursday, November 7 2013
Like jazz or vaudeville, rock 'n' roll faces significant cultural and technological challenges—true epochal shifts of the kind that always seem to mark turning points in history.
Thursday, October 31 2013
In 1988, Lee Dorrian founded UK record label Rise Above. A quarter century later, the label is one of the ‘eavisest and ‘eartiest around, filled with as much tuning in and dropping out as doomy drop-tuning and whigging out.
Tuesday, October 29 2013
While most pop singers bounce from one marketable persona to another, Janelle Monáe stands her ground in this Afrofuturist vision she's been creating for about a decade. Other pop artists are tourists; she's building a city.
Tuesday, October 22 2013
Chuck Haddix's new biography of the great alto saxophonist unearths fresh details of his early life—and helps us to see more clearly his genius and his tragedy.
Monday, October 21 2013
PopMatters speaks with director Nicolas Winding Refn and composer Peter Peter about the long overdue release of Peter's score to Refn's 2010 Middle Ages brooder, Valhalla Rising, and its undulating dark ambient music.
Friday, October 18 2013
Why has the West taken such interest in Pussy Riot? Would our reactions be so different if a similar incident occurred in one of our major cathedrals, synagogues, or mosques?
Monday, October 14 2013
Merle Haggard's restlessness breaks him out of one prison and sends him towards another.
Thursday, October 10 2013
By reaffirming refugees' cultural identity while simultaneously offering inroads into their new home, music has helped a number of displaced peoples carve out a place of their own.
Tuesday, October 8 2013
All heavy metal bands burn out eventually, but when and how they end matters most. A good death counts for a lot in the genre, because it marks the final point in a band's quest for immortality.
Wednesday, October 2 2013
The jazz world found its most intrepid explorer in Don Cherry, an adventurous sonic provocateur whose worldly exploits re-drew lines all over the musical map.