Sunday, February 13 2011
Punk is no vacuum, no airtight, sealed white music form. It's a repository of culture -- magnetized, manifold, and chock-full of merit – that was, and is, impacted by Jewish, black, and Southern experiences.
Thursday, February 3 2011
Now here's a little story, we've got to tell, about the business of hip-hop, you know so well. It started way back in history, from Alexander Hamilton down to Jay-Z.
Monday, January 31 2011
How do artists get their work done in other cities of the world? Where is it viable to live? It's probably silly to begin our investigation in New York. Just 30 years ago, New York was still opening its arms to the tired, poor, huddled masses of creatives. But now?
Sunday, January 30 2011
Got a craving for some classic heavy metal? Canadian trio Cauldron evokes the classic sounds and aesthetic of the '80s better than anyone today.
Thursday, January 27 2011
In the age of access, it’s possible that Raymond Scott, Kraftwerk, and ARP may become as essential tools for infant soothing as “Rock-A-Bye Baby”.
Wednesday, January 26 2011
Like that other seven-piece Welsh combo, Goldie Lookin Chain, Los Campesinos! are comedic chroniclers of a particular youth demographic.
Tuesday, January 25 2011
Each year brings a slew of rock 'n' roll reissues or tributes, celebrating the anniversary of landmark albums from the past. Country music, however, tends to view its past differently.
Thursday, January 13 2011
How can a kid from the 'hood today measure up to the likes of Duke Ellington? or Hank Aaron? A mythical boy from the 'hood meets these major black American figures through three recent books: 'Duke Ellington's America', 'The Last Hero' and 'Willie Mays'.
Tuesday, January 4 2011
One concert experience can be a magic reminder of why you fell in love with music in the first place.
Monday, January 3 2011
He's got 99 problems but a book ain't one. Jay-Z's nonlinear memoir illuminates rap as personal narrative, lyric poetry, and transformative medium.
Sunday, January 2 2011
The Pakistani-American jazz guitarist reflects on playing beyond cliché, playing acoustic, finding unity, and making a living.
Thursday, December 23 2010
The holidays are full of dreadful music being pumped from every speaker in every commercial business. May the latest from Soundscape provide you with a pleasant respite of solace, a bit of shelter from all the pop star vanity and pseudo-comedic novelty albums that attempt to penetrate your earholes from every angle.
In the end, the metal world honored the memory of Ronnie James Dio in the coolest possible way: by making this the best year for new music the genre has seen in a very long time.
Wednesday, December 15 2010
A folkloric examination of the interview manuscripts of punk historian Jon Savage and The England's Dreaming Tapes.
Wednesday, December 8 2010
Agalloch has always created grand, sweeping sonic landscapes over the course of their career. Three members of the Portland, Oregon band take us deep inside their most ambitious album to date.
Tuesday, December 7 2010
As long as internet jukeboxes abound, we open ourselves up to all kinds of sonic disasters.
Thursday, December 2 2010
As the commune was to hippies, so the garage has been to garage bands and to their proto-punk, punk, and post-punk successors: an enclave where marginalized youth can fantasize or realize their visions of independent alternative art and lifestyles.
Wednesday, December 1 2010
When we think of our experiences with electronic music, we can follow a thought trail that leads like a Wikipedia article from one incendiary album to many others. Their qualities are not always alike but for one: the nostalgic thread that runs through them.
Tuesday, November 30 2010
When the band broke into the repetitive horn line of “Hurricane”, the Tipitina’s crowd went utterly and gloriously berserk, joining the band in screaming “Heeeay!” after certain particularly ripping runs.
Tuesday, November 23 2010
Because Keith Richards lived the book he’s written, he’s written a book that lives on.