Monday, December 1 2008
Enslaved's Ivar Bjørnson talks about the influence of Voivod and Pink Floyd, creative deconstruction and reinvention, and achieving that "futuristic yet retro sound".
Sunday, November 30 2008
There is no clear-cut definition of what Ubiquity Records produces, unless we go for universal terms like "good" and "dope".
Tuesday, November 25 2008
Poverty, crime, disenfranchisement, sinning, saving, and no-account women: Stereotypical subjects of the average country song, or the average hip-hop song?
Monday, November 24 2008
I'm thankful for my wonderful girlfriend, the Boston Celtics taking home the NBA championship, and Wu-Tang, Nas, People Under the Stairs...
Monday, November 17 2008
Although "hip-hop" means different things to different people, everyone seems to be confident that they know what "it" is. Through this subjective lens, there is also a unique brand of investment and ownership in the meaning of "hip-hop".
Sunday, November 16 2008
In a world where you can have a Christian version of pretty much any genre, Woven Hand's David Eugene Edwards is a real outlier because you wouldn't know where to put him if he were a secular artist.
Sunday, November 9 2008
Today's global music is an extension of the culture that has been emerging over the last century, when airplanes and vinyl recordings made social exchanges possible to an extent previously undreamed.
Wednesday, November 5 2008
Smooth Jazz truly is the music of the gesture. It is music of the pose. It is music -- maybe particularly when it is made by a skillful musician -- that hints at real music without being real music.
Tuesday, November 4 2008
Wetnurse's Curran Reynolds talks about growing up in the isolated Maine woods, recording with NYC mainstay Martin Bisi, and how his band expresses "love as well as angst".
Sunday, November 2 2008
Either Obama's "hip-hop candidacy" makes him appeal to a heretofore disaffected and/or untapped voting bloc, thereby legitimizing his claim as a candidate of hope and change; or this unwelcome connection to a controversial art is a liability.
Monday, October 27 2008
They might kick me out of the feminist club for this, but I love murder ballads, even the ones in which women get killed—though, to be fair, I am an equal opportunity advocate when it comes to a good killing narrative.
Wednesday, October 22 2008
The relationship between singing and rapping has had a transforming effect on hip-hoppers and singers alike.
Monday, October 20 2008
For every tween who raids his parents' record collection, there are 30 more who can't get in the family car without headphones plugged in to their own tunes.
Sunday, October 19 2008
At a first glance, country music seems traditionally allied with the sort of down-home, small-town ethics and values touted by the Republicans. But the politics of country music has never been a simple red or blue.
Wednesday, October 8 2008
From the lips of Melody Gardot -- heard in her swinging Cole Porter for an automobile -- there's another tentacle of jazz pushing forward, finding its way into our ears.
Sunday, September 28 2008
The Digital Underground party has apparently come to an end. If so, we must acknowledge the group for more reasons than popularizing "The Humpty Dance".
Sunday, September 21 2008
Great art such as Fela! inspires us to make the choices we need to make, and not give up our responsibilities because it is easier to allow someone else to make decisions for us.
Monday, September 15 2008
All That Remains' Phil Labonte talks about exercising restraint in creativity, recording the band's new album, 'Overcome', and not taking metal too seriously.
Monday, September 1 2008
Enthusiasm at sporting events and concerts is great. But when your spirited dancing turns into a one-man mosh pit, it's a damned annoying distraction.
Wednesday, August 27 2008
K'Naan stood on stage, drum in hand, focused on the two instruments that comprise and compose the totality of African storytelling: the voice and the drum.