Thursday, July 19 2007
The music in Bergman's Saraband sets up numerous tensions that it never reconciles: listener and performer, individual and group, passive aestheticism and practical enactment. Music in Bergman's world offers hope, but it does not offer answers.
Wednesday, July 11 2007
A well-rounded musical background is crucial -- otherwise, you could end up like a friend of mine, who had never heard Jimmy Soul's "If You Wanna Be Happy for the Rest of Your Life", and so felt lost during some hand-clapping good times at the bar last weekend.
Sunday, July 8 2007
Gypsy Caravan, a new documentary about a six-week tour featuring some of modernity's top Gypsy musicians, is an exceptional peek at life on the road, entwined with the history, and current state, of Gypsy culture.
Thursday, June 21 2007
In the '90s, X-Clan took us "to the east". This year, the group returns from Mecca in "vanglorious" fashion.
Monday, June 18 2007
"People have sent me college term papers that they've written about my stuff, which I think is funny because I didn't graduate from college. I guess I must be doing something right if people are connecting to it." Begrand talks with Pig Destroyer's JR Hayes about writing and recording the band's new album, Phantom Limb.
Thursday, June 7 2007
By making Beethoven's Ninth an image of our humanity, we have conditioned ourselves to filter out all of those elements in the music that make it a worthwhile (if troubling) listening experience.
Thursday, May 31 2007
I want the music I love to speak for me, but I can't control what it's going to say.
Wednesday, May 30 2007
One of the glaring paradoxes of technological evolution is its ability to reconnect us to history. And if we know anything about human nature, it's that as we step into the future, we always look back.
Thursday, May 24 2007
As Evelyn McDonnell's new book illustrates, motherhood should be neither something done on the side, nor something that pushes everything else away, and it's that balance that our culture and government can be striving for.
Monday, May 21 2007
Layman shares Thai food with the band, and discusses the wonderfully uncategorizable music of The Jen Chapin Trio.
Sunday, May 20 2007
'We are not too old yet to renew ourselves; we can use our imaginations.' Begrand talks with Sonata Arctica's Tony Kakko about eclecticism, dreams, Queen, wolves, and his band's ambitious new album, Unia.
Tuesday, May 8 2007
Since relationships are tough, we need all the help we can get. Sometimes the best advice comes from listening to the right song.
Thursday, May 3 2007
The wife disposing of her ex-husband's collection. The estate sale. The stash of records sold for pennies on the dollar because the water bill was overdue. Collecting music often depends on someone else's misfortune.
Tuesday, May 1 2007
Every decision already consists of two wrong choices -- it's only a matter of which is the path of least regret.
Sunday, April 29 2007
"If you don't embrace your buying base, you're going to go out of business." Beres talks with the electronica label's co-founder about digital distribution and independent music.
Thursday, April 26 2007
Classical music radio gives rise to a prophylactic form of community: we are somehow participating with other listeners without having to engage directly with those others. The music becomes a pretense for communal participation.
Wednesday, April 25 2007
After catching the reunited '80s-era, Ronnie James Dio-helmed Black Sabbath on tour in Canada, Begrand looks back on an oft-neglected period in the metal titans' career.
Thursday, April 19 2007
There is something familiar to me in that idea of an abandoned past; in a place like Beijing, you too can become anybody, literally. Because of the disconnect between here and Back Home, you can create for yourself the identity you've always wanted.
Thursday, April 12 2007
"I want every album I produce to take the listener on a journey, perhaps to places they've never been before." Cryptogramophone Records founder Gauthier talks L.A. jazz, musical community, and embracing change.
Wednesday, April 4 2007
The efforts of major corporations to disarm their consumers is a reminder that music used to be judged by how it made the listener feel, not how many times it was downloaded.