Thursday, May 18 2006
If people are no longer as interested in classical music as a cerebral escape from the banalities of the everyday, then certain producers of classical recordings are willing to embrace this cultural condition by selling Bach not as an alternative to popular image culture, but as a part of it.
Wednesday, May 17 2006
The long, strange trip of seminal metal band Celtic Frost is unexpectedly outfitted with a new plot twist: a new record that redefines a career over 20 years after it began.
Thursday, May 11 2006
Rounder Records' new tween collective, a manufactured group of girls with inflexibly 'distinct personalities', is little more than harmless fun for a very specific target market. But what potential effects will Girl Authority have on the developing identity of its audience?
Wednesday, May 10 2006
As skiffle's working-class trailblazer, Lonnie Donegan infused '50s British rock 'n' roll with a regional accent and music-hall comedy style missing from the popular American exports.
Thursday, April 27 2006
As my eyes locked on that stark casket, my mind tripped out. The cognitive dissonance of it all shut me down until they played Aunt Shirley's 'Here's to Life'.
Wednesday, April 19 2006
How can you possibly know why you 'like' something you assume you like unless you confront that which you have dismissed? Jenkins discusses the importance of spending time with the music that immediately displeases us.
Sunday, April 16 2006
The least poetic of metal bands, Cannibal Corpse has gone to disturbing lengths to make gruesomeness its cold, calculated calling card.
Sunday, March 26 2006
Ellis spends four days in Austin looking for the finest exports from Tony Blair's Cool Britannia. In lieu of monkeys, magic numbers, and Moz, his search yields Casio-pop, California harmonies, and communal sing-along epics.
Monday, March 20 2006
Pink takes on the popular stupid girls, but only a little.
Wednesday, March 15 2006
Fearing an embarrassing failure on the scale of the Star Wars prequels, Begrand braves Queensryche's new sequel to its 20-year-old masterpiece Operation: Mindcrime.
Wednesday, March 1 2006
In the first of a series of contemporary composer profiles, Jenkins discusses Brian Ferneyhough, whose complex scores force performers to confront the boundaries of the possible.
Wednesday, February 22 2006
Why some 'girl groups' must be identified as such and others feel inclined to avoid feminist descriptors: Cober-Lake gauges the cumulative effect of gender-obsessed definitions.
Thursday, February 16 2006
The self-described 'Fujiyama Mama' of '50s rockabilly was a hard-headed, bare-knuckled antithesis to the era's prevailing gender expectations.
Tuesday, February 14 2006
A once-uncool and admittedly limiting metal subgenre is poised to become the Next Big Thing in loud music -- that is, if the metal community lets it guard down long enough to accept it.
Sunday, February 5 2006
With the ritualistic deluge of year-end music lists barely behind us, Nishimoto offers up a different kind of list to help hip-hop's 2006 future learn from its 2005 mistakes.
Tuesday, January 31 2006
Feeling stifled by symphonic stodginess? Jenkins reviews concert-going practices of previous centuries and suggests ways to improve the concert experience in our own.
Thursday, January 26 2006
What if you could have the majestic intensity of metal music without the overblown male bravado? One Dutch band's frontwoman sheds some light on goth-tinged rock and single-handedly alters the dimensions of doom.
Thursday, January 12 2006
Hail! Hail! One of rock 'n' roll's most innovative mavericks whose dissenting rebellion was fueled by subversive humor.
Tuesday, January 10 2006
Exactly how should the title of a wordless piece of music influence our experience of the music itself? Jenkins muses on how titles interact with the instrumental pieces they represent and, furthermore, on musical selections with no titles at all.
Tuesday, December 20 2005
A tale of two songs, both with complicated manifestations of male sexuality that explicitly broach gratification and possession in the shadow of the Ying Yang Twins' 'Wait (The Whisper Song)'.