Tuesday, October 25 2011
Every generic hero on TV can finish a poetic quotation or identify a poignant quatrain (down to the line numbers). But few can spit Tennyson or Yeats with such venom as these guys.
Thursday, October 20 2011
We rarely equate television game shows with admirable life philosophies, but the BBC's QI with host Stephen Fry pulls it off by making us think as well as laugh.
Thursday, October 13 2011
A once-popular medical drama reveals how much has changed in America's health care industry -- and its television medical dramas -- and how much remains the same.
Wednesday, October 12 2011
The Sopranos' portrayal of an American family, of the dueling pursuits of physical and spiritual, questions the principles of success distributed by governments and advertisers.
Thursday, October 6 2011
Oddly missing in histories of the "found footage" genre, Jean-Teddy Filippe's "Forbidden Files" offers intriguing glimpses at horror and fantasy flickering into an uneasy camcorder reality, ten years before The Blair Witch Project made it fashionable (and lame).
Tuesday, October 4 2011
Several "best" or "favorite" LGBT TV character lists have popped up in recent years, but they don't always include the most important LGBT characters. So, we pay tribute to the ten(ish) most significant LGBT characters in US television history.
Monday, September 19 2011
“Stories need to be told,” emphasizes cinematographer Michael Garcia. And he’s just the man to wield the camera.
Thursday, September 8 2011
Transgender representation in modern film, television, and literature blurs the lines of gender, class, race and sexuality, which is precisely why trans narratives are still considered dangerous.
Wednesday, September 7 2011
While Spike represents a moral alternative to Buffy’s heroism, the Arthurian Green Knight's tricks -- including a gruesome beheading -- end as mere a parlor game. Spike is the superior trickster.
Wednesday, August 31 2011
Looking back over Dexter’s journey, the need for a trustworthy companion has never been greater. As the character has become more human, the desire for companionship and a normal life has overtaken the necessitation to kill. It has become—in fact always was—the driving force in his life.
Thursday, August 18 2011
Media formats come and go, subject to the gale-force winds of technology and the retail market. Me, I'm still clinging to my Monty Python collections on VHS.
Creating a gypsy wedding dress, designing costumes holograms for of the far future, dressing actor Robert Carlyle, and finding the perfect prop for Rutger Hauer -- it's all just part of the job for costume designer Zoë Howerska.
Tuesday, August 16 2011
When fitness celebrities turn fat folks into fitness celebrities in their own image, self-preservation and betterment are eclipsed by the value of self-promotion. Remember the subjects undergoing these life-changing metamorphoses are “real” people.
Wednesday, August 10 2011
120 Minutes returns to guide us through the alternative/indie/hip-hop/whatever-else universe. But what's a show to do when nothing's as hard to find as it used to be?
Monday, July 25 2011
Long before Dollhouse's Echo submitted herself to five years of memory loss, Eliza Doolitle of Pygmalion experimented with some personal tabula rasa.
Monday, July 18 2011
Getting older during the '60s was a cruel fate: it was unfair; it was depressing. But, in some respects, it was a party compared to getting older these days.
Tuesday, July 12 2011
Whether audiences see his face or that of a Dalek hybrid or robot, Cardiff-based actor John Jenner has a job to die for.
Sunday, July 10 2011
Watching Treme, one might get the impression that modern jazz is the soundtrack for the soulless, and therefore has no place in New Orleans, pre- or post Hurricane Katrina.
Sunday, June 26 2011
We went into Ice Road Truckers with the best intentions for our eight-year-old, I swear. It's the History channel, right? It's educational!
Monday, June 20 2011
The spoonful of sugar that The Wire employs in relating its harsh theme is all wrapped up in that medicine's themes of fatalism. The humor employed in Oliver Twist highlights the opposite: the needlessness of the system that allows orphans to starve to death.