Columns
Let the Face Speak for Itself: Hard Features in 'The White Buffalo'
The mortal authenticity of Charles Bronson’s face needed no surgical denials or plastic justifications, unlike the onscreen stars of today's image-obsessed culture. 28 May 15 // 2:30 AM
'Inside No. 9': The Beautiful Horror Continues
Series 2 of Steve Pemberton and Reece Shearsmith's Inside No. 9 provides a perfect balance of tragedy and comedy. 27 May 15 // 2:30 AM
On Denaturing Racial Elements in Two '50s-era Films
Two fascinating bits of Americana, Black Gold and Face of Fire, are defined by racial themes, yet tackle the subject quite differently. 26 May 15 // 1:29 AM
How Are Sci-fi TV Shows and Their Starships Like Canadian Cities in Winter?
Two Canadian forays into sci-fi television, Ascension and The Starlost, bear interesting parallels to modern life in Canada. 22 May 15 // 2:30 AM
Portrait of a Family in the Throes of Freudian Panic
An electrifying story of deadly obsessions and poisonous pedagogy, Pin captures perfectly the dread and unease of '80s American suburbia. 21 May 15 // 2:30 AM
Recent Columns
All too often, when you have a token female in a story, that character's primary super power is simply that she's a girl.20 May 15 // 2:30 AM
By Sara Rodrigues and Hans Rollman
This Is Why We Can't Have Nice Things confronts the interrelation between subversive trolls and mainstream ideas, and opens up conversations about post-internet politics, activism, and human relationships. 19 May 15 // 2:30 AM
Perhaps these days our real choice is not between buying vinyl or digital, but between listening and not listening. 18 May 15 // 2:30 AM
As Hollywood hopefuls Gig Young and Inger Stevens would learn, Hollywood is a dream factory; but it produces nightmares, as well.14 May 15 // 2:30 AM
To say that Billie Holiday's songs remain memorable because we know she lived a hard life does her artistry a most insulting disservice.13 May 15 // 2:45 AM
From Batsuits to Lawsuits, Hollywood Studios have a long history of hiding profits to claim that enormous hits were actually flops. How do they do this, and why? 12 May 15 // 2:29 AM
The scarcity of the Black Widow action figure on toy shelves has me thinking about what we think we know about gender identity in play, be that play with toys or play in video games.11 May 15 // 2:30 AM
PopMatters talks with Icelandic composer Jóhann Jóhannsson about his role in the Stephen Hawking biopic The Theory of Everything, for which he won a Golden Globe.8 May 15 // 2:30 AM
Robert Aldrich favors the classical presentation of angry cynical characters given to violence and grotesquery, which means he's often "tasteless" and discomfitting.7 May 15 // 2:30 AM
The problem isn't that Rihanna's "American Oxygen" fails as political art, it's that we might consider it a success instead of a mere gesture.6 May 15 // 2:30 AM
Cover songs don't have to be all that bad. Just listen to what Becca Stevens and Jason Moran have been doing lately, and you'll see.5 May 15 // 2:30 AM
Alien was a planned B-Movie that transcended its genre and spawned the rare sequel that is neither imitation nor complete deviation. Then the saga went to hell. 4 May 15 // 5:01 AM
Furious 7's path to the screen is emblematic of the ways in which film and other media defy (and define) death as images develop lives of their own.27 April 15 // 1:30 AM
A household name in his native country, Italy has in Marracash one of its biggest contenders of hip-hop.24 April 15 // 1:30 AM
A new breed of magicians are self-consciously aware that their toolbox of trickery enables them to wield the potential power to affect beliefs—and thus behavior.23 April 15 // 1:29 AM
//Blogs

Authenticity Issues and the New Intimacies

// Marginal Utility

"The social-media companies have largely succeeded in persuading users of their platforms' neutrality. What we fail to see is that these new identities are no less contingent and dictated to us then the ones circumscribed by tradition; only now the constraints are imposed by for-profit companies in explicit service of gain.

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