Part Four

December 2009

by Bill Gibron

10 September 2009


18 December

Films That Should Satisfy

cover art


Director: James Cameron
Cast: Sam Worthington, Zoe Saldana, Sigourney Weaver
Review [18.Dec.2009]
Review [17.Dec.2009]
18 December
It’s finally here. After decades in development, years in the making, and months in the pre-publicity hyping, James Cameron’s 3D sci-fi epic has already generated a decade of indecipherable marketing buzz. When the teaser trailer hit last month, few were impressed. The next day, Fox unveiled a 15-minute in theater IMAX preview, and jaws dropped considerably. This could be either the biggest hit of 2009, or the most talked about underachiever since Zack Snyder took on a certain graphic novel. This will be a hard sell outside the already anxious geek community. The movie is a combination of live action and hi-res CG, Cameron mixing the story of a paralyzed soldier with a far off planet’s struggle for independence with the scientifically created “creatures” in the middle. With its wide open ambitions, desire to excite as well as entrance, and the unsure nature of most examples of speculative fiction, Cameron has quite the obstacles to overcome. Last time he faced such impediments, he delivered a little something called Titanic.

Films That May Leave Your Starving

cover art


Director: Alejandro Amenabar
Cast: Rachel Weisz, Max Minghella, Oscar Isaac, Rupert Evans
18 December

How do you counterprogram against what promises to be the biggest bang (or bust) at the box office all year. You offer up an intriguing period piece with Oscar winner Rachel Weisz as astronomer-philosopher Hypatia of Alexandria. Set up as a battle between man vs. religion (the rising tide of Christianity in the ancient world plays an important part in the central dramatic conflict), there is also a romantic element as Max Minghella plays a slave who loves Hypatia, but turns to faith as a means of earning his freedom. Thanks to the advances in special effects, the classical setting really comes alive, and Weisz is always good, even in pointless popcorn fluff like The Mummy movies. The wild card here? Co-writer/director Alejandro Amenábar. While both 2001’s The Others and 2004’s The Sea Inside were solid bits of filmmaking, the scope suggested here might throw the Chilean auteur.

We all know how critical it is to keep independent voices alive and strong on the Internet. Please consider a donation to support our work. We are a wholly independent, women-owned, small company. Your donation will help PopMatters stay viable through these changing, challenging times where costs have risen and advertising has dropped precipitously. PopMatters needs your help to keep publishing. Thank you.

//Mixed media

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

READ the article