Recent Features
Goldfrapp on Their New Album ‘Silver Eye’ and Why “Art Is Freedom”

It's been over three years since Goldfrapp put out their latest set of lush electro, and with a polarized world, their new music has a fascinating new voice.

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The 100 Best Classic Progressive Rock Songs: Part 4, 40-21

Welcome back, my friends to the show that never ends. It's the 100 best classic progressive rock songs.

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Tina Turner Got It Right: We Don’t Need More Heroes

Jordan Flaherty's No More Heroes argues that the greatest danger to progressive movements often comes from within.

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The 100 Best Classic Progressive Rock Songs: Part 3, 60-41

Welcome back, my friends to the show that never ends. It's the 100 best classic progressive rock songs.

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Mind-Melding Meetings Between Jesters and Kings: Elvis and Nixon, West and Trump

Where Elvis meets Nixon is the narrative of a poor boy smothered by the star-making machinery, Kanye meets Trump is a mixture of bi-polar manic depression, hubris, and misdirected energies.

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The 100 Best Classic Progressive Rock Songs: Part 2, 80-61

Welcome back, my friends to the show that never ends. It's the 100 best classic progressive rock songs.

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‘T2 Trainspotting’ Is a Transcendent Blend of Nostalgia and Reality

T2 Trainspotting knows its roots in the Angry Young Men movement and acknowledges its sentimentality. But it has something more important to say.

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The 100 Best Classic Progressive Rock Songs: Part 1, 100-81

After gamely attempting to track the 25 best old-school progressive albums of all time, it's inevitable we turn our attention to the best songs of the genre.

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Evoking Kerouac: Dumbsaint’s Cinematic Opus ‘Panorama, in Ten Pieces’

Guided by Kerouac's philosophy of life, Australian post-metal band Dumbsaint's film conveys a residential underbelly present in David Lynch's films.

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All Hail the King: Chuck Berry Reinvented Music, and America

After Chuck Berry, rock music would forever be a gumbo of competing and complimentary source points, but his first-person flights of fancy still represent its most undiluted potential.

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The Microscopic Septet: Pioneers Across Jazz Boundaries

In the '80s, "The Micros" mixed tradition and avant-garde jazz with impunity and almost got famous doing it. Today they're just playing the blues.

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23 Mar 2017 // 2:59 AM

The Show Must Go Wrong

From Janet Jackson's wardrobe malfunction to the 2017 Academy Awards, the gaffe reveals that the system is not just broken; breaking is the system.

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Chuck Berry’s Defiant, Ground-Shaking Rock

The late Chuck Berry's biggest hit may have undermined one of his greatest talents: his gift for storytelling.

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What Is It About Teens Behind Closed Doors That Scares Us So?

Jason Reid’s Get Out of My Room! takes us inside the private enclaves of the adolescent being, revealing both individual and collective anxieties and expectations.

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The Old Dominion in Song: Clipse and the Virginia Schism

Though the trappings may be different, the rhetoric layered beneath Lord Willin’ is a borrowed form of dubious justification that reeks of the Virginia slave system.

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Born Anew: An Interview with Bombay Bicycle Club’s Ed Nash

Once a member of the mighty, shifting Bombay Bicycle Club, Ed Nash now branches out on his own in gloriously unexpected ways.

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21 Mar 2017 // 9:29 AM

Ed Sheeran Is Essentially the English Ginger Drake Now

÷ is the final step in Sheeran’s shift from baby-faced ginger kid whispering about class A’s over acoustic guitar to England’s version of a man who constantly refers to himself as "The Boy".

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The Most Hated Woman in America: An Interview With Filmmakers Irene Turner and Tommy O’Haver

PopMatters spoke with writer Irene Turner and director Tommy O'Haver during SXSW 2017 about the remarkable life and death of Madalyn Murray O'Hair.

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20 Mar 2017 // 9:00 AM

Chuck Berry, O.G.

Chuck Berry was a black man who spent the majority of his career entertaining white audiences with music more deeply rooted in black culture than they ever thought to ponder.

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20 Mar 2017 // 3:00 AM

The Improbable Birth of American Rock Writing

Paul Williams, the 17-year-old founder of Crawdaddy!, believed that rock 'n' roll could reach the aesthetic, political, and social equal of any other art form.

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More Recent Features

//Mixed media
//Blogs

Supernatural Sets the Stage for Season Finalé With “There's Something About Mary”

// Channel Surfing

"A busy episode in which at least one character dies, two become puppets, and three are trapped and left for dead in an unlikely place.

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