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Monday, October 27 2003

CMJ Music Marathon: Day Three: Where My Girls At?

Day Three's coverage of CMJ seeks to find out where the girls are.


Friday, October 24 2003

Dizzee Rascal: The End of Garage’s Beginning

Like The Streets' Mike Skinner, Dizzee approaches UK Garage with a seriousness that elevates it from dancefloor juice to art. On 'Boy in Da Corner', he uses garage as the jumping off point for an ear-bending journey through the music of fin-de-siecle African diaspora, in much the same way Tricky used UK dance music 10 years ago on 'Maxinquaye'.


CMJ Music Marathon: Day Two: Revenge of the Singer/Songwriter

More coverage of Day Two, including run-ins with the sensitive side of CMJ.


CMJ Music Marathon: Days One and Two: CMJ on the Free

Strapped for cash? Day two of our CMJ coverage is a lesson in doing the festival on the cheap.


Thursday, October 23 2003

CMJ Music Marathon: Day One: Travis vs. CMJ

Day One of our coverage of the New York-based new music festival, including pit stops with Travis, the Killers, Menlo Park, and the Prosaics.


Wednesday, October 22 2003

Rush to Judgment: America’s Mishandling of the Donovan McNabb-Rush Limbaugh Controversy

True to form, Rush Limbaugh had managed to rile up the nation and draw attention to himself while boosting Sunday NFL Countdown viewership to the tune of a 10 point ratings increase.


Monday, October 20 2003

6th November 2003

It's October. The dying days of 2003 loom on the horizon, heralding chilly fronts, wind-stripped trees and lashings of rain. Thankfully it's not all bad news, however, because October also ushers in this year's London Film Festival.


Thursday, October 9 2003

An Energetic and Imaginative Four-Year-Old: PopMatters is Four!

Energetic and imaginative best describes four-year-olds. They are able to learn new words quickly, and use them in chatting with you, telling you jokes and wild stories.


The World According to Shorts

What makes the 'World According to Shorts' Festival so satisfying year after year is the variety and excitement of the program.


Tuesday, October 7 2003

Afterbirth: Me’shell Ndegeocello

Conceived in the months after the September 11th attacks, Me'shell Ndegeocello's new release 'Comfort Woman' finds the artist reflecting on life, death and the everyday struggles of surviving a world seemingly coming apart at the seams.


Friday, September 26 2003

Stephen Gould’s Evolution: Iconoclast Popularizer to Pop Icon

The most fascinating issue on which Gould took his colleagues to task was adaptation, and whether evolution is progressive. Does natural selection work to improve living things? The Dawkins gang said yes; Gould said no.


Thursday, September 25 2003

Banged Up But Still Unbreakable: Comes With the Fall

PopMatters Music Critic Michael Christopher uncovers the drive that keeps Comes With the Fall going -- DIY style.


Uncertain Verdict

'The American Effect' follows an important trend in contemporary visual art exhibitions, fusing visual representation with research on global realities.


Monday, September 22 2003

The Emperor and the Gangster

As much influenced by Shakespeare and Dostoevsky as by the art and literature of his native land, Kurosawa used conventions of both Japan and the West to critique post-war Japanese society.


Thursday, September 18 2003

The Whip of Time: Leni Riefenstahl

Had she not outlived all her peers, would she have remained so controversial and unforgiven, yet also admired?


Tuesday, September 16 2003

We’ve a Lovable Space that Needs Your Face: A Tribute to John Ritter

When John Ritter died, in my grief, I felt like a very special oddball.


Monday, September 15 2003

Sometimes the Good Guys Wear Black

After all, the man fed on adversity. It fueled his work throughout his career.


Johnny Cash 1932-2003

Johnny Cash was, to me, as complex as America itself. He wrote songs about bad men, good women, and hard times, but was never seduced by nor succumbed to cynicism, true men of faith are not like that.


“Everyone I Know Goes Away in the End”: A Tribute to Johnny Cash

Not a great lover or follower of country music -- hey, what could a bunch of twangy bejeweled cowpokes say to me, a snotty punk brat from Manchester, England, right?


The Last Great Rebel

Johnny Cash pushed insurgent separatism to the hilt. He cemented his iconoclastic status in 1965 when he showed up wearing all black and a scowl at the usually pastel and buoyant church of county music, the Grand Ole Opry.


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