Recent Features
Now Hear This!: mewithoutYou [Philadelphia, PA]

It's unlikely that a post-hardcore band that transformed into an indie-pop act while filling out its complex religious and philosophical traditions would have made the best album of 2009.

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Room For Danger: The Case For Marvel’s Ultimate X-Men

Ultimate X-Men was perhaps not the radical departure from Stan Lee's original vision it has always been taken as. The common ground lies in Ultimate writer Mark Millar's evolution of the theme of danger.

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17 May 2010 // 10:00 PM

Afraid of a Ghost: Inside the ‘All Apologies’ Meme

Why did the Robert-Pattinson-as-Kurt-Cobain myth take in more people than any April Fool? Because it seemed too uncomfortably true to be bullshit.

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17 May 2010 // 10:00 PM

Fear of a Rap Parody

Underrated in the annals of hip-hop cinema, Rusty Cundieff's Fear of a Black Hat is biting and unflinching, and forces hip-hop fans to stare soberly at the culture's flaws and to revisit their own reasons for loving the music.

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Seeing the Light: An Interview with Matisyahu

On Tour with a Teacher, taking advice from fans on sound checks, and having one of his songs be a theme for the 2010 Olympics, Matisyahu is ready to follow his muse more than ever ...

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A Light in the Black: Ronnie James Dio, 1942-2010

In a genre that loves its iconic figures, Ronnie James Dio was one of the biggest. Sadly, one of metal's ageless wonders proved to be mortal after all.

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Is Social Networking the Future of Voting?

Imagine new legislation on every voter's Facebook homepage: voters could click on the post to learn more about it, add a comment to the discussion (140 character limit), and then click "Like" or "Dislike". Click. Click. Done!

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The Ever-Changing ‘Technical Aesthetic’ and Its Influence in the Music Classroom

Young people today possess a unique "technical aesthetic" that causes them to approach listening to and creating music in distinct ways from adults.

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Survivors: An Interview with KRS-One and Buckshot

In their first collaboration, KRS-One and Buckshot educate the next generation of hip-hop artists and fans alike by bringing the heart back to hip-hop.

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20 Questions: Sarah Silverman

The satirical, taboo-busting, notoriously potty-mouthed Sarah Silverman has written a book about … well, pee – among other things. “Big S” talks with PopMatters 20 Questions about her affinity for Bugs Bunny, an affection for Mr. Rogers, and how, with the help of a time machine, she might have helped steer Hitler from his destructive course.

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Happy Mondays, the Court Jesters of Madchester

The Happy Mondays were the court jesters of Madchester, infusing the unfettered carnival spirit of rave culture into their own craftily disheveled music, lyrics, and sleeve designs, while simultaneously leading the sweating masses into a new and vibrant artistic renaissance.

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Labor of the Mind: An Interview with Jay Holstein and Daniel Kraus

PopMatters investigates the sacred and profane world of Rabbi Jay Holstein, the subject of Daniel Kraus’ newest Work Series documentary, Professor.

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Challenging Stereotypes: A Yank’s Guide to Working and (Mostly) Playing in Australia

What follows is a hearty recommendation for you 18-30-year-olds wondering “Great, I’ve got a degree in English. What now?” or “Lovely, a lay-off. Cheers for that. And?”

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13 May 2010 // 10:00 PM

Now Hear This!: Robin Aigner (Brooklyn, NY)

Brooklyn's Robin Aigner writes engaging and emotive history-vignettes that blends Old Time folk, mid-century country-and-western and Eastern European music with the strains of the contemporary singer-songwriter. She is also one of America's most unfairly undiscovered musicians.

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“Fringe”:  Every Generation Gets the “X-Files” It Deserves

Fringe is The X-Files new and improved for viewers with shorter attention spans and an appetite for more gadgets and less paper work, more super geniuses and fewer bureaucrats, higher body counts and less verisimilitude, more answers and fewer questions.

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The Return and Demystification of Jeff Mangum

Indie-rock's most revered recluse makes a rare appearance in New York City and in so doing, manages to overcome his own myth, one song at a time.

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Paranoid Android: Is Music the Opiate of the iPod-Owning Masses?

Wherein our curmudgeonly record shop owner realizes that his store with its bins full of vinyl was his own personal iPod long before the iPod was ever invented.

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Afterword: Rhymes of a Rolling Stone

Dylan’s Blood on the Tracks is a superb work of theater, a classic, albeit cryptic, tale of triumph over adversity.

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Will the Real Bob Dylan Fan, Please Stand Up?

While stalwarts vie for who's the real Bob Dylan fan, 20-something hipsters and teenyboppers going ballistic to lyrics meant for another era have a more prescient say. They portend in Dylanesque wit, they were his fans before he was Bob Dylan.

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Stephin Merritt Won’t Be Making Reggaeton Records Any Time Soon

No, he may never make a reggaeton record, but that’s because the Magnetic Fields' Stephin Merritt is too busy soldiering on down his own path, as illustrated in this chat with PopMatters.

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More Recent Features
//Mixed media
//Blogs

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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