Sunday, January 1 1995
Michael J. Nelson talks about stand-up comedy, Mystery Science Theater 3000, and his new book.
Roman Polanski is gracious and soft-spoken on the telephone from Paris. Once notorious for his eccentricity, ego, and offscreen misfortunes, the Polish director-writer-actor now seems, at 67, almost serene, or comfortable, as if he's come to terms with his genius and his excess.
Alternately slouching, perched forward, and animated in their chairs, the filmmakers pick up on one another's points, ask each other questions. At the moment, they're talking about Murderball, their documentary about quadriplegic rugby.
Playwright, author and filmmaker, Neil Jordan talks cross dressing, terrorism, and the brilliance of Cillian Murphy.
Tailor-made suits are coming back into fashion It is, of course, nothing new to remark on the distinctive age bias facing women in typical Hollywood
Catherine Hardwicke talks about her film Thirteen, which is so different from other teen movies, except that the characters are flawed (and remain so), and the adults actually care about what the kids are going through.
'' is populated with characters who don't get much play in mainstream movies -- the homeless, a crazy man, sexualized middle-aged characters, interracial sex, a black woman with a gun, gay men, and an upscale art scene, all in a film that's considerably bigger than your first one. Was it difficult to put all these elements together.
I think it’s healthy to find it weird Jason Isaacs has a kind of energy that you don’t see every day. He’s
Michael Clarke Duncan is happy. He's happy to be starring in with Tom Hanks, to be sitting in a nice hotel room wearing white socks and designer jeans and no shoes. He's especially happy with his role in the film...
I like it when a character is irrational, when a character does contradictory things. I feel like it wakes you up, because you're trying to connect the dots.
Stuff has to happen Tony Goldwyn may be best known as the dastardly villain in 1990’s blockbuster weepie, Ghost, or the voice of Disney’s
Michael Almereyda (2000)writer-director of Hamlet Alejandro Amenabar (2001)director of The Others Paul Thomas Anderson (1999)director of Magnolia Carlos Avila, Jon Seda, and Jimmy Smits (2000)director
'A movie is about going to other worlds. A movie creates a universe, a parallel of this world with its own laws and that you can jump into,' say the director of the Torino Film Festival.
At first glance, Karyn Kusama's looks like a pretty regular festival 'darling' picture: it's the writer-director's debut feature, it's about a young Latina in the projects who overcomes her unhappy home situation to succeed in an unusual and topical arena (boxing), and finds true love to boot.
“I took the training wheels off” John Singleton is eating sushi when I walk into the Sony office suite where he and his entourage are
Politics and Porn Whether you think he has “sold out” and gone “mainstream” in the latter part of his career, or whether you think he
Why should 'Jackass' be reviewed? I've never been that comfortable being what you'd call a film reviewer.