Wednesday, May 10 2006
'It's weird when everyone decides one person is cool, don't you think? I'm suspicious of that.' James Withers talks to Lipshitz Six, or Two Angry Blondes author, T Cooper, about writing, reading, coolness, Jennifer Aniston, and why boy bands should never reform.
Tuesday, May 2 2006
I imagined Viswanathan, Widener Library, Cambridge, Mass., tapping away on her laptop during freshman finals in a rare moment of silliness: ''It's formulaic 'cause that's, like, the moral, right, that not everything can be reduced to a science? That's soooo 'Mehta'!' Maureen Miller reads Opal Mehta.
Friday, April 28 2006
Translating the Body by Jillian Weise All Nations Press, February 2006, 44 pages, $10.00 With a book of poems about an amputee, we might get hung up
You Bring the Jack; They’ll Bring the Coke: Interviews with Craig Davidson and Brett Alexander Savor
'Once you finish writing a four-page dog fight scene, or a scene where a guy gets his leg chomped off by an incensed killer whale, or one where an old porn star's penis pump explodes ... well, you sort of say to yourself, 'I've effectively eliminated myself from the mainstream.'' Craig Davidson and Brett Alexander Savory want to talk to you about Hell -- real and imagined. (If there's a difference.)
Tuesday, April 25 2006
'Historians can tell you what happened and on what day it happened and perhaps something about the larger forces that impinged on the happening. But the only fiction writer can offer the why of the happening, what it might have felt like, smelled like, tasted like. By doing so, he or she reminds the world of the fictive underpinnings of all pasts, including those we hold in our own recollections.' Scott Esposito talks to Lance Olsen about Nietzsche's Kisses.
Friday, April 14 2006
The Weather Makers: How Man is Changing the Climate and What it Means for Life on Earth by Tim Flannery Atlantic Monthly Press, March 2006, 384 pages, $25.00
'Deeply intimate and of a worth that far exceeds their cost, these microcosmic visual universes leave the reader feeling altered by having been exposed to the essence of another person's existence.' Melissa Fischer looks at the upcoming releases from Viggo Mortensen's Perceval Press.
Friday, April 7 2006
Given Neutral Milk Hotel's shifting lineup and frequent moves in the years before and during Aeroplane, Cooper commendably maps out their story within a spare hundred some pages.
You don't need to be a Springsteen fan to have heard the song or seen the video and know what's happening in it, making Himes's unsubstantial analysis of the song a waste of a page and a half. Himes's bio states he won a 2002 ASCAP/Deems Taylor Award for Music Feature Writing -- you'd never guess it by such academic, overstated passages.
'In him not being interviewed he becomes the center of the book, but he would be anyway.' Kim Cooper speaks to PopMatters about the musical friendships that gave rise to In the Aeroplane Over the Sea, Jeff Mangum's reluctance to publicly speak about the band, and the difficulties of portraying people and music with words.
Thursday, April 6 2006
Matos is a committed Prince fan who revels in the what he perceives as the artist's successes, like Sign, while admonishing those albums that he thinks fell short, like Diamonds and Pearls.
Wednesday, April 5 2006
'In effect, the series de-pop-ifies the records, taking them out of the realm of spontaneous appreciation by fans, and organizes the discipline of album criticism as the specific practice of experts.' Can the widely revered pop albums chronicled in Continuum's 33 1/3 series survive the ardor of their most intelligent and impassioned critics? Rob Horning investigates.
Tuesday, April 4 2006
Up against the wall, pseudo-revolutionaries: a report on radical rock of the '60s shows the perils of mixing art and politics in the marketplace.
Monday, April 3 2006
'Well, when I was younger, it was the album that pulled back the curtain and showed me, at the same time, a new world and the truth of myself. But now I'm astonished by the wisdom of it, the depth, the quality.' Bill Gibron talks to Jim Fusilli about his excellent examination of the Beach Boys' Pet Sounds.
Granted, Pet Sounds is a great album, one that requires very little support for its importance as art and as musical innovation. Yet Fusilli finds inventive ways of making these givens new and engaging.
'We've definitely caught people at a moment in time where there's a certain nostalgia for the album format -- although I don't think it's as doomed as many make it out.' Anne K. Yoder talks to 33 1/3 series editor, David Barker, about his 'great little books'.
Thursday, March 30 2006
Half a century after its writing, Elie Wiesel's Night finds a renewed prominence thanks to Oprah, but its importance has never diminished. Justin Cober-Lake looks back at Wiesel's book and recommends others on the Holocaust and its continued relevance.
Thursday, March 23 2006
'One high school student piped up with, 'How do you know what happened? That's only your opinion. What you think happened may not be what really happened.' That blew me away because he was so right.' Steven Horowitz talks to Gregory Galloway, a novelist whose first book explores the mysterious life of teenagers who know too much.
Friday, March 10 2006
Branwell: A Novel of the Brontë Brother by Douglas A. Martin Soft Skull, February 2006, 232 pages, $13.95 [paperback] Douglas Martin’s novelization of the little-known life of
Friday, March 3 2006
Painter of Miracles by Francine Prose.