Recent Features
Monomythography of an Art Form: A Prelude to Considering “The Only Living Boy”

The Greil Marcus-edited A New Literary History of America offers insight into the deeper cultural DNA of David Gallaher and Steve Ellis's The Only Living Boy.

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The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.

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Labored: Why Kyle Higgins’ “C.O.W.L.” Couldn’t Come at a Better Moment

If you picked up the launch issue of C.O.W.L. earlier this week thinking that, with the season finale of Mad Man, ‘60s nostalgia is now back in, you’re maybe missing the sheer depth of Mad Men, and definitely of C.O.W.L.

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Makin’ Out: Learning about Sex from Al Feldstein’s ‘MAD Magazine’

We miss him now that he’s gone—Al Feldstein was one of the dynamos of MAD.

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A Second Look at Jonathan Hickman’s Early Creator-Owned Work

Jonathan Hickman writes himself into very exclusive fraternity that includes greats like Philip K. Dick and William Shakespeare, where the writer is recast as public intellectual.

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Structured Silence: Comics Storytelling, Minus Text

Sometimes, it’s nice for the words to step aside in a comic and just let the art tell the story for a while.

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Jazz Age Redux:“Iron Metropolitan” as Lens on Emergent Social Media Storytelling

In Iron Man: Iron Metropolitan writer Kieron Gillen finally offers a unique vision of the signature Marvel superhero, leading us into a world where art deco becomes a metaphor for modern-day geopolitical upheaval.

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The Dead Child in “Scalped: Dead Mothers”

In Scalped: Dead Mothers Shelton is determined to see his mother’s killer brought to justice, refusing to leave the reservation until the killer is caught.

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We’re All Alive, in Spite of Death: Dan Goldman on the State of Comics Culture

We talk with transmedia writer and creator of the breakout Red Light Properties Dan Goldman about how he spent Free Comic Book Day and the state of comics culture in general.

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The Azzarello-Risso Yearbook, Part 4 of 4: “Brother Lono”

Lono was a major character in 100 Bullets, arguably the meanest, most sadistic. But at the beginning of Brother Lono, he’s already done a 180-degree turn around in attitude and demeanor.

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The Gritty and the Real: Unpacking the Realism Trope in Superhero Films

The only thing that can be done with film better than comics is spectacle. Thinking otherwise betrays a lack of respect for comics, and a pretentiousness about film.

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Mourning the Death of Gwen Stacy

I was five years old the night Gwen Stacy died. I didn’t hear the news. It will come as no surprise if Gwen Stacy does die in today’s release of The Amazing Spider-Man 2.

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The Azzarello–Risso Yearbook, Part 3 of 4: “Spaceman”

The protagonist is Orson, also the “Spaceman” of the title, genetically engineered years ago by NASA to be able to travel to and live on Mars.

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An Avenger for All Seasons: Captain America, Identity, and the US Experience

The key to Captain America: The Winter Soldier success is clear. It captured and integrated into the Marvel cineverse Captain America’s dedication to the common man's ideas of America.

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The Azzarello–Risso Yearbook, Part 2 of 4: “Broken City”

Once they’d established themselves as a formidable creative force with almost five years of excellent work on 100 Bullets, Brian Azzarello and Eduardo Risso got to take a crack at one of the biggest comicbook characters ever: Batman.

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That Thing, That Time…: A Look at Mimi Pond’s “Over Easy”

Over Easy is hauntingly beautiful, breathtaking, ferociously intelligent. It allows us to peer behind the veil of private lives in a radically different way to other biographies.

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What Do We Do When Our Online Comics Collections Explode?

Complications or confusion aside, the hacking of comiXology demonstrates a disconcerting vulnerability in digital comics.

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The Azzarello–Risso Yearbook, Part 1 of 4: “Jonny Double”

The star of Jonny Double is also its title character, a private investigator who fancies himself hardboiled but is really just headstrong and impulsive without quite enough talent to back that up…

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Redshift: Talking with John Arcudi About His Expanding the Hellboy Universe

Our month full of Hellboy to celebrate Hellboy’s 20th anniversary continues as we share an earnest conversation with Hellboy Universe collaborator John Arcudi who opens up about his expansion of the Universe with B.P.R.D. and the Lobster Johnson stories.

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Comic Book Story Storage

Each Wednesday comic selections have been made and it’s easy to end up with a sizable stack of new material each week. Fully absorbing, appreciating, and retaining every panel of every issue is challenging, if not impossible.

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More Recent Features
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Moving Pixels Podcast: Unearthing the 'Charnel House'

// Moving Pixels

"This week we discuss Owl Creek Games's follow up to Sepulchre, the triptych of tales called The Charnel House Trilogy.

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