Recent Features
The Victor Belongs to the Spoils: 75 Summers of the Batman

Just a single thought about what Batman has come to mean over the last 75 years.

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A More Authentic Transmedia: The Ethics of Transmedia Fatigue

Sometimes, as Stuart Moore writes in Wolverine: Under the Boardwalk, you just gotta disappear.

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Out of the Shadows: The Brandon Easton Exclusive

Creative force Brandon Easton talks with Julian Chambliss about his newest documentary, the state of comics today, and the questions nobody ever asks.

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Reanimating the Dailies: Star Trek: The Newspaper Comics

Over the last couple of years IDW has collected the entirety of the Star Trek strips that ran from 1979 to 1983 into two large, coffee table style volumes in their Library of American Comics series.

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With ‘Captain America: The Winter Soldier’ the MCU Decisively Breaks with Comics

Marvel owns characters and its profits come from comics sales, film tickets, lunch boxes, etc. As such, character identification fluctuates easily between media.

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On ‘Kings Watch’ and its Effortless Humor

Kings Watch is an example of a classically outrageous sci-fi action tale being told with a more modern sensibility.

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Trip with an Infinite View: Chaos, Order, Good and Evil in ‘Forever People’

Jack Kirby, World War II veteran, was channeling youth when he produced Forever People. He was on the side of change and disorder for the cause of freedom.

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The Anti-War Panels: Underground Comix and Vietnam

Although some comix generally avoided the topic, many artists and writers signaled their opposition to the Vietnam War in creative and daring ways.

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A Bit More Collected: Down the Pop Culture Rabbit Hole with “Death Sentence”

To understand Death Sentence you'd need to understand why 1986's Watchmen and The Dark Knight Returns were both roaring successes, and a dismal failures.

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Where Do They Come From? What Do They Want?

In the long pop culture heyday of UFOs that stretched from the late '40s to the mid-'70s, it seemed that flying saucers were everywhere. UFOs swept the nation.

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The Rise Fall and Rise of Marvel Comics on Film Part 3: Our Universe(s) at War

Suddenly, movies from all walks of the Marvel Universe began to rage against the big screen with three distinct universes vying for control of box office gold.

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More Story to Tell: “New Lone Wolf and Cub Volume 1”

In the first year of The Iconographies, we took an in-depth critical tour of the wonder that is Lone Wolf and Cub. Now, as creator Kazuo Koike returns to his magnum opus, so do we…

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The Effective Archetypes of “Afterlife With Archie”

With Afterlife With Archie you could change all the names and the location while keeping everything else the same, and it wouldn’t be any less powerful or impressive a series.

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The Rise Fall and Rise of Marvel Comics on Film Part 2: The Road Out of Development Hell

The story is far from over for The Fantastic Four and Spider-Man, but what of the Marvel Cinematic Universe? What of the incredible saga of all of those also-ran comic book films?

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Monomythography of an Art Form: A Prelude to Considering “The Only Living Boy”

The Greil Marcus-edited A New Literary History of America offers insight into the deeper cultural DNA of David Gallaher and Steve Ellis's The Only Living Boy.

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The Rise Fall and Rise of Marvel Comics on Film Part 1: Origins and Eternities

Marvel Comics rules the box office today (three films based on Marvel Comics occupied the top 10 in May 2014 alone), but getting there was a long, hard, slow road.

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Labored: Why Kyle Higgins’ “C.O.W.L.” Couldn’t Come at a Better Moment

If you picked up the launch issue of C.O.W.L. earlier this week thinking that, with the season finale of Mad Man, ‘60s nostalgia is now back in, you’re maybe missing the sheer depth of Mad Men, and definitely of C.O.W.L.

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Makin’ Out: Learning about Sex from Al Feldstein’s ‘MAD Magazine’

We miss him now that he’s gone—Al Feldstein was one of the dynamos of MAD.

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A Second Look at Jonathan Hickman’s Early Creator-Owned Work

Jonathan Hickman writes himself into very exclusive fraternity that includes greats like Philip K. Dick and William Shakespeare, where the writer is recast as public intellectual.

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Structured Silence: Comics Storytelling, Minus Text

Sometimes, it’s nice for the words to step aside in a comic and just let the art tell the story for a while.

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More Recent Features
//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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