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Thursday, May 2 2013

In the End, What You Don’t Surrender: A Critical Response to ‘Iron Man Three’

In Iron Man Three incoming director Shane Black presents us with a perfectly-crafted vision of Tony Stark that we didn't realize we needed to see, until now…


Wednesday, May 1 2013

That Metal in Your Bones Soundtrack: The Music of Iron Man

Iconic sound effects like Wolverine's snikt or Spider-Man's thwip have always been crucial in comics storytelling. Iron Man and Iron Man 2 director Jon Favreau has shown how the right soundtrack can come to identify a superhero in the same way on the big screen…


Friday, April 26 2013

Tomorrow Is a Thief 2: The Countdown to “Iron Man 3” Continues

Jon Favreau's Iron Man wasn't only a reboot in the thinking behind how superhero movies hit the popular imagination, it also reminded us that when we asked, "How do you make money from the internet?" we were really asking something far deeper, something far more meaningful…


Thursday, April 25 2013

Love and Fulfillment: On the Li’l Depressed Boy, Parks and Recreation and Neal Cassady

If Li'l Depressed Boy creators Struble & Grace achieve anything, it's a magnificent artistic range that can conceptually connect even Parks & Recreation with Beat icon Neal Cassady…


Friday, April 19 2013

Tomorrow Is a Thief: The Countdown to “Iron Man 3”

With the soft reboot of Marvel Now!, and incoming director Shane Black, no longer share even the semblance of being connected, thematically at least if not by narrative. So what happens now?


Thursday, April 18 2013

What the Influence?: On “Batman #19”, Cartoons and Music

While some comic writers and artists find inspiration in the past or the future or other artists or other genres, there are others that choose to jump platforms and find a muse in, say, television. Case in point: Batman #19


Friday, April 12 2013

The Big Switch: the National Robotics Week Exclusive with Jonathan Mahood

Cartoonist Jonathan Mahood's Bleeker is a genuine cultural flashpoint, embodying the struggle between print and digital, and dealing with the larger issue of why we are beginning to resemble our machines. No wonder Bleeker is the mascot for National Robotics Week…


Thursday, April 11 2013

Unassailable 3: The Eternity Edition Exclusive with Grant Morrison

The ultimate Grant Morrison reaches its conclusion, only to discover that ultimates are like ultimatums, there should be no place for them…


Wednesday, April 10 2013

Reading Comics ‘At the Movies’: On Roger Ebert and Comics Criticism

It was only recently that I figured out how much film critic Roger Ebert has influenced my work as a critic and writer. You see, he and I shared one thing in common: we both love the Alex Proyas film Dark City


Friday, April 5 2013

Unassailable 2: The Eternity Edition Exclusive with Grant Morrison

The ultimate Grant Morrison interview reaches its turn…


Wednesday, April 3 2013

Things I Said I’d Do This Year: The Narrative Consequences of Batman, Spider-Man and Daredevil

What would the poet Samuel Taylor Coleridge, who coined the term "suspension of disbelief" say to Batman, Inc. and the Superior Spider-Man? Surely they stretch the term too far, surely Daredevil is more is speed?…


Friday, March 29 2013

Unassailable: The Eternity Edition Exclusive with Grant Morrison

One the eve of Grant Morrison wrapping up his legendary runs having written both Superman and Batman, we can't spend our time talking about Justine Bieber, surely?…


Thursday, March 28 2013

Congo Horrors Reported Graphically for ‘Army of God’

A difficult new work of nonfiction graphic journalism chronicles human rights atrocities in Central Africa.


Friday, March 22 2013

Don’t Get Too Attached 2…: Commencing “Constantine”

Jay-Z, Hunter S. Thompson, Muhammad Ali!, and Gwen Stefani, and of course John Constantine…


Thursday, March 21 2013

I Haven’t Thought of You Lately: Nostalgia, Veronica Mars and Batman

I scanned the pledge levels, but hesitated to commit my money. I have a very uneasy relationship with Kickstarter. Crowd-funding, a seeming necessity of the 21st century economy, strikes me as borderline exploitation…


Friday, March 15 2013

Don’t Get Too Attached 1…: Concluding “Hellblazer”

In December last year, DC announced a shocking move--occult powerbroker and con artist mage John Constantine would not only leave the Vertigo imprint, but leave behind the Hellblazer title altogether after more than a quarter-century of publication. This first act looks back at the difficulties with Constantine getting his own start…


Thursday, March 14 2013

Fear of Dystopian Futures and Apocalypses as Perspective: All-New X-Men and The Massive

What were the Mayans really getting at with the ending of their 5,126 year long calendar that ended this past December. As All-New X-Men and the Massive show, maybe the fear is more universal than we recognize…


Friday, March 8 2013

This Little Bird’s Fallen Out of That Nest Now: On Morrison Exiting ‘Batman’

The death of Damian Wayne, current Robin and actual son of the Batman in Batman, Inc. #8 signals the exit of industry legend Grant Morrison after six years of having written the character…


Friday, March 1 2013

Something I Made Myself Into: Exclusive with “Shade” Creator James Robinson

The 12-issue mini-series The Shade is possibly writer James Robinson's final return to the world-within-a-world of Opal City and its unique cast of characters. Robinson takes the time to offer frank and unique insights into a book that is the culmination of decades of writing…


Thursday, February 28 2013

Hushmoney Redux: Star Power, Corporate Responsibility and Stewardship

A chance encounter with NPR's Planet Money sparks a sincere wrestling with the deepest of creator and fan rights issues still haunting the comics industry…


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