Thursday, November 17 2011
Screenwriter and comics creator Joshua Hale Fialkov pens one of the most perfect horror-romances in I, Vampire. The horror, and the romance, shouldn't be mutually exclusive story elements, he reminds us in the first part of this exclusive interview.
Wednesday, November 16 2011
At it's heart, DC's New 52 is all about re-introducing characters that in many senses have gone missing over the course of their publication history. In this edition of The Iconographies, Superman, and how he is being reclaimed both now and "five years ago".
Wednesday, October 26 2011
Timeous and pitch perfect, writer Grant Morrison's Action offers a much-needed reinvention of Superman. In a rare opportunity, publisher DC grants PopMatters an exclusive interview with one of the keenest intellects working in comics today. This is Grant Morrison, in his own words.
Tuesday, October 4 2011
DC demonstrated the full power of their operation by delivering sales numbers that haven’t been seen in quite some time. Month one was a complete success. See you in month two.
Sunday, September 25 2011
A chat over Twitter last Sunday picks up on the halfway mark of DC's New 52. We talk about why we liked what we liked, why we hated what we did. Muse on where DC might be going. And how it got to go there because of where it's been.
Wednesday, September 21 2011
With the launch of his first web-based TV show, Adults Only, Project Fanboy Award winner Jason Burns makes his visionary expectations of entertainment available to a much, much wider audience.
Sunday, September 18 2011
With DC's New 52 reboot of their entire universe, the comicbook company is evolving a greater media savvy and a far deeper cultural relevance than ever before. But has DC simply borrowed from more adaptable publishers like BOOM! Studios?
Wednesday, September 14 2011
The learning curve is steep, but it breaks down like this; Potter's Field is the story of patriotic values set to detective fiction, and the medium of comics. Mark Waid displays true genius in sculpting the kind of tale he has.
Wednesday, September 7 2011
At the dawn of the 21st century, some of us are only now beginning to feel the wave of super-connectedness that comes from emerging social media technologies, some of us have lived in NYC all our lives, and some of us just read Spider-Man.
Friday, September 2 2011
How does Radical enter the digital economy in a groundbreaking way that both redefines the entertainment industry and yet remains true to core values of support for creativity and precision of user-driven environments?
Wednesday, August 31 2011
Perhaps more than a long, critical gaze at DC's history, Secret Origins makes the incredibly savvy move of rendering the company's 70-plus years as both heartwarming and resilient.
Wednesday, August 24 2011
Is Disney's decision to let go of its subsidiary Marvel's entire West Coast marketing team a sound one? The question is certainly nowhere near as interesting as what this decision signals about the entertainment industry as a whole.
Thursday, August 18 2011
With the series coda to Geoff Johns' six-year run on Green Lantern just completed, the once bright Silver Age hero's adventures leave a bitter taste, more because of magical promise of Johns' early work.
Wednesday, August 10 2011
At first glance, Captain America seems dated. But viewers are quickly reminded that WWII was as much an ideological conflict as a military one. On the battle of ideas, icons matter.
Monday, August 8 2011
In the wake of the recent ruling against the Kirby Estate what is at stake may no longer be simple creator rights, but a deep psychology entwining creator, company and fan.
Thursday, July 28 2011
Grant Morrison’s ability to make connections between seemingly humdrum events and grandiose ideas becomes infectious. Reading Supergods and immersing in his ideas gives one as much kick as a radioactive spider bite.
In perhaps the savviest move for a print-vs-digital environment Bluewater has re-inscribed their August release of Fame: Conan O'Brien with the core values of emerging social media. Download a free exclusive preview of the book.
Tuesday, July 26 2011
After the debacle that was "Shadowland" incoming Daredevil scribe Mark Waid brings a carefree exuberance and a psychological depth that was rarely glimpsed in the last 30 years of the character's publication.
Tuesday, July 19 2011
In 2009 writer Ed Brubaker left Daredevil on a high note, with the character literally ready to take on the world. But incoming writer Andy Diggle failed the test of both New York as an idea and Daredevil as a character. What can Mark Waid's Daredevil, released today, look like in the wake of past misfirings?
Thursday, July 14 2011
The real story of the Schwarz brothers isn't their improbable and meteoric rise in Hollywood after being marginalized by the Australian film industry, but the generational shift they bring to staid thinking in the media of both comics and film.