Recent Features
Will the ‘Supergirl’, ‘Lucifer’ and  ‘Legends of Tomorrow’ Shows Be Transmedia or Tranq-Media?

Our expectations around for these upcoming TV shows get to the very heart of transmedia as a phenomenon.

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The Many Faces of Love in ‘The Names’

Our three-part series looking at Peter Milligan and Leandro Fernandez's The Names draws to a close with a love note of sorts.

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‘New Life and New Civilizations’: The ‘Star Trek’ Saga in Comics

This is a deep and intelligent look at the various incarnations of Star Trek on the gridded page -- and not just from super fans and convention-goers.

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The Heightened Reality of the Art in ‘The Names’

Today, our series looking at Peter Milligan and Leandro Fernandez's The Names continues, with a focus on the art of the comic.

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There Are No Strings on Me: Ultron and the Top 10 Comicbook Robots

Ultron may be the most famous, but he's hardly alone in the ranks of comicbook automata. Here's a list of the 10 most interesting and important robot characters in comicbook history.

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Loyalty and Tribalism in ‘The Names’

The nastiest, scariest, most threatening villains in The Names are a group of betrayers within the Names known as the League of Psychopaths, and this is only the beginning.

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A Job for Superman: On Multiversity, Convergence and These Precious Mortal Hours

The Multiversity: Ultra Comics #1 begins with a return to the beginning of the superhero genre, but not the real beginning.

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Black Widow and the Burden of Being the Female Avenger

All too often, when you have a token female in a story, that character's primary super power is simply that she's a girl.

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Three Fully Formed Concepts in First Issues: ‘The Maximortal’, ‘Deep Sleeper’ and ‘Rebel Blood’

The first time I read The Maximortal #1, I honestly believed it was a self-contained one-shot. Was I ever wrong.

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Why They Fight: A Brief History of Batman Battling Superman

Over the course of any relationship, especially ones that last three quarters of a century, there's bound to be some friction, some tension and some overall sour times.

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Cars That Will Kill You, An ‘Avengers: Age of Ultron’ Triptych Finalé

Thus far, we've seen director Joss Whedon leverage the history of comics fandom and of Hollywood film in a grand and postmodern experiment. Here's why.

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Avengers Age of Ultron, a Triptych’s Second Frame

Avengers: Age of Ultron is an amazing spectacle and there's very little you don't see. But if there is something unnoticed, it might be how seamlessly Whedon crafts the movie into the history of Hollywood.

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A Response to Avengers: Age of Ultron, in Triptych

Even after Daredevil, especially after Daredevil, Avengers: Age of Ultron might be the finest realization of the Marvel Universe on screen.

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‘The Cartoon Introduction to Philosophy’ Is Something of a Duck-Rabbit Itself

The Cartoon Introduction to Philosophy does more than introduce major themes and arguments in philosophy. It raises interesting questions about the visual nature of philosophy itself.

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Every Generation Gets the ‘Daredevil’ It Deserves

Marvel's Daredevil is a reminder that our pop culture, even that which is rooted in the pulp tradition, can be vivid, vital, and powerful.

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The Steady Increase of Awfulness in ‘Borb’

With homages to Little Orphan Annie and Gasoline Alley, there's a lot serious ground to cover in Borb, and a lot of serious laughs.

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‘Copperhead’ Is Greater Than the Sum and Then Some

New Sheriff Clara Bronson comes to Copperhead not because she wants the job but because she needs it. The real reason though, isn’t explained.

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‘Frankenstein Underground’ and the Deaths That Tax Us

Frankenstein Underground is the magnificent postmodern crown jewel in the Hellboy-verse that creator Mike Mignola thinks of as a love-letter to Edgar Rice Burroughs. We think otherwise.

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Time, Space and Plasticity in Long-running Comics Series

Some creators and publishers choose to make time and space infinitely malleable. Others take readers to new times and places while leaving characters in a single timeline.

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The High Art of Disownership in ‘Death Sentence: London’

Death Sentence: London is quite possibly the most important work of 2015.

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More Recent Features
//Mixed media
//Blogs

Call for Papers: Do You Believe in Life After Auto-Tune?

// Announcements

"Which is better, Cher’s voice before or after Auto-Tune?

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