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Friday, June 6 2014

Monomythography of an Art Form: A Prelude to Considering “The Only Living Boy”

The Greil Marcus-edited A New Literary History of America offers insight into the deeper cultural DNA of David Gallaher and Steve Ellis's The Only Living Boy.


Friday, May 30 2014

Labored: Why Kyle Higgins’ “C.O.W.L.” Couldn’t Come at a Better Moment

If you picked up the launch issue of C.O.W.L. earlier this week thinking that, with the season finale of Mad Man, ‘60s nostalgia is now back in, you’re maybe missing the sheer depth of Mad Men, and definitely of C.O.W.L.


Thursday, May 29 2014

Makin’ Out: Learning about Sex from Al Feldstein’s ‘MAD Magazine’

We miss him now that he’s gone—Al Feldstein was one of the dynamos of MAD.


Friday, May 23 2014

A Second Look at Jonathan Hickman’s Early Creator-Owned Work

Jonathan Hickman writes himself into very exclusive fraternity that includes greats like Philip K. Dick and William Shakespeare, where the writer is recast as public intellectual.


Thursday, May 22 2014

Structured Silence: Comics Storytelling, Minus Text

Sometimes, it’s nice for the words to step aside in a comic and just let the art tell the story for a while.


Friday, May 16 2014

Jazz Age Redux:“Iron Metropolitan” as Lens on Emergent Social Media Storytelling

In Iron Man: Iron Metropolitan writer Kieron Gillen finally offers a unique vision of the signature Marvel superhero, leading us into a world where art deco becomes a metaphor for modern-day geopolitical upheaval.


Thursday, May 15 2014

The Dead Child in “Scalped: Dead Mothers”

In Scalped: Dead Mothers Shelton is determined to see his mother’s killer brought to justice, refusing to leave the reservation until the killer is caught.


Friday, May 9 2014

We’re All Alive, in Spite of Death: Dan Goldman on the State of Comics Culture

We talk with transmedia writer and creator of the breakout Red Light Properties Dan Goldman about how he spent Free Comic Book Day and the state of comics culture in general.


Thursday, May 8 2014

The Azzarello-Risso Yearbook, Part 4 of 4: “Brother Lono”

Lono was a major character in 100 Bullets, arguably the meanest, most sadistic. But at the beginning of Brother Lono, he’s already done a 180-degree turn around in attitude and demeanor.


Friday, May 2 2014

Mourning the Death of Gwen Stacy

I was five years old the night Gwen Stacy died. I didn’t hear the news. It will come as no surprise if Gwen Stacy does die in today’s release of The Amazing Spider-Man 2.


Thursday, May 1 2014

The Azzarello–Risso Yearbook, Part 3 of 4: “Spaceman”

The protagonist is Orson, also the “Spaceman” of the title, genetically engineered years ago by NASA to be able to travel to and live on Mars.


Friday, April 25 2014

An Avenger for All Seasons: Captain America, Identity, and the US Experience

The key to Captain America: The Winter Soldier success is clear. It captured and integrated into the Marvel cineverse Captain America’s dedication to the common man's ideas of America.


Thursday, April 24 2014

The Azzarello–Risso Yearbook, Part 2 of 4: “Broken City”

Once they’d established themselves as a formidable creative force with almost five years of excellent work on 100 Bullets, Brian Azzarello and Eduardo Risso got to take a crack at one of the biggest comicbook characters ever: Batman.


Friday, April 18 2014

That Thing, That Time…: A Look at Mimi Pond’s “Over Easy”

Over Easy is hauntingly beautiful, breathtaking, ferociously intelligent. It allows us to peer behind the veil of private lives in a radically different way to other biographies.


Thursday, April 17 2014

The Azzarello–Risso Yearbook, Part 1 of 4: “Jonny Double”

The star of Jonny Double is also its title character, a private investigator who fancies himself hardboiled but is really just headstrong and impulsive without quite enough talent to back that up…


Friday, April 11 2014

Redshift: Talking with John Arcudi About His Expanding the Hellboy Universe

Our month full of Hellboy to celebrate Hellboy’s 20th anniversary continues as we share an earnest conversation with Hellboy Universe collaborator John Arcudi who opens up about his expansion of the Universe with B.P.R.D. and the Lobster Johnson stories.


Thursday, April 10 2014

Comic Book Story Storage

Each Wednesday comic selections have been made and it’s easy to end up with a sizable stack of new material each week. Fully absorbing, appreciating, and retaining every panel of every issue is challenging, if not impossible.


Friday, April 4 2014

Oriatur, or a Bigger, Richer World: The Interview with Hellboy Creator Mike Mignola

In the handful of days before Dave Brockie’s passing, Mike Mignola and I spoke at great length about the then upcoming 20th anniversary of Hellboy, a character who by his very nature resisted his fate, and hoped to shape new options by his own hand…


Thursday, April 3 2014

Emerald City Comic Con and the Future of Media

Comic books become movies. Movies becomes soundtracks, games like Avengers Battle for Earth, become interactive experiences.


Thursday, March 27 2014

Not For Nothing: Reading Ales Kot’s “Zero”

Ales Kot’s Zero is not a traditional mystery tale, but it certainly has a large unanswered question looming over it.


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