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Wednesday, February 15 2012

Buckets of Bloodlessness: How “Uncanny X-Men” Misses Its Grand Guignol

Uncanny X-Men isn't half the missed opportunity it first appears to be. It's art lies exactly in the tension of walking a highwire of commercial interests and unchecked creative impulses.


Wednesday, February 8 2012

“Blue Estate”: A Sardonic Pulp Paradigm?

It's the turning of the final tide, the groundbreaking Blue Estate wraps issue #8, which closes the second volume of the collected editions, and launches issue #9, which opens the final volume. The stakes, and the value, couldn't be higher.


Friday, February 3 2012

Bring Out Your Dumb!: The Ficarra Exclusive Concludes

It's been our longest interview for an exclusive yet, Editor John Ficarra, the mind behind MAD. And it ends in the most unexpected place; compassion.


Friday, January 27 2012

The Future Is a Faded Song: Douglas Rushkoff on the Groundbreaking “ADD”

It's especially hard to shift between being a world-class media theorist writing nonfiction, and a writer of fiction. That's even more so when the fiction appears as comics. Why does Douglas Rushkoff make it look so easy?


Friday, January 20 2012

Endless Reentry: J. Torres, “Li’l Jinx” and “Bob Dylan by Greil Marcus”

J. Torres is a mature, creative voice, a powerful storyteller, and a gifted intellect. Exactly the kind of person you'd want reimagining a classic from your childhood.


Thursday, January 12 2012

You Are Who You Learn to Become: The New Crusaders Exclusive

Can comics be meaningful and personal and accessible to all, without the elaborately stylized rituals of ComicCon? Co-creators of the forthcoming New Crusaders series offer a genuinely new way of thinking about meaningfulness in a PopMatters exclusive.


Wednesday, January 11 2012

Ok, Now Make With the Funny: The PopMatters Exclusive with John Ficarra

There's a deep sense of duty to John Ficarra and his work as Editor of MAD, as well as a practiced, finely-tuned, Olympic-level athlete mindset and an ability to tease out the patently ridiculous in everything. This is why MAD catapults beyond entertainment, and into the orbits of truly great satire.


Wednesday, January 4 2012

The Frightening and the Frightened: The Scott Snyder Exclusive

As the writer at the helm of signature DC titles like Batman and Swamp Thing, Scott Snyder flawlessly bleeds horror into the body of his stories. But where does that inner, darkening fear come from? In an exclusive interview with PopMatters, Snyder opens up.


Wednesday, December 14 2011

The Hidden Depths of Aquaman: The Geoff Johns Exclusive

Why has Aquaman, a longstanding mainstay of the DC Universe, never excelled in capturing the popular imagination? In an earnest conversation with Geoff Johns, New 52 writer of Aquaman and DC's Chief Creative Officer, PopMatters meets someone for the very first time -- Aquaman himself.


Wednesday, December 7 2011

And Action…: The Grant Morrison Exclusive, Act 2

In a time when the novelty of DC's company-wide reboot seems to push writers in the direction of a ground-up redesign of their characters, Grant Morrison does the unexpected with the original superhero. PopMatters presents Grant Morrison, and his thoughts on Action.


Thursday, November 17 2011

Darkly Drawn: The PopMatters Exclusive with “I, Vampire’s” Josh Fialkov

Screenwriter and comics creator Joshua Hale Fialkov pens one of the most perfect horror-romances in I, Vampire. The horror, and the romance, shouldn't be mutually exclusive story elements, he reminds us in the first part of this exclusive interview.


Wednesday, November 16 2011

Missing Persons: A Second Chance at Superman

At it's heart, DC's New 52 is all about re-introducing characters that in many senses have gone missing over the course of their publication history. In this edition of The Iconographies, Superman, and how he is being reclaimed both now and "five years ago".


Wednesday, October 26 2011

Grant Morrison on Action Comics: The PopMatters Exclusive

Timeous and pitch perfect, writer Grant Morrison's Action offers a much-needed reinvention of Superman. In a rare opportunity, publisher DC grants PopMatters an exclusive interview with one of the keenest intellects working in comics today. This is Grant Morrison, in his own words.


Tuesday, October 4 2011

An Awfully Big Adventure: Wrapping Up DC’s Extreme Makeover

DC demonstrated the full power of their operation by delivering sales numbers that haven’t been seen in quite some time. Month one was a complete success. See you in month two.


Sunday, September 25 2011

Thus Far: DC’s New 52 at the Halfway Mark

A chat over Twitter last Sunday picks up on the halfway mark of DC's New 52. We talk about why we liked what we liked, why we hated what we did. Muse on where DC might be going. And how it got to go there because of where it's been.


Wednesday, September 21 2011

The Leap: Jason Burns Is the Woody Allen of Web TV

With the launch of his first web-based TV show, Adults Only, Project Fanboy Award winner Jason Burns makes his visionary expectations of entertainment available to a much, much wider audience.


Sunday, September 18 2011

Choice in DC Comics’ New 52

With DC's New 52 reboot of their entire universe, the comicbook company is evolving a greater media savvy and a far deeper cultural relevance than ever before. But has DC simply borrowed from more adaptable publishers like BOOM! Studios?


Wednesday, September 14 2011

“Potter’s Field” Retells the Drama of America

The learning curve is steep, but it breaks down like this; Potter's Field is the story of patriotic values set to detective fiction, and the medium of comics. Mark Waid displays true genius in sculpting the kind of tale he has.


Wednesday, September 7 2011

*See Issue #129, -Ed: “Spider Island” and the Art of Social Media

At the dawn of the 21st century, some of us are only now beginning to feel the wave of super-connectedness that comes from emerging social media technologies, some of us have lived in NYC all our lives, and some of us just read Spider-Man.


Friday, September 2 2011

Talking With David: Radical’s Visionary Chief Marketing Officer

How does Radical enter the digital economy in a groundbreaking way that both redefines the entertainment industry and yet remains true to core values of support for creativity and precision of user-driven environments?


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