Recent Features
There Is No “I” in “Storm Dogs”

What makes Braithwaite the right choice as artist for this series isn’t just his ability to bring the same level of detail and care to everything, from tiny space slugs to massive spaceships. It’s the way he makes common elements from so many different genres seem like they belong in the same world.

READ more
Forget the Brooding ‘Man of Steel’, Here Are Five Ways to Have Fun with a Lighter, Brighter Superman

Man of Steel was more concerned with surly brooding than Superman's more endearing traits. I think we (and Superman) should lighten up.

READ more
Spectacularly Simple: “The Black Beetle”

The Black Beetle is a Francavilla original, a superhero character living in a pulp noir world. Because it is his own creation, and undoubtedly also because it’s a genre he’s passionate about, Francavilla’s art has never looked better than it does in this book.

READ more
Mark Waid’s Narrative Multitasking in “Daredevil”

With Daredevil #27 writer Mark Waid has achieved a milestone in comics storytelling, a drawing together of seemingly unrelated plot-points and narrative arcs that have been in play since the very first issue.

READ more

17 Jul 2013 // 10:14 PM

Confronting Ang Lee’s “Hulk”

One year on from the phenomenal success of Joss Whedon's The Avengers isn't it time to reconsider his most unlikely Avenger, the Hulk? Particularly the lavish treatment offered the Hulk in auteur Ang Lee's 2008 outing The Incredible Hulk.

READ more
How Does It End? Narrative Closure in the Marvel Universes

In Marvel's comics, narrative closure is always deferred, every ending a new beginning. Iron Man 3, with its now world weary characters and aging actors, draws attention to how live action is different from comics.

READ more
The Equalizer: Interview with ‘MAD’ Editor John Ficarra and Exclusive Preview of “MAD #522”

Exclusive artwork from MAD #522 lights up an exclusive interview with the legendary MAD Editor John Ficarra.

READ more
Reboot to the Head: A Comicbook-based Analysis of Zack Snyder’s Man of Steel

A solid film, but a solid Superman? A comparison between the latest version and the collective and popular history of Superman is most certainly warranted, especially with some of the more surprising aspects of Zack Snyder's “reboot to the head" that is The Man of Steel.

READ more
Marvel’s Avengers Initiative, Part 2

What does it mean to be an Avenger? The journey continues through Young Avengers and Uncanny Avengers.

READ more
Before Watchmen

The elephant in the room... did DC Comics have the right to resurrect Watchmen in the pages of Before Watchmen? Here's an exclusive preview of Before Watchmen: Minutemen & Silk Spectre and Before Watchmen: Ozymandias & Crimson Corsair.

READ more
The Great Escape: Exclusive Preview of the Last Hellblazer Concept Art Ever

There'll be no more Hellblazer after this one. It's John Constantine's final appearance in the magazine, and it's the final collection of the same, Death & Cigarettes. Earlier this year I argued, maybe it's time to move on. But now I'm thinking, may it's time to remember…

READ more
Sons of the House of L: Superman and the Drake Equation

There's a schism between the hopefulness and wonder of science fiction, and the dry analysis of science. But sometimes if the idea is big enough, it can overcome that sociocultural schism. Sometimes all you need is Superman, or Frank Drake.

READ more
Supremium: Image Comic’s Less “Awesome” Superman

Every superhero owes Jerry Siegel and Joe Shuster's incredible creation a debt of gratitude for their very existence. And at the time of this writing, the hands-down runaway box-office hit is none other than The Man of Steel, just in time for the first Superman's 75th birthday. Time for a pastiche, don't you think?

READ more
How Does Superman Shave?: A Discussion with Mythbusters Adam and Jamie

Who are the Mythbusters? Adam Savage and Jamie Hyneman take time off the set of Mythbusters to answer Gillette's challenge of "How Does He Shave?" And in a discussion with PopMatters, the Mythbusters get to the heart of why they make popular culture, and why it matters.

READ more
Super Boys: The Amazing Adventures of Jerry Siegel and Joe Shuster

In time for the 75th anniversary of the Man of Steel comes the first comprehensive literary biography of Joe Shuster and Jerry Siegel, creators of the DC Comics superhero Superman.

READ more
Marvel’s Avengers Initiative, Part 1 of 4: Avengers and Avengers Arena

What hath Bendis wrought?! In unravelling the traditional structure of the Avengers nearly a decade ago, writer Brian Michael Bendis lay the groundwork for something truly unimaginable at the time. Something both Joss Whedon with the 2012 blockbuster, and current writer Jonathan Hickman are heirs to.

READ more
A Decade by Lantern Light: “Green Lantern” vs. “The Office”

In his last review for the U.S. version of The Office, Erik Adams of The A.V. Club explained that the final episode of one of the biggest TV shows of the past decade “…gets sentimental, but it deserves to get sentimental.” But it was also more than that. As was Geoff Johns decade-long run on Green Lantern…

READ more
Maim of Steel: Exclusive with John Ficarra on “MAD Superman Spectacular”

There's a pause from John Ficarra, then a slight chuckle, then, a wistful sigh before he answers. A special edition format like MAD Super Spectacular: Superman highlights John's stewardship of not only the cultural mainstay that is MAD, but his mentoring of an entirely new generation of MAD talent…

READ more
No End in Sight: The Exclusive with ‘Watchmen’ Co-Creator John Higgins

Watchmen co-creator John Higgins talks about his opus Razorjack and his road to self-mastery as a comics creator's creator.

READ more
New York City-Sourced Chaos in Graphic Novel ‘Strange Attractors’

Instability underpins this maps-and-Manhattan-centric graphic novel from Charles Soule.

READ more
More Recent Features
//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

READ the article