Thursday, February 28 2013
A chance encounter with NPR's Planet Money sparks a sincere wrestling with the deepest of creator and fan rights issues still haunting the comics industry…
Wednesday, February 27 2013
"Yeah, we're waiting for a blizzard this weekend," John Ficarra says, bending my ear in that way he usually does as a lead-in to saying something profound, "And it's going to be a big one…"
Friday, February 22 2013
Jonathan Hickman's New Avengers offers a profound meditation on the ideals underpinning the advent of New Journalism…
Thursday, February 21 2013
It takes courage to write iconic heroes, almost as much courage as it does to write their villains. And an even greater dose of courage is required when iconic villains are reinterpreted in works like Batman #17 and Peter Panzerfaust #9…
Thursday, February 14 2013
Can comics be literature? The debate reaches a crisis point for Michael D. Stewart with Image/Shadowline's gorgeous Dia de los Muertos, a book that simply breaks all established conventions of format and genre…
Thursday, February 7 2013
I’m reminded of the Beats’ desire to bring common language to fiction and poetry thanks to a few recently read comics including Ethan Rilly’s Pope Hats, Adrian Tomine’s Optic Nerve and especially S. Steven Struble and Sina Grace’s The Li’l Depressed Boy #15
Friday, February 1 2013
The debate over sexism and Eurocentrism in superhero comics simmers constantly, an easy charge for cultural critics and fans alike. Yet, the fact that superhero comicbook struggles with questions of race and gender bias should not be a surprise.
Thursday, January 31 2013
What's the value of Brian Wood writing an interstitial Star Wars tale (between A New Hope and Empire Strikes Back), nearly 40 years on? Perhaps more than we can realize…
Friday, January 25 2013
Legendary Fables creator Bill Willingham rarely grants interviews, but in this exclusive he wrestles with the Long Game of comics after Watchmen and with his own creation…
Thursday, January 24 2013
The Joker, as written by Snyder, is much more of a horror character. His methods and mayhem far more influenced by recent horror movies than his previous pulp villain roots. It’s a trend. A trend that as Batman #16 illustrates, shows a “torture porn” influence that we’ve seen in the Saw movies and other imitators.
Friday, January 18 2013
What’s lost in the circus atmosphere of the new Superior Spider-Man is what critics should be picking up on: is this a good direction for the Wall-crawler, are the comics in question good, and what does this all mean in the larger picture of comics and popculture?
Thursday, January 17 2013
"For a moment I imagine that scary Go-To-Bed Clown that used to appear at your window, each night as you tried to fall sleep. But talking about the sheer masterfulness of the Joker's creation isn't the scary thing in this interview. The scary thing is Scott himself…"
Thursday, January 10 2013
Django Unchained is quite possibly the finest example of an adapted-from-film comicbook, except of course, it's really not, not entirely…
Wednesday, January 9 2013
Earlier on in the Batman storyarc "Death of the Family", we were introduced to the idea of the Joker as court jester, but this obfuscates seeing him for what he is: Peter Pan…
Monday, January 7 2013
The comic book movie boom we've been riding for a little over a decade now has shown no signs of going bust. If anything, the boom is only getting bigger and more comic-bookish.
Thursday, December 27 2012
PopMatters Comics Editor Shathley Q and Associate Editor Michael D. Stewart didn't get to talking about everything…only the things they connected with emotionally, and the ideas that these things brought them into…Here it is, your view of comics, superheroes and transmedia…Enjoy it in good health, this Mayan Doomsday…
Friday, December 14 2012
It's not right on the cusp of Amazing Spider-Man #700, writer Dan Slott takes us back to 80s body-swap comedies, or even that those comedies have a pedigree in Gilded Age satire…it's what pushing Spidey into those genre do to the hero's characterization…
Thursday, December 13 2012
After the success of Joss Whedon's summer blockbuster the Avengers, there needs to be a title that captures the essence of the movies while retaining the force and the intricacies of the comicbooks. Jonathan Hickman's Avengers is that series.
Monday, December 10 2012
In some sense, Scene of the Crime birthed the universe of grifters, drug runners, and unlucky bar flies that help make Ed Brubaker's books what they are…
Friday, December 7 2012
It's the kind of conversation that can only play out on Black Friday, sequel to what this year became know as Black Thursday, the day we used to call Thanksgiving…