Recent Features
Wearing the Wrong Clothes: An Interview with Punk-Hippie Alig Fodder

Front man of shape-shifting post-punk act Family Fodder talks about the early days, the songwriting process, and how an unbridled fashion sense may have kept them out of the limelight.

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Must We Sacrifice the Beasts at the Altars of Our Fierce Gods?

Like the Aztecs before us, and despite the sheen of humane treatment, zoos continue to be sites of ritual animal sacrifice.

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Lick Your Fingers. Bite Your Nails. Now How’s That Appetite?

You’ll really feel like you’re in a KFC when those 11 herbs and spices waft up your nostrils on a wave of ethyl acetate.

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The Other Side of Terry Reid

In the middle of his busiest year in recent memory, Terry Reid -- subject of documentaries, rarities releases, and even Johnny Depp's affection -- could not be more excited.

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In the Aftermath of the Brexit Vote: Staring Into the Void

Manufacturers of the ubiquitous ‘Keep Calm and Carry On’ t-shirts can at least look to a rosy future, as that slogan is about as near to a plan as anyone has yet mustered.

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Get All You Deserve: An Interview with Steven Wilson on Streaming Music

Porcupine Tree's centerpiece Steven Wilson held out to streaming services longer than the Beatles and Led Zeppelin. Why he changed his mind recently proved worthy of a lengthy discussion.

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Dark Knight of the Republic: The Terrifying Monsieur Pasqua

As hatchet man and master of dirty tricks for Charles de Gaulle, Pasqua operated under the ethos that "democracy ends where the interests of the state begin."

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A Spiderweb of Sorts: Interview With Juanita Apraez Murillo of SEEYOUSOUND

The program at SEEYOUSOUND International Music Film Festival includes competitive sections of music videos, shorts, and feature film.

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Sing My Songs to Me: Eric Johnson on the Return of Fruit Bats

Having left behind a highly identifiable name in 2013, Eric Johnson embarked on a career as EDJ. The music stayed the same but, Johnson says, a little bit of confusion in the marketplace had to go.

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Why Is Opera So Derided in America?

Prokofiev's The Fiery Angel offers everything movie goers seek: debauchery, religious obsession, exorcisms, devilish abuses, graphic sexual assault, and a variety of horrific effects both musical and visual.

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Ralph Fiennes and Vanessa Redgrave Re-team in the Almeida’s Excellent ‘Richard III&#8217

Rupert Goold’s spare, intense production divests Richard III of any pantomime associations and boasts an astounding performance from Ralph Fiennes as the treacherous monarch.

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Who’s Better Than Mark Twain at Bible-bashing?

Sounding more like Christopher Hitchens than a lapsed Presbyterian from the 19th century, Mark Twain rips apart Testaments Old and New.

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Living the Dream: Robin Clark and Carlos Alomar Remember David Bowie and Luther Vandross

"Then we got to a point in our lives when we met David Bowie … and I didn’t even know who David Bowie was."

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Principled Pleasure: Janet Jackson’s ‘Control’ at 30 Still Commands Respect

A masterpiece of self worth-themed contextual pop proves our idiocy for downgrade shaming her to the status of "wardrobe malfunction".

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Packing Bags and Hittin’ the Road: A Look Back on Music Gatherings of Yore

Remember when Mumford and Sons spent their pre-show hours swinging from tires in a lake crowded with fans?

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The Eye Pointed In: An Interview with Spencer Krug of Moonface

Man of many hats Spencer Krug discusses new Moonface release My Best Human Face, future collaborations, and avoiding "just icing" lyrics.

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An Englishman in the American South

Five Southern states in 11 days: scattered views from the old world.

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13 Jun 2016 // 3:00 AM

Destruction and Space: An Interview with Heron Oblivion

The heavy psych supergroup (that's half of Comets on Fire, Espers' Meg Baird and guitar wizard Charlie Saufley) makes a beautiful noise, with plenty of space for reflection and experiment.

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The Turner Prize: A Brief Introduction to Film and Video (and Disappointment in 2016)

If we look past the ludicrous, carnival facade of The Turner Prize, the obscured film work might be less on the “outer fringes of the map of cinema” than we are led to believe.

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Helen McCrory Captivates in the National Theatre’s Revival of ‘The Deep Blue Sea’

Carrie Cracknell delivers a beautiful, sensitive and measured production of the Terence Rattigan masterpiece.

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More Recent Features
//Mixed media
//Blogs

Intimacy with the Devil: Horror and 'the static speaks my name'

// Moving Pixels

"the static speaks my name creates an uncomfortable intimacy between the player and the protagonist.

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