Recent Features
Keller Williams Huffs a Musical ‘Vape’ With His New Record

Two decades into his career, Keller Williams still feels more like a summer tour pal that anyone can relate to, rather than a distant rock star.

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“We’re All Fans”: An Interview with Judas Priest’s Ian Hill

Over 45 years in music, 17 studio albums and 45 million records sold. Judas Priest's only constant member talks about the band's storied history, the evolution of heavy metal, and the 30th anniversary of their seminal classic Defenders of the Faith.

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29 May 2015 // 2:30 AM

The Dark Net: Inside the Digital Underworld

All it takes is the installation of one free web browser to access a realm of the internet where, for a certain amount of cash, you can join in an assassination betting pool.

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Is There Anybody Out There? Looking for UFOs in the California Desert

With his appearance at the Contact in the Desert conference this year, Jim Marrs continues to spread his unconventional views on what is really going on in the world.

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22 May 2015 // 8:10 AM

Why It’s Time to Stop Hating Spotify

An independent artist opens up about how much he’s earned from Spotify, what it means to his band, and why listeners should feel good about the shift to streaming consumption.

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There’s a Freak Out Brewin’ at My House: The State of DIY Music in Santa Fe

In the words of Santa Fe musicians, when it comes to making a DIY music culture grow and stay nourished, "If you’re not gonna work, it’s not gonna work for you.”

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Jim Cornette on Rescuing the Lost Carolina Wrestling Classics

Jim Cornette is one of the most outspoken figures in all of pro wrestling, but his journey to unearth rare, lost match footage from decades prior makes for a story worth telling.

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Ubiquitous Grooves: A Vinyl Obituary

Perhaps these days our real choice is not between buying vinyl or digital, but between listening and not listening.

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Young Fathers Want to Change What’s Normal

With their new album White Men Are Black Men Too, Young Fathers look to shake people from complacency and change their understanding of pop.

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The Cathedral and the Shrink’s Office: ‘All Things Must Pass’ vs. ‘Plastic Ono Band’

All Things Must Pass and Plastic Ono Band are the best of the post-Beatles albums because they demonstrate the opposing modes in the ways we exist.

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Looking Into the Future of Cinema with Director John Boorman

The iconic Academy Award-winning director John Boorman discusses what may very well be his final masterwork, Queen & Country.

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Everclear’s Art Alexakis Is the Man Who Broke His Own Heart

Everclear's Art Alexakis reflects on his career in music as well as his band's "best-sounding" new album.

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Ecologizing the Political: Scapegoating, the Naturalistic Metaphor, and Propaganda

Metaphors reliant on "phobias" and "plagues" pass the buck to future generations, as if we have no control over our situations, when we in fact do.

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An Artist Living in an Edgeland: An Interview With LoneLady

"If you've been shaped by a brutish environment," Manchester artist LoneLady tells PopMatters, "You don't have the luxury of making 'soft' music."

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For Good Food Go North: An Interview With Iceland’s Chef Gunnar Karl Gislason

A new generation of Icelandic chefs and consumers are rediscovering the value, and taste, of local food traditions.

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The Liberation of Best Coast: An Interview with Bethany Cosentino

The singer, guitarist, and songwriter of Best Coast discusses the influences behind their new album California Nights, the double-edged sword of success, and the band's constantly evolving legacy.

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Deconstructing the Star Beast: How the ‘Alien’ Saga Went Wrong

Alien was a planned B-Movie that transcended its genre and spawned the rare sequel that is neither imitation nor complete deviation. Then the saga went to hell.

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“The Only Good Bug Is a Dead Bug”: ‘Starship Troopers’ and the Politics of Science Fiction

There's little a remake of Starship Troopers could add to the original's deceptively deep insights into the nature of social organization.

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Kevin Barnes’ Monolithic Egress: An Interview with of Montreal

Of Montreal's Kevin Barnes explains why it's OK to make music that's ugly, why he loves Os Mutantes, and why he can't recreate his most hated song ever.

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24 Apr 2015 // 1:10 AM

Vinyl: The Analogue Record in the Digital Age

As a multifaceted cultural object, vinyl has remained a persistent force within our technologically accelerated culture -- although not without bumps in the road.

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More Recent Features
//Mixed media
//Blogs

Kiasmos: 26 May 2015 - Rough Trade NYC (Photos)

// Notes from the Road

"Kiasmos is the exciting, dark and trippy electronic project from Ólafur Arnalds and Janus Rasmussen.

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